Tag Archives: photography

Barber and His Shop

Barber and His Shop
A barber takes a break on the steps of his shop, London

Barber and His Shop. London, England, UK. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A barber takes a break on the steps of his shop, London

We spent a few late afternoon and early evening hours wandering around this area of narrow streets and small shops, killing time before a scheduled evening event. It was a warm evening, and this fellow was sitting on the steps in the doorway of his shop, probably getting a bit of fresh air, when we walked past.

From time to time I’ve read about people with some strict “rules” about what street photography is and is not. They often involve the equipment used, a preference for black and white, a challenge to get in the faces of subjects, and the desire to produce a certain “raw” look. There is nothing wrong with any of that, but I have my own notions about street photography — what it can look like, how it can be done, and even the boundaries around the subjects that qualify as street. It can be and up close, black and white image of a person doing more or less nothing special. But it can also be an urban landscape in which the wildlife is human. It can be in color. People do not necessarily have to be included. It can be produced in a slow and methodical manner or spontaneously while in motion. To make this photograph – notice the very low camera position — I held the camera down at my side and “shot blind” as we walked past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Street Scene, Child, Window Reflection

Street Scene, Child, Window Reflection
A child appears to yell at a reflective window in front of a London street scene

Street Scene, Child, Window Reflection. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A child appears to yell at a reflective window in front of a London street scene

This is one of those “either you get it or you don’t get it” photographs. We were in London for a bit more than a week, as part of a five-week period on the road through places including New York, London, Paris, Germany, and Italy. I know that not every “landscape photographer” feels the same way, but I love photographing the streets and people when I’m in places like this. In some ways it is a sort of counter to what I more typically do — I can work handheld rather than with a tripod, I tend to carry minimal equipment, and photographing “the street” often compels me to work quickly and instinctively.

We were out walking somewhere in London — I’ve forgotten the exact context — and we ended up on this busy street full of pedestrians. There is a lot to think about and to see in this photograph, at least in my view. The sky blue color figures prominently in many places within the frame. The carefree girl walking toward her reflection is the center of the scene for me, but behind we also see a couple and an older woman walking away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cafe, Montmartre

Cafe, Montmartre
Evening scene at a cafe in Montmartre, Paris

Cafe, Montmartre. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening scene at a cafe in Montmartre, Paris

This photograph was made on a warm summer evening last summer in Paris, on the day that we arrived by train from London. I’m almost embarrassed to say that this was our first ever visit to Paris — it is a long story — but I’m also very happy that we did get there, spending a beautiful week in the city. As first-time Paris visitors, we had little idea what we were doing, an issue perhaps compounded by the fact that I generally don’t like to do too much research about a place before arriving. Oh, and we don’t speak French. All of that aside, we made it from the train station to our hotel, and set out on foot in the early evening to try to get our bearings.

We had virtually no idea where we were going. We understood that we were in Montmartre, which we had selected at least in part because our son and daughter-in-law had stayed in the area recently. I won’t recount the entire story of our random wanderings through areas that we began to understand a bit better by the end of our visit, though in another post I may share the tale of our “discovery” of a rather well-known place. In any case, we were hungry, and it didn’t take us too long — though longer that it took on the following evenings — to figure out that finding a place is not a problem in Paris. In fact, we ate at this place…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pedestrians, Le Marais

Pedestrians, Le Marais
“Pedestrians, Le Marais” — People on the sidewalk in Le Marais, Paris

Le Marais, where we ended up almost by accident as we searched for a photography museum in Paris, turned out to be a wonderful place to make photographs. The old streets are narrow, predating the more recent modernization of many parts of Paris, and the buildings are often old. Most people are on foot, and there are wonderful back drops for photographing them everywhere.

The person in the colorful clothing, paused against the textured and weathered wall for a cellphone check, first caught my attention. I did make another photograph in which this person is the only figure, set off against a very large expanse of wall. But when I have the chance I often like to try more than one interpretation of a subject, so I framed a vertical composition and waited for other passers-by to walk through the frame, trying to catch them in interesting juxtapositions and poses.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.