Tag Archives: point lobos

Rock Face, Pacific Coast Shoreline

Rock Face, Pacific Coast Shoreline
Fractured layers of rock ascending above the edge of the ocean, Point Lobos.

Rock Face, Pacific Coast Shoreline. © Copyright 2022 G Dan Mitchell.

Fractured layers of rock ascending above the edge of the ocean, Point Lobos.

This little peninsula at Point Lobos State Reserve couldn’t be more than a couple of hundred feet long, if that. I first visited it when I was a pre-teen and my family came here to explore tide pools. Later I took a camera and photographed here starting in my teenage years and continuing from time to time since then. By now you would think that I’d know every single rock, crevice, and layer. Yet when I go back I still see things I had missed before.

These rocks are on the inland side of the low peninsula that extends a short distance toward the entrance to a small cove. Even at high tide the rocks remain above water, though in heavy winter surf the waves can crash over this formation. It is a striking bit of rock, cut through by curving strata that briefly rise to the surface and then submerge again as they head inland. The material is what I presume to be a conglomerate, so there are many contrasting smaller embedded rocks. It is cut by fissures and cracks along the strata, and there is a seeming infinity of color and texture variations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Kelp and Patterned Rocks

Kelp and Patterned Rocks
Kelp on patterned rocks at the high tide line along the Central California coast.

Kelp and Patterned Rocks. © Copyright 2022 G Dan Mitchell.

Kelp on patterned rocks at the high tide line along the Central California coast.

Almost everything about this day followed no plan at all. I knew I wanted to photograph along the coast, but wasn’t sure where. I headed toward the upper Big Sur coast, but as I passed Point Lobos I thought, “Maybe here.” But I kept going, until a couple of miles later when the answer came to me: “Yes, Point Lobos.” I turned around and headed back to the reserve. I drove in and made a habitual first stop at Whalers’ Cove, then stopped at Weston Beach. Thought I’d take a quick look. That quick look lasted well over an hour.

The conditions weren’t ideal for photographing big landscapes and seascapes. It was fairly gray with what Californians sometimes call “high fog” or “coastal clouds.” While these conditions aren’t great for long views, the soft light can work well for more intimate subjects. And in this particular spot there’s no end of little things to attract my attention: kelp, shells, colorful rocks cast up onto the underlying rock patterns of folded layers, reflections, and more. At one point someone asked what I was photographing, and when I answered “whatever I can find” they just looked at me like I was nuts.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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At the Wrack Line

At the Wrack Line
Material washed up by the tide at Weston Beach, Point Lobos

At the Wrack Line. © Copyright 2022 G Dan Mitchell.

Material washed up by the Pacific Coast tide.

It had been too long since my last visit to the coast. The Pacific Ocean is barely more than a half hour away, and the Big Sur coast is only about twice that far. This coast has been part of my life since my parents took our family there when I was a child. When traveling, two things make me nervous – being too far from mountains and being too far from the coast. So this morning, after too long of an interval, I headed over there and ended up at Point Lobos.

Much to my surprise, my first stop was at the place known as Weston Beach. (It always feels like it should be called Weston Cove, but I digress.) As I began photographing I felt a bit like perhaps I was revisiting a place that has been done, and overdone, and overdone again. But I have a personal connection to this little cove and its rocks and pebbles, and I ended up enjoying a rather long period of slowly poking around, checking out rocks, looking for stuff washed up on the shore. (About that title: I had to look up what to call this stuff, and I learned that the closet thing to an official term for natural things washed up on the beach is “wrack.”)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest and Fog

Forest and Fog
Sunlight begins to thin the morning fog in a Monterey Peninsula forest.

Forest and Fog. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sunlight begins to thin the morning fog in a Monterey Peninsula forest.

Today we visit the California coast below the Monterey Peninsula, at the Point Lobos State Reserve. (That is the actual name, though many of us casually refer to it as a state “park.”) I have gone to this place for decades, since my parents took us there as kids. Back then the big attractions were the tide pools (the number one attraction!), the various sea mammals, and the surf. Those are still on my list when I go there, though now I’m more likely to go with the goal of making photographs. (The place, like so much of the Big Sur coast, has become almost impossibly popular, so I try to visit at odd, off-peak times.)

I had gone down there on this 2013 early spring day to make photographs. My typical routine is to arrive very early, before those crowds show up, and spend a few hours photographing in relative quiet. This time I headed to a location in the more northerly portion of the small preserve, where there are views back across the coastal forests and toward the low hills to the east. Because it was morning, the sun was coming over those hills just as the fog was starting to then, allowing a bit more light into the gaps between the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.