Tag Archives: point

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Young Elephant Seals

Young Elephant Seals
Young Elephant Seals

Young Elephant Seals. Coastal California. February 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of young elephant seals along the California coast

Back in mid-February we took a day to make a very long looping drive from the San Francisco Bay Area down to almost Morro Bay and then back up the coast highway along the Big Sur coastline. The plan was to both visit the elephant seal areas near the southern end of this drive and to also look for landscape photography opportunities. Starting out early in the morning, it looked like the rainy weather to our north might not follow us south… but we were wrong. It was cloudy the whole way down, and when we arrived at this coastal elephant seal “nursery” it rained intermittently. Sometimes rain can be wonderful for landscape photography, but somehow this rain wasn’t quite playing out that way, so we focused on the wildlife instead. (Later, the weather did offer up some very interesting light as the weather began to break further up the coast.)

The area where I photographed these elephant seals is a well-known one right along the highway and, as expected, there were quite a few other people there to get close up looks at these impressive creatures. At this time of year there are large bulls, nursing mothers, young animals (that appear to me to be more or less adolescents), and nursing pups. Compared to certain times of the year when the bulls are jousting and fighting, things seemed rather calm. For the most part the seals seemed to largely be lounging around on the sand. We walked the opposite direction from the large crowd and found some good overlooks from which the seals could easily be photographed with long lenses. In places there were groups of these younger animals clustered closely together, presenting an image that seemed anthropomorphically “cute.” But don’t be fooled – these are pretty tough creatures that seem to lead a tough and challenging life.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dormant Oaks, Winter Mists

Dormant Oaks, Winter Mists
Dormant Oaks, Winter Mists

Dormant Oaks, Winter Mists. Yosemite Valley, California. February 23, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Dormant oak trees silhouetted against winter morning mists and cliffs, Yosemite Valley, California

This is an alternate version of a photograph that I shared earlier. Back in February I was in Yosemite Valley briefly for the opening of the annual Yosemite Renaissance exhibition, and this gave me one day to photograph there in interesting conditions. While the most familiar images of the Valley for most people probably involve waterfalls and spring or summer sunshine on granite (with a few well-known exceptions!), my favorite conditions involve snow, clouds, mist, and perhaps even a bit of rain. All of those were present on this day!

I was up quite early, and since we stayed in the Valley it was only a matter of taking a short walk and I could begin shooting. For a place that can be impressively or even depressingly crowded at certain times of the year, it is possible to find near-solitude on a cold and wet winter morning just before dawn, even in places that would typically be quite crowded during popular times of the year. In fact, this photograph was made from a shuttle bus stop not far from Yosemite Falls! I had been photographing nearby meadows and trees when the mist turned to sprinkles and then to rain, and I went to the shuttle stop to find temporary cover under its roof – only to realize that some interesting shots might well be possible from under this shelter!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Granite and Trees, Morning

Granite and Trees, Morning
Granite and Trees, Morning

Granite and Trees, Morning. Yosemite National Park, California. May 12, 2003. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning light on granite slabs in the Yosemite high country.

These are the light, the rocks, the trees that bring me back to the Yosemite high country of the Sierra Nevada every year when Tioga Pass opens and which keep me coming back until the high country closes again in the fall. Tioga Pass opened for the season this past weekend, and that – plus the chance to see a show and visit with some friends in the Valley – was excuse for a quick visit. I try to go over the pass each season on the day it opens or shortly afterwards. For me, crossing that pass and starting down the road into Lee Vining Canyon marks the start of “summer,” even though the calendar still says it is spring.

Since the high country camp grounds are not open yet and the Forest Service camps east of the pass are also still closed, I ended up getting a last-minute camp site in Yosemite Valley. (This also provided the opportunities to attend the reception for John Sexton’s and Anne Larsen’s show at the Ansel Adams Gallery, to hear John’s wonderful talk about Ansel Adams that evening, and to get one last crack at photographing this year’s dogwood bloom.) On the first day I did little more than make an obligatory drive up toward the pass and see the familiar country. This was the second dry winter in a row in California, and there is very little snow for such an early date in the season. Perhaps because of this, there were far fewer people up there than on other recent opening days. On the second day I got up well before dawn and left my Yosemite Valley camp in darkness, driving up Tioga Pass road early enough to photograph in the May Lake (turnoff), Olmsted Point, and Tenaya Lake areas in early light. Here I found what I was looking for – sparse trees in the back-light from early morning sun, ridges of exfoliating granite, and a bit of hazy morning atmosphere. I suppose it might just be my first high-country photograph of the new season.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.