Tag Archives: rain

Wall, After Rain, Night

Wall, After Rain, Night
Wall, After Rain, Night

Wall, After Rain, Night. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. Copyright 2014 G Dan Mitchell – all rights reserved.

Night photograph of the walls of an industrial building reflected in a pool of rainwater, Mare Island Naval Ship Yard

Recently I returned to the Mare Island Naval Ship Yard with my friends from The Nocturnes, a group of folks who focus on night photography. The Nocturnes have been photographing there for many years and the group forms a core of San Francisco Bay Area night photographers. Mare Island has become something of a mecca for night photography in the area, to the point that you can often find photographers shooting there in the dark and so that certain images from the location have achieved an almost iconic status. I first photographed there about a decade ago, and I’ve gone back at least a couple of times each year, to the point that I now have quite a few images of the place.

Having shot there so much, the way I approach the subject has evolved. At first, like anyone else getting to know the place, I focused on the well-known shipbuilding machinery—steel towers and cranes, dry docks, and so forth. Eventually, I began to look for other subjects, and I also began to understand the patterns of the place. Shooting on a full moon night is one thing, while shooting on a completely dark night another. Clear skies bring different opportunities than clouds. (I’m still waiting for a foggy night there!) More recently there have been changes to the area lighting on the island. The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. (Or at least it did. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) The weather is a major player, and it had rained the week beforehand. Because of this I was on the lookout for puddles and pools that might reflect the images of Mare Island structures, and here I found a very large puddle right in front of the wall of this large building.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dissipating Rain, Cottonwood Mountains

Dissipating Rain, Cottonwood Mountains
Dissipating Rain, Cottonwood Mountains

Dissipating Rain, Cottonwood Mountains. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The last vestiges of dissipating afternoon rain showers fall over the Cottonwood Mountains, Death Valley National Park

I have written in the past, here and elsewhere, about how I “see”—which is a very complicated subject and one that I sometime struggle to explain. (Here I think of the quote attributed to Ansel Adams: “When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.” Those who know me may scoff at the possibility of the “silence” part of this, but still…) One aspect of my seeing, and one that I know I share with other photographers, is that I carry around a sort of mental library of visual bits and pieces, light and color and things that I want to see and, in fact, expect to see at some point. I am aware that some of these come from far back in my memory, and I can even associate them with experiences when I was quite young. One category of these “bits and pieces” has to do with curtains of rain falling across mountain ridges. When I was quite young, my family went on a drive to Southern California and on the way we drove across an agricultural valley, and still today the image I saw of rain falling in the mountains we were about to cross is still clear in my mind as is the magical impression that it made on my young mind.

So, in a sense, this is yet another working out of that category of subjects from the mental image library. These are very different mountains from those I saw so many years ago, but the them of semi-transparent sheets of rain falling in front of mountain ridges and obscuring the details is the same. These ridges are in the Cottonwood Mountains, a sub-range of Death Valley National Park’s Panamint Range. The rarely look quite like this, being a very arid, rugged, and austere desert range. But this was a day of rain (and snow!) and late in the day, as we photographed from an elevated location out in Death Valley, the weather began to clear and the clouds dissipated, leaving behind final backlit curtains of falling rain above the mountains.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Mountains, Spring Rain

Desert Mountains, Spring Rain
Desert Mountains, Spring Rain

Desert Mountains, Spring Rain. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A spring storm moves across the summit of the Cottonwood Mountains, Death Valley National Park

I have long been intrigued by the rising layers of ridges in the Cottonwood Mountains of Death Valley National Park. Not only do they rise dramatically from the floor of the valley, but the view of more distant peaks evokes for me thoughts and memories of more remote places in the park, ranging from well-known locations like the Racetrack Playa to less known canyons and washes. Below the range is an enormous mass of alluvial material washed down from these mountains, and the base of the range is breached by many canyons. It can be challenging to photograph since it is some distance from easy overlooks, making haze an issue, and for other reasons.

This was a day of “interesting” and diverse weather. It began with the arrival of a weather front, scattered high mountain snow flurries that eventually became steady snow in our location, soft light as the snow diminished but clouds remained, and the gradual clearing with scattered weather cells passing by. As we descended from shooting in the Panamint Mountains—where is was largely clear by this time—we looked across the wide valley at the base of the Cottonwood Mountains to see that dramatic clouds filled the sky above the range as snow and rain showers pass across its peaks and valleys.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rain, Cottonwood Mountains

Rain, Cottonwood Mountains
Rain, Cottonwood Mountains

Rain, Cottonwood Mountains. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Afternoon showers from a clearing storm fall on receding ridges of the Cottonwood Mountains, Death Valley National Park

This had been a “weather day,” with several hours of snowfall high up in the Panamint Range, where we had photographed sunrise—such as it was— and wildflowers and, of course, snow. We spent the morning and half the afternoon kicking around up high in these mountains, enjoying the late-season surprise cold weather, finding tons of wildflowers, and visiting various historical remnants of the mining days in Death Valley National Park. My typical shooting day in a situation like this starts well before dawn, includes a midday break, and then moves on to late afternoon and evening shooting until it is dark. But it was well past mid-afternoon when we finally descended from the Panamints.

There was no time for a real break, so we headed right on out to find an evening subject. We had not yet photographed in the Mesquite Dunes, and my initial thought was to photograph there in late afternoon and evening light. In the right conditions there can be wonderful light late in the day, especially during the final few minutes before the sun leaves the dunes. But there were still clouds floating around, especially to the west, and I wasn’t at all sure that we would see the good light out among the dunes. So I decided that it might make more sense to go to a higher spot where the wider panorama would let me pick out various areas of the Valley and surrounding mountains as the light changed. Arriving at “the spot,” I looked west and saw that showers were still falling over the Cottonwood Mountains and glowing with backlight from the late afternoon sun, so I put on the long lens and made some photographs of portions of the range where the falling rain masked the details and turned the mountains into abstract shapes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.