Tag Archives: range

Wildflowers, South Death Valley

Wildflowers, South Death Valley
“Wildflowers, South Death Valley” — A flower-covered landscape with a hill and the lower panamint Range.

Is this a so-called “super bloom” year in Death Valley? The term seems subjective, and there does not seem to be a clear demarcation between a really great bloom (which this season is certainly providing) and a super bloom. From what we saw in late February, I think there’s a case for calling 2026 one of the exceptional super bloom years.

There were lots of wildflowers where I photographed this scene at the southern end of the valley. Extensive fields of desert gold stretched across gravel fans and up hillsides. Pinkish sand verbena covered lower, sandy areas. (It is subtle, but if you look closely you can see the pink-purple color between the foreground yellow flowers and the shadowed hill.) Colorful clumps of purple phacelia were everywhere.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Blue Hour Sky, Lake Manly

Blue Hour Sky, Lake Manly
“Blue Hour Sky, Lake Manly” — A cloud-filled blue hour morning sky above Lake Manly.

When I go out to photograph I often have ideas about what my subject will be and even how it may look. On this morning I was thinking of colorful dawn light, perhaps illuminating some early morning clouds, and the first direct light striking the peaks of the distant Panamint Range mountains. Instead, the cloud deck was thicker than expected, and instead of sunrise colors I had something more like morning blue hour light.

When photographing landscape, there is a lot that is out of our control — the light, the clouds, and more. We have to be ready to work with the conditions that we are given. So on this morning I decided to “go with the blue” rather than hoping for warm colors that were not going to appear.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lake Manly, Winter Sky

Lake Manly, Winter Sky
“Lake Manly, Winter Sky” — Winter sky and its reflection in Lake Manly.

Yes, this is a desert! We are back from our second recent visit to Death Valley. On the first we experienced cool temperatures and rain at the end of December. Since the prospects looked good for wildflowers in the months ahead we booked a late-February return visit. There’s always a lot to photograph in Death Valley but, as a friend pointed out, the stars of the show right now are the wildflowers and Lake Manly. I photographed both, but I’ll start with Lake Manly.

For those who may not know, Lake Manly forms in the Badwater Basin during exceptionally wet years. It was deeper and larger last year, but it is still there and covers a lot of the salt flats. We visited early in the morning this time. The clouds suppressed any brilliant sunrise colors, but as a counterpoint they produced beautiful patterns in the sky which were reflected in the waters of Lake Manly.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Evening Road, Death Valley

Evening Road, Death Valley
“Evening Road, Death Valley” — A gravel road descends toward desert playa under evening skies, Death Valley

Sights like this become familiar if you spend much time exploring Death Valley National Park — a deserted gravel track heading off into the arid landscape with hills in the distance. There are variations: a narrow track following a streamed winding between high walls, a road crossing high desert mountains, and others. This particular example is not all that isolated — though it doesn’t get a lot of visitors.

It was late in the day and we had hurried back down into the Valley in hopes of low-angle sunlight on the terrain between the road and the far hills. That did not happen, and the light was somewhat flat. But the same clouds that blocked the late-day sun also filled the sky above the desert terrain in this photograph.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.