Tag Archives: red

Base of the Red Cliffs

Base of the Red Cliffs. Death Valley
“Base of the Red Cliffs” — Gullies, folds, strata, and morning shadows at the base of the Red Cliffs.

The title says “Red Cliffs,” but you might be thinking, “They don’t look very red to me!” In more neutral light the formations in the upper part of the photograph, and even more so the formations above the margins of the photograph, do have the familiar red rock quality — though it would be fair to say that they are as much brown as red. But in this stark early morning light, just after sunrise, the colors are warmed so much that they are more yellow or orange.

In many ways the geology of Death Valley produces a blank canvas for photographers who want to work with varied light. For the most part, Death Valley’s colors are subtle. The lighter portions of the formations in this photograph are a sort of muted tan in midday light. But as with so many other subjects here, this muted, neutral quality allows them to pick up the colors of sunrise/sunset, twilight, colorful clouds, and reflections from nearby formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Woman in Red Coat

Woman in Red Coat, Paris
“Woman in Red Coat” — A woman in a red coat sits on steps outside a Paris building.

This is another of the “grab shots” that I often come away with when I’m doing street photography. Here things appear and disappear quickly, and it is often more a matter of grab-that-shot than careful and slow consideration of the subject. Here I simply spotted this women on the steps and wearing the striking red coat as we walked past.

It can sometimes be hard to articulate precisely what I see in a photograph that I make. Here, I think that the color of the woman’s red coat is pretty important, as it stands out against the cooler colors in the rest of the scene, especially the color blue. I also was attracted to the somewhat melancholy feeling of the woman sitting alone on the steps in front of the badly weathered doorway. Form is also important, and here the mirrored shapes of the planter boxes create a kind of background rhythm.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Funeral Range, Last Light

Funeral Range, Last Light, Death Valley
“Funeral Range, Last Light” — The last direct light of the evening shines on the Funeral Range, Death Valley.

Am I the only person who has a set of odd little personal spots where they like to stop — places that others might pass by without noticing anything special? Over the years I’ve collected quite a few: a rock outcropping in Tuolumne Meadows, a bench at the high point on a local trail, a particular tree in the Central Valley, and this place in Death Valley National Park.

Years ago I turned off the road that passes through here and walked to the top of a small rise with my camera. There are no icons visible from the place, but it is in the middle of a portion of the immense, still, quiet space of this park. Something about it resonated with me, and I go there on every return trip. This time it was evening when I arrived, and I photographed the very last sunlight of the day on the Funeral Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Woman in Red

Woman in Red, Paris
“Woman in Red” — A woman in red pauses to look at a shop window in Paris.

I thought of calling this “Paris Style” or similar, but to be honest, in many ways Paris style isn’t all that much different from what we see in other cities… and that title might just be falling for a common stereotype. (Note the red beret, for example.) Nonetheless, this rather stylish woman caught my attention, in her striking red outfit.

It was a very cold day in Paris, and we were out for a lengthy walk back in early December. I think that I made the photograph in or close to Le Marais, the well-known central Paris district with the narrow old streets — in contrast to typically more modern streets elsewhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)