“Funeral Range, Last Light” — The last direct light of the evening shines on the Funeral Range, Death Valley.
Am I the only person who has a set of odd little personal spots where they like to stop — places that others might pass by without noticing anything special? Over the years I’ve collected quite a few: a rock outcropping in Tuolumne Meadows, a bench at the high point on a local trail, a particular tree in the Central Valley, and this place in Death Valley National Park.
Years ago I turned off the road that passes through here and walked to the top of a small rise with my camera. There are no icons visible from the place, but it is in the middle of a portion of the immense, still, quiet space of this park. Something about it resonated with me, and I go there on every return trip. This time it was evening when I arrived, and I photographed the very last sunlight of the day on the Funeral Mountains.
“Woman in Red” — A woman in red pauses to look at a shop window in Paris.
I thought of calling this “Paris Style” or similar, but to be honest, in many ways Paris style isn’t all that much different from what we see in other cities… and that title might just be falling for a common stereotype. (Note the red beret, for example.) Nonetheless, this rather stylish woman caught my attention, in her striking red outfit.
It was a very cold day in Paris, and we were out for a lengthy walk back in early December. I think that I made the photograph in or close to Le Marais, the well-known central Paris district with the narrow old streets — in contrast to typically more modern streets elsewhere.
“Woman and Delicatessen” — A woman walks past the Marianne delicatessen, Paris.
This photograph comes from one of our long walks during our early-December visit to Paris. We have been to Paris before, but always in the summer. The winter (technically, very late fall) visit felt quite different. There are still tourists — like us! — but in far lower numbers. But the biggest difference is that instead of the usual pleasant to hot summer weather… it was cold and gray the whole time.
As with several of the other recent Paris photographs, this one falls into the “quick grab” category, in which I work very fast before an opportunity disappears. Here it was partly the woman walking toward my camera position — I managed to get two frames including her before she was gone. I’m also fascinated by a few other things, including the prevalence of the color red in this scene, along with the extensive plant life above the canvas overhang.
“Passing Cyclist, Le Marais” — A bicycle rider quickly passes at a cross street in Le Marais, Paris.
I often ponder the similarities and differences among the various genres of photography I pursue. (If you follow me you have seen everything from landscapes to night photography to street photography to travel and more.) The connection between landscape and street photography especially interests me, partly because many people think of them as being utterly different. I think that there are some similarities. For example, I often think about the street landscape first, and then wait and watch for someone to animate it.
That was the case here. I was interested in the wall at the end of this narrow street, and the way that its view is bounded by the darker walls on either side. I knew that I could photograph people as they passed by. One tricky part of this is that I had no idea who was about to enter the scene or from which direction. So I had to be ready to react quickly. (This necessarily results in some less than remarkable photographs, too. I won’t share those!) The time was even shorter as this woman sped past on her bicycle.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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