Tag Archives: red

Photographs: Nature

Lupine And Paintbrush

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The flowers of lupine and paintbrush plants, Pinnacles National Park
The flowers of lupine and paintbrush plants, Pinnacles National Park

Lupine And Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

The flowers of lupine and paintbrush plants, Pinnacles National Park.

I found these wildflowers — lupine and paintbrush — along the High Peaks Trail and Pinnacles National Park on a recent visit this spring. I had gone there to try to catch the tail end of the spring wildflower season, which was quite good this year following heavier-than-average rainfall. I also felt like it was time for a good hike over some mountainous terrain. This route gave me both.

While wildflower photography constitutes a small portion of my work, I’ve been attracted to the subject ever since I started going into outdoor places decades ago. This year, for the first time, I finally have a macro lens, arguably the ideal tool for this subject. My ideal wildflower subject probably has some combination of the following: an interesting flower or flowers, perhaps some colors that are both striking and interact well, soft light, a background that is either not distracting or which can be made so with focusing techniques. This one group of flowers gave me most of that. In an area that was largely in sun and mostly featured clumps of individual types of flowers, here I found the red paintbrush and the blue/purple lupine juxtaposed in a narrow band of shade.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature

Desert Indian Paintbrush

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Desert Indian Paintbrush
Indian paintbrush flowers in a canyon at Death Valley National Park

Desert Indian Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

Indian paintbrush flowers in a canyon at Death Valley National Park.

This impressive — and very red! — flower and its neighbors were photographed in Death Valley National Park in early April, as this year’s spring bloom seemed to be getting underway in earnest. Predicting desert wildflower bloom timing is a tricky thing. This year a lot of folks were saying that there wouldn’t be that much of a bloom since the early season had been rather dry. However, very heavy rains swept through Southern California, including Death Valley, in early 2019. An atmospheric river situation developed near the start of March and there was enough rain to flood washes, fill desert playas, and damage many roads. I had an idea that there might be a good bloom this year, but that it might be a bit later than usual. Judging what I saw on my two visits — one in early March and other at the start of April — that is what happened, and a lot of flowers were emerging near the end of that second visit.

I’m going to use the second part of this post to share a little technical consideration to be aware of when photographing intensely colorful subjects, especially those that are yellow, orange, red, purple, or similar colors. It has to do with exposure. Most digital cameras meter the overall light, but they assume that the colors will be roughly balanced. In scenes with extremely intense colors — like those seen on the paintbrush flowers — the camera’s metering system can over-expose a color channel, often the red channel, even when it seems like the exposure is right. Often the safest thing to do when photographing such a subject (flowers, brilliant sunsets, autumn leaves) is to under-expose by about 1/3 to 2/3 stops so that you’ll retain some highlight detail in the intensely colorful subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hills and Wash

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Hills and Wash
A desert wash winds through colorful hills at the base of the Black Mountains in soft evening light.

Hills and Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

A desert wash winds through colorful hills at the base of the Black Mountains in soft evening light.

I am a bit surprised that I never really noticed this feature before. This wash twists its way up through a series of very colorful hills that are plainly visible from a road that I have travelled many times. I suppose that the explanation may be that I have often passed by on my way to some other specific location, and thus my attention hasn’t been on my immediate surroundings as much as it should have been.

This was a very cloudy evening, but there were brief intervals of light, often filtered by high clouds and in gaps between thicker clouds and a high mountain ridge to the west. It was extremely windy and the light was in a constant state of flux, so when I saw this scene I worked very quickly, deciding that using a tripod wouldn’t help much in the strong gusty winds and that getting the photograph quickly before the light changed was the most important thing. Sure enough, within seconds after making a small number of exposures this light was gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Purple, Green, Blue, And Red

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Purple, Green, Blue, And Red
Objects along the sidewalk, San Francisco

Purple, Green, Blue, And Red. © Copyright 2019 G Dan Mitchell – all rights reserved.

Objects along the sidewalk, San Francisco.

Given its title, it should be obvious that this photograph is, at least in part, about the colors I found in this little downtown San Francisco scene. The specific location probably isn’t too important, though it is a central city area that is not one of great wealth and privilege, but which is perhaps under some pressure from the developmental forces currently bringing radical changes to the qualities that made this city famous.

Sometimes I just make photographs without analyzing too much, and you could look at a photograph like this in much the same way. But sometimes I do ask myself questions, such as “Why would I want to photograph something like this?” The answer is too complex for a two-paragraph web post — and I’m not sure that I know the complete answer — but I do know that I’m looking for order relationships among things that might not be objectively related. (Here those elements include the conjunctions of color and objects.) I’m also, I think, trying to see things for “what else they might be.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.