Tag Archives: red

Photographs: San Francisco, Photographs: Urban/Street

Purple, Green, Blue, And Red

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Purple, Green, Blue, And Red
Objects along the sidewalk, San Francisco

Purple, Green, Blue, And Red. © Copyright 2019 G Dan Mitchell – all rights reserved.

Objects along the sidewalk, San Francisco.

Given its title, it should be obvious that this photograph is, at least in part, about the colors I found in this little downtown San Francisco scene. The specific location probably isn’t too important, though it is a central city area that is not one of great wealth and privilege, but which is perhaps under some pressure from the developmental forces currently bringing radical changes to the qualities that made this city famous.

Sometimes I just make photographs without analyzing too much, and you could look at a photograph like this in much the same way. But sometimes I do ask myself questions, such as “Why would I want to photograph something like this?” The answer is too complex for a two-paragraph web post — and I’m not sure that I know the complete answer — but I do know that I’m looking for order relationships among things that might not be objectively related. (Here those elements include the conjunctions of color and objects.) I’m also, I think, trying to see things for “what else they might be.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: San Francisco, Photographs: Urban/Street

Gated Community

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Gated Community
Doorways with metal security gates in a San Francisco neighborhood

Gated Community. © Copyright 2019 G Dan Mitchell – all rights reserved.

Doorways with metal security gates in a San Francisco neighborhood.

The title of the photograph is, obviously I hope, an ironic joke. This community relies on gates, but it is hardly the sort of place the comes to mind when we think of a “gated community,” an exclusive sort of place where “regular people” are perhaps not welcome. Here there are gates, too, but on individual doorways of residences and businesses, reflecting the reality of life in areas of inner cities.

The gates intrigue me — what lies behind them, and what is it like to live behind them? But the shapes and patterns produced by the gates, with their vertical texture, the colorful vertical row of painted tiles, and the larger wall surface that has clearly been painted over many times, most likely to cover up graffiti.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Construction Zone

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Construction Zone
A man walks past construction barriers in San Francisco

Construction Zone. © Copyright 2019 G Dan Mitchell – all rights reserved.

A man walks past construction barriers in San Francisco.

Like most big cities, San Francisco is in a perpetual state of construction, demolition, and reconstruction. It is fun to imagine a city that arrives in a perfect state and stays there for a while — but that’s not going to happen. Among many San Francisco projects, one of the biggest right now involves constructing an underground transit route under the center of the City, and years of torn up streets have ensued. Although it is possible to imagine the project concluding now, there’s still a lot of work going on.

One major purpose of the route is to extend transit in a more effective manner from the Caltrain station at Fourth and Townsend. I frequently travel to the City by way of the train, and this visit was no exception, so I found myself walking straight up Fourth and past a section where the rails are above ground before they descend into a tunnel. Here the ongoing construction is separated by barriers from the (few) remaining traffic lanes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Red Doors

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Red Doors
Red doors, reflective panes, San Francisco

Red Doors. © Copyright 2019 G Dan Mitchell – all rights reserved.

Red doors, reflective panes, San Francisco.

Here is another photograph from my search for color last week in San Francisco. OK, my main purpose in taking the train up there wan’t literally to search for color — it was to do street photography in this rich urban environment. But the way I see “street” often includes color as an important element. (Sometimes I employ a little mental checklist to keep me focused and flexible when looking for subjects, and the word “color” is one of the points on the list.)

As is often the case, I don’t recall precisely where I found this pair of red doors. (It was quite possibly in the vicinity of San Francisco’s Chinatown district.) Oddly, I do have a rather specific memory of seeing the doors and making the photograph though, a process that included an answer to the question, “How do I avoid putting my own reflection in those windows!?”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.