Tag Archives: red

Psychic Welcomes You

Psychic Welcomes You
A business doorway with many locks and a surprising message.

Psychic Welcomes You. © Copyright 2018 G Dan Mitchell – all rights reserved.

A business doorway with many locks and a surprising message.

Another photograph from the San Francisco streets today… Because I live only a one-hour train ride away from San Francisco, it is pretty easy for me to head up there, traveling light with a rangefinder-style camera and a lens or two, and head out on foot to photograph in the City. I did just that near the start of the month, perhaps partly to focus on a subject other than the natural world of Yosemite for a bit!

A little scene like this one can be a simple photograph of a door with an interesting sign, or it could lead you to other observations and questions if you let it. It is, obviously, another example of something I described in another recent street photography post, namely the interesting hand-made business sign that is the opposite of the mass-produced “perfect” signage that we often see. There’s something that is both a bit comic and a bit bizarre about the appearance of the sign and its “Psychic Welcomes You” message. Also, “Psychic” must be having a premonition about a robbery, given the number and variety of locks along the left side of the door! Or perhaps a premonition isn’t necessary — note the previously broken door frame. That, of course, produces another question: What would be so attractive about a psychic that he/she would be the repeated target of burglaries?


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Palm And Tarot Reader

Palm And Tarot Reader
The front window of a palm and tarot card reader business

Palm And Tarot Reader. © Copyright 2018 G Dan Mitchell – all rights reserved.

The front window of a palm and tarot card reader business

There are many aspects of the urban landscape that fascinate me. It is often far more colorful than the natural world, and there are frequently interesting geometries and compositional potentials. Objects become more interesting as they exhibit weathering and wear, yet they are frequently found juxtaposed with perfectly constructed new objects. Text, in signs and elsewhere, plays a part — ranging from its own geometry and form to possibly ironic combinations. And, of course, the people are subjects and they constantly change. And odd, attractive little oddities abound — as in this little scene.

I didn’t think too much about it as I made the photograph — I tend to work rather intuitively — but looking at it now I’m sure that several things caught my attention. The juxtaposition of spiritual and occult imagery and text was at the top of the list, especially combined with the banality of the location. The patterns of color also interest me, from yellow at the left, through the reds of the window edge and neon sign, to the blue shadow light at the far right. There are also small elements that you might miss, like all of the locks on the door at the edge of the frame. And that doesn’t remotely exhaust the list of things that you could see here…


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Steps, Red Door In Sun

Steps, Red Door In Sun
Manhattan residence building with steps and a sunlit red door

Steps, Red Door In Sun. © Copyright 2018 G Dan Mitchell – all rights reserved.

Manhattan residence building with steps and a sunlit red door

It is hard to resist a red door in morning sunlight. :-) The photograph comes from 2014, on one of our frequent visits to New York City to visit family, eat a lot of food, and do street photography. When in New York (and sometimes other boroughs including Brooklyn and Queens) we walk a lot. We’ve been known to walk into Manhattan from Brooklyn, or walk all the way up from the lower end of Manhattan to and into Central Park.

While I don’t recall the specifics of this photograph (though I think I have a general sense of where we were) I know we were out for one of those walks. I’m also pretty certain that this was more or less a quick shot as we walked past this little residential area. The reason this photograph show up now is one of those serendipitous stories. A week or two ago someone asked me a slightly technical photography question. I thought that I might be able to illustrate an answer by using an urban photograph made with a somewhat wide-angle lens, so I began to wade back into older New York photographs to see what I could find. In the end I never used any of them to respond to the question, but I did find a set of four-year-old raw files that I must have neglected to consider at the time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tortaria

Tortaria
A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

Tortaria. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

I made this photograph about four years ago, and the brief tale of how emerged now is perhaps worth telling. Recently I was involved in a discussion of tilt/shift lenses. Part of the discussion drifted to image changes that could be made in post-processing rather than by using shift to correct converging perspective lines. I went looking for example files I could use, especially those that might have been shot with a very wide lens and in need of correction. I figured that urban photographs would provide good examples, so I started digging into my New York raw files. Eventually I ended up back in 2014… and to my surprise I found a group of images that I had almost completely forgotten about and which I never finished reviewing and processing.

Four years later I don’t even remember making this photograph, nor do I remember the location. (I could figure it out easily enough.) I’m betting that the initial attraction was to the contrast between the bright red pickup truck (and all of the things that it can symbolize) and the teal-colored front of the Tortaria. It may have been good fortune that the woman walked into the left side of the frame at this moment. I like the juxtaposition of the red and green-blue colors and the potential cultural and other symbolism of the big, red pickup truck.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.