Tag Archives: red

Small Aspens, Boulders

Small Aspens, Boulders
Early autumn color comes to small aspen trees among Eastern Sierra Nevada boulders

Small Aspens, Boulders. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early autumn color comes to small aspen trees among Eastern Sierra Nevada boulders

There are many ways to “see” aspens, especially during the season when they briefly take on their transitional fall colors. Whole slopes filled with masses of their color are always an impressive sight. Larger views in which the aspens appear scattered within the landscape produce a different effect. The shapes of the white trunks might be the subject. We can move in close and focus on branches or even individual leaves. In some cases, the trees can act as a foil to other elements of the mountain landscape — conifer trees, the sky, flowing water. In this case, the color is, I think, a foil to the shapes, colors, and textures of granite boulders.

I made this photograph quite early in the Sierra color season, when the first trees were changing — somewhat earlier than usual this year, or so it seemed. While the largest trees were still nearly uniformly green, smaller trees and those growing in more marginal dry and rock areas were already taking on fall color. These trees are small, growing among rocks, and comprise just a few trees growing in an area that is mostly filled with conifers. In some ways, this makes their coloration even more striking than if they had been simply two trees among hundreds of aspens.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Red and White Cars, Fence

Red and White Cars, Fence
Red and white cars parked behind a white-painted metal fence, Venice Beach

Red and White Cars, Fence. Venice, California. April 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Red and white cars parked behind a white-painted metal fence, Venice, California

Just because I made the photograph on April Fools Day doesn’t necessarily mean that it is a joke. Or does it? (Probably not.)

We were in Venice, California for a) our daughter’s birthday and b) a visit to the G2 Gallery, a great gallery space that presents a lot of work that I/we can relate to — work by Jack Dykinga, among others, was there when we visited. Once we finished in the gallery it was time to look for coffee and food, so we wandered off down the street. As usual, I lagged behind making photographs of various bits and pieces of the urban landscape. This was an odd little place. It appears to have originally been a church, but is now some sort of office. The entire building is painted start white, including the metal fence across the front. Inside were a bunch of white cars (!), but with one bright red one. A photograph was called for…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Red Pants

Red Pants
“Red Pants” — People and their reflections on a walkway at SFMOMA

In my continuing effort to make my landscape photograph fans uncomfortable — just kidding! — here is another urban/street photograph from a recent day in San Francisco. As members of SFMOMA (San Francisco Museum of Modern Art) we got tickets for the members’ pre-opening this week. (The museum officially reopens on May 14, following two years of a major renovation and expansion project.) To answer the obvious first question… the new building is beautiful in almost all ways. (It isn’t perfect, but what is.) We greatly enjoyed our visit, during which we managed to spend time in mostly the new areas, but also revisited a lot of the older structure as well.

I love museums, especially art museums, and I can spend hours in them, looking and thinking and making mental associations. But I also like photographing them — for the interesting architectural features which often produce a lot of very interesting light and geometry, but also as places to watch people. But I often have to be very quick, and that was the case here. I first saw this fellow in the red pants walking my direction, against a background of mostly colorless architecture and flat light. I had just time to make two very quick exposures. Initially I wasn’t hopeful about this one, as I felt that I had almost missed him as he walked out of the frame — but in the end that positioning ended up seeming to be the most interesting to me.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Sunrise, Marshland, Birds

Sunrise, Marshland, Birds
Thousands of migratory geese fly above foggy San Joaquin Valley marshland at dawn

Sunrise, Marshland, Birds. San Joaquin Valley, California. February 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of migratory geese fly above foggy San Joaquin Valley marshland at dawn

On this late-February day we arrived at the wetlands well before dawn, slowed by heavy tule fog along the final miles of our route. The fog was thick but not deep, and while our horizontal view was obscured we could see that objects as short as utility poles extended above the fog layer. At our destination we finally stopped, and got out of the vehicle to set up camera equipment and to get the lay of the land.

Almost immediately flocks of geese began erupting from ponds and taking to the sky, thousands at a time. First a group nearby, then one far off to one side, then another at the distant edge of the refuge, and so on until the sky was filled with them. We thought that it was perhaps the greatest bird tumult that we had seen, and we had arrived just in time to see it. (Of course, only a few days later we experienced an even more monumental evening, with tens of thousands of geese and cranes.) At first we simply photographed the birds in the low light, but eventually I turned my attention to the landscape and made a few photographs across the tule ponds toward the first light developing above the Sierra crest far to our east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.