Tag Archives: red

Juniper Forest and a Wash

Juniper Forest and a Wash
Juniper trees on red rock soil next to a shallow canyon

Juniper Forest and a Wash. Capitol Reef National Park, Utah. October 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Juniper trees on red rock soil next to a shallow canyon

My recollection of this afternoon is that we set out down the west side of the park without a particular plan in mind. Eventually we photographed in a deep canyon with tall sandstone walls, but at times we were challenged by trying to find interesting subjects. The light was harsh, but it was also interrupted in awkward ways by clouds — occasionally producing interesting patterns of light and shade, but also sometimes killing the interesting light.

In this area the land slopes down from west to east, following the contours of the underlying strata. For this reason, well before the end of the day the light is already coming across this gently rising terrain at a low angle relative to its incline. Here that light is sweeping across a landscape of red rock, juniper trees, and the beginnings of a small red rock canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Juniper and Striped Sandstone

Juniper and Striped Sandstone
A vertically striped sandstone cliff behind a juniper tree

Juniper and Striped Sandstone. Capitol Reef National Park, Utah. October 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A vertically striped sandstone cliff behind a juniper tree

My recollection is that we had driven into this deep canyon at Capitol Reef late in the day, and that we stopped to photograph as we began to head back out of the canyon not long before sunset. Because of the late hour, although it was still daytime, the light was blocked here by the very tall walls of this narrow canyon.

We stopped here largely because of the remarkable vertical stains on the smooth sandstone walls. In many places this layer of sandstone is almost monolithic, but here the staining produced sharp vertical lines and broke up the otherwise solid features of the rock. Near the base of the cliff a few boulders stood, and on the higher areas right next to the cliff a few trees managed to grow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone Canyon Walls

Sandstone Canyon Walls
Detail of a fractured sandstone canyon walls at Capitol Reef National Park.

Sandstone Canyon Walls. Capitol Reef National Park, Utah. October 20, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of a fractured sandstone cliff in a canyon at Capitol Reef National Park.

Over several years and several visits I began to understand Capitol Reef National Park a bit more. (Though it is a big and varied place, and true knowledge of the place — as is the case with any such landscape — comes from longer experience than I yet have.) Understanding comes partly from experiencing a wider range of the park’s geography than that in the most conveniently located places. Visiting during different parts of the year and in varied conditions helps — a sunny spring morning is very different from a freezing late October morning. Finding a few personal spots that feel like familiar friends is part of the process.

The sandstone-walled canyons are all over this part of the Southwest. I distinctly recall the first one I visited, walking into it in the morning, wading up canyon in the shallow stream, winding through its twists and turns as the canyon deepened. More visits taught me that each canyon has is own personality — yet some general features are shared by most of them. Unlike most of my Sierra Nevada world, where one often feels open to the entire sky, in the canyons the world shrinks to what you can see between two twists in the course of the stream that created the canyon. Views of the sky are extremely limited, and your focus soon turns almost exclusively to things that are nearby. There is little wind and usually the quiet is broken only by the sound of water, perhaps some birds, and your own passage. The light bounces among red rock walls and diffuses as it gently arrives from far above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sunrise Wave Cloud

Sunrise Wave Cloud
A wave cloud develops above Death Valley mountains at sunrise

Sunrise Wave Cloud. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A wave cloud develops above Death Valley mountains at sunrise

When it comes to desert skies, it can be hard to find just-right conditions. Often the skies at Death Valley are simply clear, with few or no clouds aside from contrails from passing jets. And when there are clouds during the dawn and dusk hours when color potential is at its greatest, more distant clouds can block the light that would create the bright colors. This is especially true in the evening in Death Valley, where it is not uncommon for there to be thicker clouds in the moister regions to the west at sunset.

The latter situation was in play on this morning. In fact, I had originally planned to photograph south of this location. I had driven there and started to set up in the near darkness, only to realize that a fairly thick cloud deck was not going to clear and that it was going to block the morning light. I had a backup plan, and when I arrived at this spot a good distance to the north there was a break in the clouds. This color comes quickly and doesn’t last long — you more or less have to be ready for it before it is visible, though you may get a hint of developing color from clouds far off and near the horizon. Here a wave cloud is forming over Tucki Mountain, with a few more lenticular clouds out over the Cottonwood Range and beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.