A group of people sit on a concrete bench as a red bus stops behind them.
I think there might be a bit more to this photograph than meets the eye — at least I like to think so. The scene is a concrete bench along the edge of Trafalgar Square late in the day, as the low angle sun hits the bench and its occupants straight on. I’ll leave it at that…
A lone plant grows from sandstone walls deep within a Utah slot canyon
I had the opportunity to spend a significant period of time photographing in Utah back in October of 2014. Although I got a late start with Utah (only photographing there for the first time a few years ago) I have been doing my best to make up for lost time. I’ve spent between a month and a month and a half there in total over the past couple of years. During that time I have come to love autumn in the canyons. Oh, heck, I think I love autumn just about anywhere in Utah!
I walked into this canyon early on last fall’s trip. I had arrived at my first Utah stopover place the night before, looked at a map, and figured I might find something interesting in this general area. (I’m not always a careful advanced planner, preferring to wing it depending on the light and my mood.) The walk began in terrain that was more of a wash than a canyon, but before long the sandstone walls closed in and narrowed and I was walking through slots. The light in such places can be magical at the right moments, usually when the sun rises high enough in the sky to project into the upper reaches of the canyon, where it bounces and diffuses as it fills the canyon below with saturated light.
Earlier today we were talking about how it has been too long since we’ve been across the Atlantic — our last trip was back in the summer of 2013. We started in London, spending nearly a full week there, enough time to feel like we were beginning to get past the most obvious things — but not nearly enough time exhaust the possibilities of the place. Making that trip extra special, we managed to meet up with a bunch of family members there, and then continue more or less together as we continued on to Germany for about a another two weeks.
As I like to do in American cities, we wandered a fair amount while we were in London. While I know that planning is very useful when going to a new place and having limited time, I know that I also like to just follow my nose a bit and get out and walk around and see where I end up — in some ways I feel that this may eventually give me a better sense of a place. Not that this location is exactly off the beaten track! In fact, this photograph shows details of one of the best known iconic bridges, with bits of the River Thames visible in the background.
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This was a sort of casual photograph, made while wandering around near our backcountry camp in southern Utah. We arrived in the afternoon, set up camp, and had a bunch of time to kill — time to eat, make plans, hang out, hike, take a nap, and explore. I probably did a bit of all of those things, but eventually decided to take my smaller camera and wander off into the surrounding countryside.
Eventually I ended up ascending a sandstone hill, and from the top I had open views of the surrounding terrain. But the closer subjects were perhaps even more interesting — the curving shapes of the sandstone, the small hollows that were filled with red sand, the plants trying to eke out a living in this spare and rocky area. In several places I found plants that had sent roots or stems over great distances across bare rock, perhaps trying to find pockets of water or moist soil.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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