Tag Archives: reflection

Forest and Pond

Forest and Pond
“Forest and Pond” — Trees reflected in the still water of a subalpine pond, Yosemite.

I have had my eye on this little scene for a while. The trees stand along the far bank of a small subalpine pond in the Yosemite high country. During the daytime it is a tough photograph, with the sunshine becoming almost unbearably bright. My ideal might be to photograph it before sunrise or after sunset. But this time I found myself here a bit earlier in the day — so I went ahead and made some photographs.

A challenge with scenes like this is that the dynamic contrast between the highlights on the trees and the background shadows can be huge if there is direct sunlight — too big to capture in a photograph. That’s partly why the soft light helps —before sunrise, after sunset, or when something else shades the scene. I timed this so that the trees were entirely shaded, yet nearby subjects in brighter light cast some directional light into the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

2 responses to “Forest and Pond”

  1. Oscar Ramirez Avatar
    Oscar Ramirez

    I know nothing about photography but enjoy your art and techniques. Your dedication to the art is commendable!

    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks, Oscar!

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Dawn Sky, Mono Basin

Dawn Sky, Mono Basin
“Dawn Sky, Mono Basin” — Tufa towers in Mono Lake waters reflecting the dawn sky.

It is difficult to resist a visit to immense Mono Lake when I visit the Eastern Sierra, even when it isn’t the main goal of my trip. OK, it is actually just about impossible to resist making at least a quick stop there. In early July I spent a few days around the Sierra crest along the eastern boundary of Yosemite National Park, and one morning I decided to head down to Mono Lake before dawn and spend a few hours photographing in the early light.

I hade this photograph near dawn, when the pre-sunrise light was deeply coloring the sky, which was reflected in the waters of the lake. I love how the apricot-olored sky near the horizon fades to blue far above. The distant mountains are on the far side of this gigantic lake, many miles away, and this cluster of tufa towers stands a good distance out in the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Detail, Wrought Iron

Detail, Wrought Iron, Montpellier, France
“Detail, Wrought Iron” — Details of wrought iron work at the Chateau d’Eau, Montpellier, France.

During our December visit to Montpellier, France we visited the Promenade du Peyrou, a large public square on a hilltop. The plaza was filled with a Christmas market, of course. Montpellier’s very own Arc de Triomphe stands at one end of the plaza, and the Chateau d’Eau (water tower) at the other end. This detail is part of the latter monument.

The water tower (of which I have shared photographs previously) sits at the end point of an ancient Roman aqueduct. It features the columns you see on the left, but look more closely and there is some wonderful wrought iron work – with a combination of very sharp pointed shapes and soft, gentle curves.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Reflected First Light, Panamint Mountains

Reflected First Light, Panamint Mountains
“Reflected First Light, Panamint Mountains” — Shallow salt flat water reflects the first light on the Panamint Mountains.

During my late-February visit to Death Valley National Park, I spent two early mornings photographing the Panamint Mountains in the first light, with the salt flats and shallow water in the foreground. The water is not the ephemeral “Lake Manly” phenomenon that we saw in 2024. This is a slow, shallow flow of water that seems to continue all year, regardless of conditions. It is just enough water to produce these reflections.

These days I photograph almost exclusively with a full frame digital system. (Sometimes I use a smaller APS-C system, often for my street and travel photography.) I usually use a pretty straightforward set of lenses that work well for my landscape photography, but occasionally I bring out an adapted medium format zoom lens and mount it using the Mirex tilt/shift adapter — yes, movements with a zoom lens! That was pretty useful for this photograph given the low light and the extreme distance between the foreground and the distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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