Tag Archives: ridges

Meadow and Young Trees, Morning

Meadow and Young Trees, Morning
“Meadow and Young Trees, Morning” — A meadow interspersed with young trees ascends toward forest and ridges in morning light.

I have passed this spot on Tioga Pass Road for years and thought about making a photograph. I could only catch a brief glimpse while driving by since it is along a section of the roadway with no obvious pull-out. In mid-September it caught my eye again, especially with I saw haze and light beams in the trees. So I turned around, went back, and finally located a place to pull over a short walk away.

This part of the Yosemite High Sierra is full of little meadows like this one, stretching upwards along streams that descend from higher peaks. This one is full of young trees that are gradually filling in the meadow, and I suppose someday the meadow will be gone and the stream will flow through the forest.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Mountain Haze, Kosovo

Mountain Haze, Kosovo
“Mountain Haze, Kosovo” — Kosovo mountains west of the city of Pec.

As far as I know (and I cannot claim to be an expert on Kosovo after visiting for a few days) this is not a particular iconic location — it was just a place where we pulled over while driving into the Accursed Mountains (yes, that is their name) west of the town of Pec. Looking up into the mountains on either side of the river valley we followed, I was impressed by the thick vegetation, the steep slopes, and the atmosphere’s luminous haze.

For me it is an odd experience to quickly pass through a new landscape, particularly one where I’m unfamiliar with the features, the culture, and the language… and to then quickly move on, perhaps with no opportunity to return in the future. I’m more used to getting to know such places through return visits that expand my knowledge. But what I came away with here are fragments of memory — a walk to the end of a gravel road, lunch at a mountain lodge, stopping to photograph a country mosque next to a mountain river, and pausing to look up at theses slopes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Mountain Haze, Kosovo

Mountain Haze, Kosovo
“Mountain Haze, Kosovo” — Forest-lined river gorge along the road to the Accursed Mountains, Kosovo.

This photograph came late on a day when we traveled far into mountains to the west of Peja, Kosovo. I have vivid memories of the day, of what I saw, of what we did – but it is now extremely difficult to identify specific locations and features. I know that we traveled west into a narrow river gorge, and eventually climbed out of it, that we ended up on a tiny road that dead-ended at the Montenegro border… which my Kosovo host warned me not to approach. After other adventures we returned down that same narrow canyon.

As we descended, the scenery was often spectacular. Here the river descended steeply over rocks between steep, tree-covered canyon walls. We paused briefly, and I hopped out of the car to stand at the edge of this lush canyon and make a few photographs… of a river whose name I do not know.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Gullies in Soft Light

Gullies in Soft Light, Death Valley
“Gullies in Soft Light” — Eroded gullies and ridges in soft light, Zabriskie Point.

These badlands formations, where soft layers have been eroded by water, can be difficult to photograph. Those difficulties can lead to ethical questions for photographers. The issue is that the range of colors and luminosity in these formations is very limited — the color is basically a light tan and the difference between the light and dark areas is small, at least in soft light. One choice is to enhance that contrast and coloration during the post-processing phase, and that can create some impressive images… though this can depart radically from the actual appearance of the landscape. Here I decided to go with the low contrast and soft colors instead.

To repeat a story I’ve previously related, almost by accident I ended up here to photograph a subject that ultimately did not develop as I had hoped. So I turned my attention to other things nearby, including these formations. I photographed them rather early, before the direct sunlight arrived. This meant that the contrast was even more subdued, as the soft light was from the early morning open sky — directional, but only subtly so.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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