Tag Archives: ridges

Aretes, Hoodoos, and Trees

Aretes, Hoodoos, and Trees - Sunset light on sparse trees, hoodoos, and descending aretes at Cedar Breaks National Monument, Utah
Sunset light on sparse trees, hoodoos, and descending aretes at Cedar Breaks National Monument, Utah

Aretes, Hoodoos, and Trees. Cedar Breaks National Monument, Utah. October 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on sparse trees, hoodoos, and descending aretes at Cedar Breaks National Monument, Utah

Cedar Breaks National Monument is almost (but not quite!) a sort of “one trick pony” of a park, though it is quite a spectacular pony! The main draw is the steep and very colorful Bryce-like canyon that drops precipitously from a high ridge along which the park road runs. Below this ridge, beautiful pink layers are exposed, and they have been heavily weathered and eroded into ridges, canyons, steep cliffs, and hoodoo, dotted here and there with a few sparse trees. The canyon faces roughly west, to the late afternoon and evening light on these red rock formations can be quite stunning. (Meanwhile, above the drop-off, the land is entirely different, consisting of gently rolling highland forest mixed with meadows.)

On our first day in the area we got settled in to lodging at nearby Brian Head ski area – where rooms were available at really low rates since this was probably about as “off-season” as you can be! We had some time in the evening so we headed up the road out of Brian Head and were quickly inside the monument. There are quite a few viewpoints along this road, so we picked one. This photograph was in light softened by low clouds on the horizon that still allowed a bit of fading light to illuminate the canyon features from the right.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Red Rock, High Country

Trees and Red Rock, High Country - Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park
Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park

Trees and Red Rock, High Country. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park

Since this has been a recurring theme in my photographs from Zion National Park in October, I think I’ll keep the commentary a bit short on this one. I made the photograph along the Mount Carmel Highway, which passes through high country along an east-west route though the park. We had a day here while on our way to our eventual destination to the east, so we decided to focus on this high country area, with its deep washes and slot canyons, autumn colors, and rounded forms of various types of layered sandstone.

In this area the sandstone was a sort of medium red – not as intense as some of the deeper strata nor as light as some of the nearly white rocks found elsewhere. This rock was finely layered in many places, and formed into a small world of ridges and domes covered with widely spaced trees. I photographed the scene in afternoon light, when the sun was shining from behind the trees and creating a sort of halo of light for each one. Because of the backlight, a bit of atmospheric haze is present and the underlying rocks take on a deeper tone. Every so often a friend of fellow photographer might refer to something they call “G Dan light,” and this is it – the light of backlit trees, photographed by shooting almost directly into the sun, with just a bit of haze.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, North Bishop Creek

Aspen Grove, North Bishop Creek - An aspen grove along North Bishop Creek in late afternoon light.
An aspen grove along North Bishop Creek in late afternoon light.

Aspen Grove, North Bishop Creek. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An aspen grove along North Bishop Creek in late afternoon light.

While I like huge, expansive groves of aspens, I also like small, isolated groups, especially when set against the background of what I think of as sage brush country. This group of trees is actually part of a long, thin grove that stretches along a small dirt side road up in the Bishop Creek drainage. The grove and the road are on my “must visit” list for my annual aspen-chasing trips to the eastern Sierra, so by now I’ve learned a lot about the “personality” of this particular spot. Like a number of other spots to which I return each year, you might not notice anything spectacular about this grove – but by means of repeated visits I have learned where to look for certain little subjects: a creek that flows past boulders beneath colorful trees, a particular thick grove of very thin-truck trees, groves of trees that seem barely taller than I am.

I made this photograph in what might seem like unlikely lighting conditions. It was late afternoon, and the trees were back-lit. The sun was close to dropping behind the very tall ridge that lies above and beyond the border of the photograph, so the light was angling across the several background ridges running down into the valley, and lighting their upper edges. And, of course, the leaves glow when the light come through them from behind.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lee Vining Canyon and Mono Craters, Morning

Lee Vining Canyon and Mono Craters, Morning - Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.
Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

Lee Vining Canyon and Mono Craters, Morning. Eastern Sierra Nevada, California. July 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

East of Tioga Pass, highway 120 (a.k.a. “Tioga Pass Road”) descends relatively gently past Tioga Lake and then Ellery Lake before it drop precipitously down the eastern escarpment of the Sierra Nevada through Lee Vining Canyon on its way to the junction with highway 395 just south of the town of Lee Vining. I’ve driven over it for years, going back and forth between my home in the San Francisco Bay Area and the east side of the Sierra, so I should be fairly nonchalant about it by now – but every so often as I pass over the route (most often looking down into the canyon from above) I wonder whatever possessed people to think that it would be a good idea to route a road across the talus fields and across the steep headway of this canyon.

During last week’s photographic trip to the Tuolumne Meadows area of Yosemite National Park I went over the pass twice. The first time was to scout out some possible shooting locations around Mono Lake – OK, and to get an espresso at Latte Da in Lee Vining – and the second was the following morning when I returned to shoot one of these locations. The night before I had moved my camp to Ellery Lake (it is a long story), which put me a bit closer to Mono Lake, so I was up well before dawn and at the lake before sunrise. After photographing my primary subject there right at dawn, I stuck around long enough to photograph the early morning light and haze above the lake, then headed back to break up my camp before heading home. As I crossed that headwall high up above Lee Vining Canyon, I looked east toward the Mono Craters. Looking that way is pretty much a habit, but I rarely find it to present anything that I want to photograph. This morning was different. I quickly found a turn-out and drove back to this spot. A nice haze filled the air (I like atmospheric haze for photography!), a few clouds clustered around ridges just beyond the volcanic Mono Craters, and a high line of clouds from monsoonal flow were in the far distance, with the steep walls of Lee Vining Canyon backlit and almost seen entirely in silhouette.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.