Tag Archives: road

Red Strata

Red Strata
Overlapping ridges of red strata in the Utah backcountry.

Red Strata. © Copyright 2021 G Dan Mitchell – all rights reserved.

Overlapping ridges of red strata in the Utah backcountry.

Our plans for this day in Southwest Utah were a bit vague. Initially I had in mind perhaps three or four possible destinations, but recent rainfall (which leads to mud, with its pluses and minuses) convinced me that perhaps a drive on a long, isolated backroad might make more sense than a foray into a deep and narrow canyon. Besides, I knew of at least one canyon along the route that was less likely to be muddy, being a bit wider and shallower. So off we went.

One thing about a couple of photographers driving through a fascinating, beautiful place is that… there are a lot of stops. By the time we got to a decent turn-around point on this drive we realized that it was late enough in the day that we probably wouldn’t have a lot of time to explore on foot on the way back. I made a guess that a particular section of narrow canyon might be easily accessible from our route, though I couldn’t be sure since I had not previously visited that canyon. We stopped, walked a bit, and quickly realized that the entry was a bit more complex than we had in mind. We tried another canyon entrance with similar results — given more time we could have gone in, but time was the one thing we didn’t have. But along the route on the way in I had noticed this impressive are of impressively red and impressively eroded strata, and we had time to stop and photograph it before heading on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Grove in Back Light

Aspen Grove in Back Light
Bright back-light accentuates the colors of autumn Sierra Nevada aspen trees.

Aspen Grove in Back Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Bright back-light accentuates the colors of autumn Sierra Nevada aspen trees.

This grove of small aspens presented a photographic problem. Due to Sierra Nevada wildfires, smoke had drifted across the entire range from west to east. There was an ugly haze in the sky that obscured any distant features and which discolored the light. Often in such conditions I will photograph with black and white in mind since that can actually take advantage of the haze in some situations. However, although it is possible to photograph fall color in black and white, this grove’s intense colors called for, well, a color photograph.

The solution had two parts. First, I used a longer lens to exclude the larger landscape, leaving only the small grove of trees in a little valley below my position. Second, I positioned myself where the sun was directly behind the grove, and the back-light lit the leaves from behind, almost making them glow and intensifying the autumn colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens and Conifers, Autumn

Aspens and Conifers, Autumn
Aspen and conifer trees grow up the slopes of an Eastern Sierra Nevada valley.

Aspens and Conifers, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

Aspen and conifer trees grow up the slopes of an Eastern Sierra Nevada valley.

If you look closely you may find aspens in just about every state of autumn color transition — nearly bare trees, brightly colored yellow and orange trees, and a few that are early in their transition or even still entirely green. This is a reminder that when you visit the Eastern Sierra aspens in the fall, if the color isn’t what you were looking for in one spot there is a good chance that you can find color by moving north or south or heading to a different elevation. While you take that close look, also notice some taller trees (a bit tricky to find) that are entirely bare but surrounded by smaller, very healthy aspens. When aspens are disrupted by fire or other problems, new growth frequently springs up from their extensive root systems, sometimes in weeks, and before too many years those trees engulf the old snags.

The view here encompasses terrain that rises from sagebrush highlands in the Eastern Sierra toward conifer forests at higher elevations. Aspens often grow in this sage country, in places as essentially the only large trees. Here we’re right at the lower boundary of the conifers, beginning with the single large specimen in the center of the frame, with a larger grove halfway up the slope, and hints of much larger forested areas near the top margin.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Ridge and Haze

Autumn Aspens, Ridge and Haze
Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Autumn Aspens, Ridge and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Necessity, as they say, is the mother of invention —or at least a trigger to try something different that what I would usually be doing with a subject like this one. The subject is, of course, “fall color” from the Eastern Sierra Nevada aspens. The challenge at times on this visit to the area was the wildfire smoke was obscuring a lot of the landscape and muting and altering the colors. Late-summer and autumn wildfire smoke has long been a seasonal feature in and around the Sierra Nevada, but the situation has become much worse in recent years. The fires a larger and they last longer, with the end result being a whole lot of smoke in the air.

So, what to do? There are almost always ways to shoot around such challenges. One is to forego the large landscape and shoot more intimate subjects — perhaps focus on one grove, one tree, or even one leaf rather than on the grove in the larger landscape. Another is to embrace the smoky conditions and try to find a way to make aesthetically compelling photographs of that subject. Another option is to move to monochrome. The smoke that looks brown and ugly in color can merely look like interesting haze in black and white. Of course, this leaves us with another challenge when the subject is fall… color. But we photographed autumn in black and white in the past. We can still do that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.