Tag Archives: roll-up

Accept Or Join The Fight

Accept Or Join
A wall with graffiti and politcal slogans at night in San Sebastian, Spain

Accept Or Join The Fight. © Copyright 2023 G Dan Mitchell.

A wall with graffiti and politcal slogans at night in San Sebastian, Spain

This photograph is from Donostia San Sebastián, Spain — made during a nighttime walk through a lively district of popular bars, pintxos places, and more. (We are now great fans of the pintxos scene.) Having said that, this particular spot obviously wasn’t the most lively, being in a small square mostly lacking such businesses, but having plenty of interesting forms, lighting, colors and textures.

Back home I often avoid including graffiti in my urban photographs, but here it was hard to avoid and it seemed like an aspect of the place. I think that it was the light, colors, and forms that initially caught my attention, and it wasn’t until we got home and I began to work on these photographs that I looked up a translation of the Basque language slogan on the left door: “Accept what is there or join the fight.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Roll-Up Doors

Roll-Up Doors
A pair of roll-up doors on a San Jose industrial building.

Roll-Up Doors. © Copyright 2021 G Dan Mitchell – all rights reserved.

A pair of roll-up doors on a San Jose industrial building.

Collecting quotations about photography is an occasional hobby of mine. (Making them up is, too!) One of my favorites comes from Minor White: “One should not only photograph things for what they are but for what else they are.” (There are several slightly different versions of this remark, so I suspect it is something that he referred to a lot.) This is a powerful and loaded observation, it has quite a few implications, and it points an appropriately wagging finger at those folks who seem to think that photography is nothing more than a way to “capture” things in some form imagined to be “objective.”

This is, perhaps obviously, one of those photographs of “what it is” and “what else it is.” The objective reality of this subject is pretty mundane — a pair of metal roll-up doors on a light-industrial building. I photographed it in bright, harsh sunlight, and the original includes colors not present in the monochromatic presentation I chose here. So, a couple fo doors, a bit of wall, and some dark concrete. Yet, that’s not what I really “see” when I look at this photograph — for me that “what else it is” is the main focus, to the point that I have to almost remind myself of the original subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Double-Five

Double-Five
Stenciled numbers on a weathered wall next to a roll-up door.

Double-Five. © Copyright 2012 G Dan Mitchell – all rights reserved.

Stenciled numbers on a weathered wall next to a roll-up door.

Weathered, decaying subjects and subjects with strong patterns attract me, and this one works on both counts. I photographed it a few years ago while wandering around in San Francisco and poking my camera into odd little corners and alleys. This is in a shoreline area that was once a location of true maritime industry, but which is today much like the rest of San Francisco — in other words a place for small offices, start-ups, restaurants and similar enterprises.

The stenciled numbers did catch my attention when I first saw this little scene. Initially I think that their weathered character may have been responsible. But more recently I have wondered about them. Do they still mean something or are they now remnants divorced from an earlier context? Is the message “5” or is it “55?” And what, if anything, is the relationship between the two different fonts used?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wall, Rue de Braque

Wall, Rue de Braque
Detail of a wall next to sidewalk on Rue de Braque, Le Marais, Paris

Wall, Rue de Braque. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a wall next to sidewalk on Rue de Braque, Le Marais, Paris.

I photographed this little vignette while walking around Le Marais in Paris during our visit last summer. We stayed on the edge of this historic district of old buildings and very narrow streets, and we had lots of opportunities to walk everywhere. I’m happy to simply wander here, looking and seeing what shows up.

The street name caught my attention, of course, and to my eye (which is not profoundly sophisticated when it comes to art history) the color palette and the shapes brought to mind the work of the artist himself. I would usually choose to photograph in earlier or later soft light, but I’ve learned to like the start summer light here, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.