Tag Archives: rugged

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Light and Dark

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Light and Dark
Highly contrasing geological formations in morning light, Death Valley National Park.

Light and Dark. © Copyright 2022.G Dan Mitchell.

Highly contrasing geological formations in morning light, Death Valley National Park.

To be honest, much of the Death Valley landscape, as remarkable as it is, tends to feature somewhat neutral tones and colors — many grays and tans and light browns. This is particularly true outside the early and late hours of the day, when warm light often intensifies the subtle colors of the terrain. This neutral quality is actually one of the virtues of the landscape in most cases, particularly in the way that lets light and shadow emerge as primary visual components.

But sometimes a bit more contrast in the landscape can be a good thing, so when I find it here I almost always look for ways to photograph it. This simple scene is a fine example. The early morning sun was just beginning to strike the white colored hill, lining its right flank with rim light. Meanwhile the background slope, composed of much darker material interrupted by lighter strata, was still in shadow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sunrise Above the Badlands

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Sunrise Above the Badlands
Sunrise on desert peaks works its toward badlands.

Sunrise Above the Badlands. © Copyright 2022.G Dan Mitchell.

Sunrise on desert peaks works its toward badlands.

There are some landscapes that stump me. Even after returning many times, often over a period of years, I still find it hard to “see” them photographically. While I don’t generally have that issue with Death Valley National Park as a whole, there are a few locations where this comes up, and at least a couple of them are relatively iconic places that are visited by the majority of the park’s visitors. My feeling about both of them has long been… interesting places, but not my thing photographically. In the back of my mind, in both cases, I wonder if it is more that I still need to just figure out how to see them.

A chance comment that a friend made about one of these two locations recently stuck in my mind and I kept thinking about it on my January visit to the park. On the last morning of this trip I went to one of these place and poked around a bit. Perhaps surprisingly, this photograph includes a feature of the landscape where I have stopped in the past, looked, and kept going. This time, however, I went ahead and set up and then made a few photographs as the early morning sun was striking the high peaks to the east.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ridges, Morning Haze II

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Desert Ridges, Morning Haze II
Desert ridges disappear into distant morning haze.

Desert Ridges, Morning Haze II. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert ridges disappear into distant morning haze.

While the light of the very early morning and the very late afternoon is the most obviously appealing, there are ways to photograph at almost any time of the day. Because the distances in the Death Valley landscape are often so immense, there is almost always some amount of haze in the air. Not only does it obscure distant features, but it also shifts the color balance toward blue. In all honestly, sometimes this doesn’t make for the most appealing landscape photography, especially when distant features are included. But it is also possible to make the blue haze your friend, especially where it can enhance the sense of distance and scale.

I had finished up my sunrise photography at a different location on this morning of my early 2022 visit to Death Valley. My daily routine is usually to bet up very early — well before sunrise — and head to a first location, arriving well before the good light appears. You may have noticed that I didn’t mention things like coffee. Or breakfast. I usually skip them and get right to work. Later, after finishing with that first subject of the day, it would be easy to give in to the call of breakfast, but I usually continue on to a second location that holds some promise in later light. So on this morning I headed up into the hills to find a spot with a broad, long-distance view. From here I photographed across rows of intervening ridges as the haze gradually hid the landscape details to the point that haze and light and land merged in the distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Before Sunrise

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Desert Mountains, Before Sunrise
A canyon twists down through rugged desert mountains in pre-sunrise light.

Desert Mountains, Before Sunrise. © Copyright 2022 G Dan Mitchell – all rights reserved.

A canyon twists down through rugged desert mountains in pre-sunrise light.

One thing that has always appealed to me about the desert landscape — which for me often means the Death Valley landscape — is that the geology is laid bare almost everywhere. So many landscapes are to a great extent about what covers them — the forests, grasslands, lakes, meadows, rivers, and more. But here most of the vegetation is so sparse (or it matches the colors of rocks and soil so well) that we see straight to the underlying earth — the canyons, the colors of rock and soil, strata twisted and uplifted, runoff channels, landslides, fans, and more.

This canyon descends toward Death Valley from high in the Panamint Mountains, following a twisting path down from the heights as it links up tributary valleys and eventually forms a broad wash that spills out at the top of a gigantic gravel fan. I made this photograph before sunrise, when the soft, early light suffused the canyons and revealed subtle details that can be lost in harsher light later in the day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.