Tag Archives: rugged

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada, Photographs: Southern California

From The Panamints to the Sierra

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From The Panamints to the Sierra
The distant Sierra Nevada peaks are visible from the crest of the Panamint Mountains, Death Valley National Park.

From The Panamints to the Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

The distant Sierra Nevada peaks are visible from the crest of the Panamint Mountains, Death Valley National Park.

There is a misconception out there that “you can see the highest point in the 48 states from the lowest point in the 48 states” if you visit Death Valley. This is sometimes shortened: “You can see Mount Whitney from Death Valley.” Sorry to say, but that isn’t quite true. However the truth is pretty impressive nonetheless — from elevated locations in Death Valley National Park you can see both the lowest and highest spots.

I made this photograph early in the morning from one such location. Death Valley itself lay behind my camera position, many thousands of feet below this high ridge. And there in the distance are the peaks of the southern Sierra Nevada, along the eastern edge of Sequoia-Kings Canyon National Parks. Between these points is a remarkable stretch of very rugged and dry landscape with only a few easy access points to most of it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Beneath Desert Mountains, Morning

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Beneath Desert Mountains, Morning
Desert mountains and morning light spreading across an alluvial fan.

Beneath Desert Mountains, Morning. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountains and morning light spreading across an alluvial fan.

This is more or less where I had hoped to be in January, even up until a couple of months ago. At that time, careful travel into lonely places was still a reasonable option, especially since I stop only for gas and would have camped well off the beaten track, barely interacting with anyone at all. But wanting to be part of the solution rather than part of the problem, I’m following the guidelines to not travel more than 120 miles from my home, and I’m also not going to play games and try to sneak into the Death Valley backcountry… regardless of how appealing that sounds and of how badly I miss the place right now.

This photograph is one of those that illustrates the advice to look all around while making photographs. Sometimes the thing you came to see isn’t the only thing to attend to. I had come to this spot before dawn to photograph a subject that lies directly behind the camera position of this scene, and had worked on it as the scene transitioned from soft, pre-sunrise light through a somewhat colorful sunrise to light that was becoming more harsh than I desired. So I turned around. Here the backlit atmosphere glowed in the light streaming over the rugged desert hills to the east.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes and Mountains, Rising Dust

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Dunes and Mountains, Rising Dust
A desert sandstorm raises towers of dust against a background of rugged mountains obscured by haze.

Dunes and Mountains, Rising Dust. © Copyright 2013 G Dan Mitchell – all rights reserved.

A desert sandstorm raises towers of dust against a background of rugged mountains obscured by haze.

Continuing here with the 2013 series of Death Valley National Park photographs and, at the moment, a series of photographs made in and around the edges of a big dust storm that swept down the valley late in the day. I made this photograph from a good distance away from the dunes, using a long focal length to bring them a bit closer and to make the more distant mountains fill the background. When the dust is bad, I often work from out along the margins of the worst of it, and here the allowed me to photograph almost straight into the afternoon sun and capture the diffuse and glowing dust-filled atmosphere.

The photograph demonstrates the compositional value of haze and obscured atmosphere in several ways. The generally hazy air glows from the backlight, and it obscures all but the largest forms of the distant mountains — just the barely visible outlines of ridges. Without this haze, the dunes would be overpowered by the structure of those mountains, and the rising towers of dust would be lost against a more complex background.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Fall, Photographs: Nature, Photographs: Ocean & Coast

Sur Point, Cliff, Autumn

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Sur Point, Cliff, Autumn
“Sur Point, Cliff, Autumn” — Looking south into brilliant autumn light over Big Sur cliffs and Sur Point.

This photograph was made from the same location as the one I shared yesterday and, obviously, it includes the same primary subject. That is Sur Point, just north of the town of Big Sur and the location of the historic Sur Point Lighthouse. I was in that area recently, spending a welcome day in the presence of big vistas, big surf, and the autumn coastal light.

The other photograph focused more on the sky above the Pacific Ocean, placing the Point and a bit of surf close to the bottom of the frame in order include more of that gigantic sky. As an alternative interpretation I also aimed the camera lower to produce a composition that included the dark foreground cliffs just below my position. The curve of the dark foreground seemed to lead toward the peninsula holding Point Sur and to contrast with the brilliant light in the misty, back-lit atmosphere above the water.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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