Tag Archives: rugged

Kit Fox Hills

Kit Fox Hills
Evening light on the Kit Fox HIlls, Death Valley

Kit Fox Hills. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening light on the Kit Fox HIlls, Death Valley

This photograph was a bit of a lucky catch. I had gone to an elevated location where I had a more commanding view of a wide section of Death Valley, but late-afternoon clouds had drifted in above the Cottonwood Mountains to the west and the light ranged from filtered to “blah.” I try to “read” the clouds to predict what may come, and my reading on the conditions was that a small gap between the bottom of the cloud bank and the top of the mountains would produce a brief bit of good light just before the sun dropped beyond the peaks. These predictions don’t always pan out, but this one did. The light first appeared a great distance away at the upper end of the valley, but soon worked its way south across the Grapevine Mountains and then flowed across the low Kit Fox Hills.

I’ve been intrigued by this small row of furrowed hills for a long time. Their coloration and patterns let them stand out from the less differentiated material of the washes above and below them. I did a bit of reading about them during this recent trip, and I understand that they are a remnant of a very old earthquake fault along the west side of the valley. (There are fault zones along the sides of Death Valley, separating the rising mountains from the valley, which is largely filled with material washed down from the mountains.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Granite Cliffs, Last Light

Granite Cliffs, Last Light
The line of last sunset light crosses rugged granite cliffs in Yosemite National Park

Granite Cliffs, Last Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

The line of last sunset light crosses rugged granite cliffs in Yosemite National Park

Late last month I had the good fortune to spend a week in Yosemite, thanks to the Yosemite Renaissance artist-in-residence program. Their generosity provided me with a warm place to stay in the park and, most important, with time to chase photographs in the Valley and elsewhere. (With the onset — finally! — of winter weather in the park, it also gave me lots of opportunities to practice my winter driving skills!)

The Valley is, of course, filled with wonderful and well-known icons. Like virtually everyone, I photograph those, too, particularly when special conditions bring the possibility of special and different light and atmosphere to those familiar subjects. However, over time I have become more interested in other little bits of visual interest that don’t necessarily reflect the best-known features. On this evening I was at one of the most famous locations — with the promise of light snow, drifting clouds, and evening light breaking through. I make a habit of scanning the entire 360 panorama around me, even when the most obvious subject is in a 45 degree vector straight in front, and near the very end of the day a beam of sunset light passed across a rocky outcropping to my left, producing intense light on the rocks while the evening’s blue and purple colors began to fill the canyons.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Glacial Valley

Glacial Valley
A Mount Shuksan glacier lies in a rocky valley under drifting mists

Glacial Valley. Mount Shuksan, Washington. September 10, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A Mount Shuksan glacier lies in a rocky valley under drifting mists

Recently I shared a photograph of the Wheeler Glacier and Cirque located beneath Wheeler Peak in the Great Basin National Park in Nevada. (Yes, I also was unaware that there is a glacier in Nevada…) As I worked on that photograph I had this photograph of a glacier open on my computer. (I don’t know its name — possibly Lower Curtis Glacier?) It struck me just how similar the general features of these widely separated glacier are. Each now consists of an ice field nestled in the bottom of a cirque. Both are surrounded by impressively steep head walls. Both have trees growing very close to the terminus.

I photographed this using a long lens while I was at the Artist Point area at the end of the road to the Mount Baker Ski Area. I had a free day while visiting Seattle, so I did the long up-and-back drive, leaving enough time to photograph in the afternoon. The light may have been less than idea, it being a bit too close to midday, but at times thin clouds muted the sunlight enough to allow light to fill in the shadow details a bit. In addition, some interesting clouds were drifting around the summit of Mt. Shuksan and the occasionally reached further down the peak as in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fog, Trees, Knoll

Fog, Trees, Knoll
Monterey Cypress trees on a rocky knoll above the Pacific Ocean in foggy morning light, Point Lobos

Fog, Trees, Knoll. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Monterey Cypress trees on a rocky knoll above the Pacific Ocean in foggy morning light, Point Lobos

Driving to Point Lobos from the San Francisco Bay Area in the early morning, I was not quite sure what conditions I would find. The forecast was for fog, clearing out before noon, but you can hardly ever tell for sure how this will evolve. A few days early I had been here on a day with a similar forecast and it never cleared. On this morning, however, it turned out that the fog was actually thicker inland, and it turned out that it cleared at the coast first!

We hiked over to the north shore trail, starting at a bluff above Whalers Cove, then climbing up to the higher bluffs that skirt the north shore of the park above steep and rocky cliffs that drop straight down to coastal coves. At first the fog was gray and almost oppressive. One can photograph in such conditions, but it is difficult to work the flat light. But very soon something much better began to arrive. As the fog cleared and the fog/sun boundary moved across the shore, the foggy atmosphere began to glow, and even in this soft light the colors began to intensify.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.