Tag Archives: sage

High Desert Autumn Color

High Desert Autumn Color
A colorful grove of mixed trees in the high desert below the eastern escarpment of the Sierra Nevada.

High Desert Autumn Color. © Copyright 2023 G Dan Mitchell.

A colorful grove of mixed trees in the high desert below the eastern escarpment of the Sierra Nevada.

As the Eastern Sierra aspen color season progressed during October, the colors (to speak generally) work their way down from the highest groves to trees in the high desert, where they may appear alongside cottonwood trees, which themselves produce color even later in the season. On this morning I had finished photographing my sunrise location, but I didn’t want to stop just yet. So I decided to stretch the photography time as far into the later morning hours as possible and to do a bit of exploring at the same time. And this brought me back to this familiar grove in the high desert.

A week earlier these trees were all still almost uniformly green. But now, only days later, the grove was quickly transitioning to bright autumn colors. One of the characteristic parts of experiencing this part of the Eastern Sierra is the meeting of high desert and alpine mountains. So here I decided to juxtapose the two — the foreground trees and sagebrush country, and beyond that high peaks bearing snow, some from last year and some from this year’s early season storms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Lake, Island and Mountains

Desert Lake, Island and Montains
Distant desert mountains stand in morning light beyond Mono Lake and Paoha Island.

Desert Lake, Island and Mountains. © Copyright 2023 G Dan Mitchell.

Distant desert mountains stand in morning light beyond Mono Lake and Paoha Island.

Mono Lake is known for a few particular things: the picturesque tufa towers along its shoreline and its extremely salty water. (It is landlocked, so all water — except that stolen by LA — leaves the lake by means of evaporation.) But other things that characterize the Mono Basin for me, too. One is the surprising juxtaposition of essentially high desert and the vast surface of this lake. Another is the huge expanse of sky. And at times, the area can be as still and silent as almost any place I’ve been.

This time I went in the morning, primarily to visit two places. One, seen in some other photographs that I’ll share from this visit, is an old ponderosa pine forest that was consumed by wildfire. The other is the spot in this photograph, on a ridge along a roadway, where I can look across hills and the periphery of a volcanic crater toward the lake, its own volcanic islands, and desert mountains in the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Where Once a Forest Stood

Where Once a Forest Stood
The skeletons of ponderosa pines at the edge of high desert.

Where Once a Forest Stood. © Copyright 2023 G Dan Mitchell.

The skeletons of ponderosa pines at the edge of high desert.

Today I interrupt the stream of photos from our European travels (“Finally!,” a few of you say…) to share something from my first return to the Sierra and points east since we got home. The European trip was great — and I look forward to more like it — but I missed my mountains! There’s a lot more to write about that and about getting back “out there,” but I will save most of it for later posts.

On this morning I was camped above 9000′ in the Eastern Sierra, but I decided (for reasons including deteriorating weather) to head out along the eastern slopes of the range to photograph in the early light. After some less-than-satisfying photography of the eastern escarpment (wildfire smoke was an issue) I headed out into the high desert near Mono Lake and then into a remarkable grove of ponderosa pines, one of the largest (perhaps the largest) in existence. I was aware of the results of a wildfire here years ago, and I wanted to photograph the remains of burned forest, so I turned off on an unmarked route and ended up here, where dead trees still stand starkly against the desert landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Edge Of The Grove

The Edge Of The Grove
Autumn color at the edge of a grove of white-trunk aspen trees.

The Edge Of The Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn color at the edge of a grove of white-trunk aspen trees.

In a recent post I mentioned that I was almost done with fall color photographs for the year. Maybe. Sort of. But no promises. So here’s another one. This grove is a bit atypical for the Eastern Sierra, where we often see small groves of trees that are twisted and bent, and where continuous groves a tall, straight trees are the exception. I’m not certain why this is the case in “my” mountains, but I suspect it has to do with the rugged and often-rocky landscape, the relatively dry climate in parts of the range, and likely other factors. This grove on the eastern edge of the range abuts sagebrush high desert country, and perhaps the more open terrain allows the trees to get more light than they might receive in a deep valley.

This photograph differs from most that I share in that it is a re-working of a photograph that I shared a few years ago. A photograph is not necessary a finished thing, and a given version represents what and how the photographer saw the image at a particular point in time. We change and our way of seeing changes, and when we look back at earlier work it is common to reimagine how we might interpret the subject. Here the changes are mostly along the lines of “tuning up” the image a bit. There’s a slight tightening of the crop, some differences in how the colorful leaves appear, and some small changes to the foreground and the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.