Tag Archives: sage

Photographs: Mono Lake, Photographs: Nature

Where Once a Forest Stood

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Where Once a Forest Stood
The skeletons of ponderosa pines at the edge of high desert.

Where Once a Forest Stood. © Copyright 2023 G Dan Mitchell.

The skeletons of ponderosa pines at the edge of high desert.

Today I interrupt the stream of photos from our European travels (“Finally!,” a few of you say…) to share something from my first return to the Sierra and points east since we got home. The European trip was great — and I look forward to more like it — but I missed my mountains! There’s a lot more to write about that and about getting back “out there,” but I will save most of it for later posts.

On this morning I was camped above 9000′ in the Eastern Sierra, but I decided (for reasons including deteriorating weather) to head out along the eastern slopes of the range to photograph in the early light. After some less-than-satisfying photography of the eastern escarpment (wildfire smoke was an issue) I headed out into the high desert near Mono Lake and then into a remarkable grove of ponderosa pines, one of the largest (perhaps the largest) in existence. I was aware of the results of a wildfire here years ago, and I wanted to photograph the remains of burned forest, so I turned off on an unmarked route and ended up here, where dead trees still stand starkly against the desert landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

The Edge Of The Grove

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The Edge Of The Grove
Autumn color at the edge of a grove of white-trunk aspen trees.

The Edge Of The Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn color at the edge of a grove of white-trunk aspen trees.

In a recent post I mentioned that I was almost done with fall color photographs for the year. Maybe. Sort of. But no promises. So here’s another one. This grove is a bit atypical for the Eastern Sierra, where we often see small groves of trees that are twisted and bent, and where continuous groves a tall, straight trees are the exception. I’m not certain why this is the case in “my” mountains, but I suspect it has to do with the rugged and often-rocky landscape, the relatively dry climate in parts of the range, and likely other factors. This grove on the eastern edge of the range abuts sagebrush high desert country, and perhaps the more open terrain allows the trees to get more light than they might receive in a deep valley.

This photograph differs from most that I share in that it is a re-working of a photograph that I shared a few years ago. A photograph is not necessary a finished thing, and a given version represents what and how the photographer saw the image at a particular point in time. We change and our way of seeing changes, and when we look back at earlier work it is common to reimagine how we might interpret the subject. Here the changes are mostly along the lines of “tuning up” the image a bit. There’s a slight tightening of the crop, some differences in how the colorful leaves appear, and some small changes to the foreground and the shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Sage Brush Country

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Autumn Aspens, Sage Brush Country
A sage brush country grove of colorful autumn aspen trees in back-light, Eastern Sierra Nevada.

Autumn Aspens, Sage Brush Country. © Copyright 2021 G Dan Mitchell – all rights reserved.

A sage brush country grove of colorful autumn aspen trees in back-light, Eastern Sierra Nevada.

Wildfire smoke has posed challenges to Californians and those in other western states in recent years, and the current historic drought in the state has produced even more widespread and often large fires. We have come to live with smoke levels that are occasionally very unhealthy and almost always aesthetically displeasing. Almost every late-summer or autumn visit to the Sierra during the past two seasons has been affected, and on several occasions I have had to cut trips short as a result.

On this month’s brief visit to the eastern Sierra things were a bit better in the Sonora Pass area and a bit south, but the conditions deteriorated quickly starting just north of Mono Lake. Photographically speaking, this creates some rather serious challenges, especially when smoke covers (and discolors the atmosphere of) the larger landscape. There are some options — black and white can often work in such conditions or one can focus on closer subjects, composting to eliminate the longer views. The latter is what I did in this photograph of grove of small aspens growing in a shallow valley in sagebrush-covered hills, where back-light intensified the colors of the fall foliage.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Sierra Foothills, White Mountains

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Sierra Foothills, White Mountains
A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Sierra Foothills, White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Recently I was once again pondering how the way we approached the Sierra Nevada at first affected our overall perceptions of the character of the Range of Light. As I have noted before, during the first decades of my relationship with these mountains I approached from the west, crossing semi-coastal mountains, crossing the agricultural Central Valley, rising gradually into oak-grasslands and eventually to conifer forest, and only much later finally arriving in the “High Sierra” world of open meadows and alpine peaks. Contrast this with the experience of those approaching from the east, where the range presents a very long “wall” of peaks that towers above high desert, in places rising by as much as 10,000 feet above that dry landscape.

This photograph is, probably obviously, one that focuses on that eastern part of the Sierra. But here I look away from the Sierra Nevada, past the rugged and “barren” terrain of dry hills at the base of the range, across the expanse of Owens Valley, and toward the (also dry) peaks of the White Mountains. To put it plainly, you won’t see anything like this on the west side!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.