Tag Archives: sailor

Elephants Head Flower

Elephants Head Flower
Elephants head flower against the backdrop of a flower-filled Sierra meadow.

Elephants Head Flower. © Copyright 2022 G Dan Mitchell.

Elephants head flower against the backdrop of a flower-filled Sierra meadow.

I’ve always had a somewhat challenged relationship with the identification of flowers (and trees and a few other things) in the natural world. While certain facts stick in my mind (locations, elevations, etc.), it has always been hard for me to hold onto accurate information about plant identification. I usually do recognize the plant, tree, or wildflower… down to the level of knowing exactly where it grows, when it flowers, even what it looks like in its dormant seasons… but when it comes to recalling the plant’s name I’m often at a loss. But this one was new to me on all counts.

I’m told by a usually-reliable source (thanks, Patty… via Keith Walklet) that this is an elephants head flower. I did not know that when I photographed it. I was just attracted by its complex shape, its subtle colors, and its vertical extent against the background of a meadow full of other kinds of wildflowers in the Eastern Sierra Nevada.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stream and Peak

Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

From Lake to Peaks

From Lake to Peaks
Light on a rocky saddle at the upper end of a subalpine lake beneath rugged peaks, John Muir Wilderness.

From Lake to Peaks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light on a rocky saddle at the upper end of a subalpine lake beneath rugged peaks, John Muir Wilderness.

This was the view from my “front porch” during a week of backcountry photography in the Eastern Sierra during the summer of 2019, the last backcountry trip I managed before the shutdown cancelled most plans for 2020. Our group of (mostly) photographers camped near timberline in the John Muir Wilderness, photographing the surrounding landscape daily in a wide range of conditions.

Eastside Sierra locations create different photographic conditions than those to the west of the crest. The sharper profile here, as the range rises abruptly for high desert to ridges that can top 14, 000′, is wild and spectacular, and the east-facing escarpment is in the first morning light. But there are challenges, too. For example, scenes often fall into shadow well before sunset. In this location the ridge angles enough to the west and northwest that some sunlight sweeps across the face of the peaks late in the day, and a gap to the west allowed some of that light to fall on the rocky saddle beyond the water at the bottom of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tree, Lake, Granite Bench

Tree, Lake, Granite Bench
A solitary tree grows along the shoreline of an alpine lake below Sierra Nevada granite benches

Tree, Lake, Granite Bench. © Copyright 2019 G Dan Mitchell – all rights reserved.

A solitary tree grows along the shoreline of an alpine lake below Sierra Nevada granite benches.

This is another “quiet light” photograph, made during the “edge of the day” times when the light is muted and soft, when the glow of light on nearby rocks gently enters the scene. During these hours, especially in the morning, the air is still and cool, the reflective surface of water is unbroken, and the world is a quiet place.

I made this photograph very near to our weeklong backcountry base camp, in a high, rocky spot nestled in the curving shore of an 11,000′ lake in a valley full of meadows, boulders, and running water. The high valley was surrounded by even higher peaks, and every morning before the sun rose above those ridges we have and hour of more of this light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.