Tag Archives: salt

Afternoon Light, Lake Manly

Afternoon Light, Lake Manly
“Afternoon Light, Lake Manly” — Light beams above the snow-capped Panamint Mountains and Lake Manly.

These beams of light — sometimes known among photographers as “God light” — are a common afternoon feature in Death Valley. The valley runs roughly north-south, and there are tall mountain ranges on either side, with summits rising up to 11,000’+ at Telescope Peak on the west side. Consequently, direct sunrise and sunset are blocked from much of the valley floor, However, some time after sunrise and before sunset the light passes though canyons and gaps in the mountains, and this is the effect when it illuminates atmospheric haze.

If you visit Death Valley, it s good to keep this geography lesson in mind, since it can affect your experience and photography potential. If you want to photograph sunrise/sunset, you can see sunlit peaks on west side mountains in the morning and the east side mountains late in the day. If you want light down in the valley, you’ll have to find it a bit after sunrise and well before chronological sunset. What to do in the middle of the day when the sun is harsh? I like to head for canyons, the deeper and narrower the better!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Meandering Channels

Meandering Channels
“Meandering Channels” — Water flows across the salt playa through meandering channels in Death Valley.

Viewed up close from the valley floor, Death Valley is a mostly flat place blanked by tall mountains. But the details of its huge playa are largely invisible unless you travel off the paved roads and out into it. But even there, the flat terrain makes it difficult to fully understand the landforms. To do that you are better off heading to some place high above the valley and looking down into it from above.

I went one such place very early in the morning, and from there I watched the first rays of sunrise light strike the peaks of mountains across the valley, then work their way down to the valley itself. Eventually the shadows contracted and the full valley was in sun, revealing remarkable patterns of land, salt deposits, and meandering seasonal streams.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Salt Pond

Salt Pond
“Salt Pond” — A salt pond and surrounding playa terrain near Lake Manly.

Lake Manly is not the only body of water on the Death Valley playa during this unusually wet year. That lake occupies the lowest area near Badwater, but there is a lot of water in other locations up and down the valley. I photographed this pond from Damte’s View, high in the Black Mountains. I was there before dawn, but I made this photograph much later when the early shadows had retreated back across the valley and the playa was in sunshine.

The water and the bright morning light reveal a lot of details on the playa. Not only do we see the pond, but we can see the submerged salt formations around its edge. There are channels and waterways everywhere on the playa, in comes cases separated by slightly higher bits of land where sandstorm dust has collected. At the very lower edge in this photograph we see fans spilling down from the base of the mountains and sending gravel toward the playa’s edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Lake Manly, Mountains, and Haze

Lake Manly, Mountains, and Haze
“Lake Manly, Mountains, and Haze” — Blue morning haze softens the contours of desert mountains beyond Lake Manly, Death Valley.

Haze is a factor to be reckoned with when photographing in a vast landscape like Death Valley National Park. It is there even on “clear” days, and over long distances its effects can be substantial. Details are muted (especially in shadows), the colors shift toward blue, and atmospheric instability can make subjects literally shimmer. (That makes it virtually impossible to get sharp focus in some situations.) It used to leave me nonplused, but eventually I thought about how to use these characteristics — after all, they are part of the scene.

When I made this photograph it wasn’t just a matter of distance — the atmosphere actually was hazier than usual. In this interpretation of the subject I decided to embrace that haze and its softening effect on the distant mountains. This contrasts with the rather more stark contrasts between the foreground waters of Lake Manley and bits of darker land. But overall, the image retains that blue coloration that I mentioned above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.