Tag Archives: san joaquin

Pond, Clearing Fog

Tule fog begins to clear above a Central Valley pond on a late-autumn morning.

Pond, Clearing Fog. © Copyright 2022 G Dan Mitchell.

Tule fog thins above a Central Valley pond on a late-autumn morning.

The core of my landscape photography follows a pattern linked to the seasons — no surprise, I suppose, since the landscape is so profoundly affected by seasonal changes. Every year at this time my attention turns to California’s Great Central Valley, where the combination of migratory birds, tule fog, and its minimal landscape become my focus. I finally made it out there this week for the first time this season.

I suppose “normal people” would avoid this area on a day like this. Objectively speaking, this thick fog is not conducive to travel, and those who live there get tired of days and weeks of the cold and damp. But these conditions turn a landscape that can be a bit pedestrian into something mysterious and atmospheric. When I arrived before dawn the fog was so thick that I couldn’t see more than perhaps a hundred feet. But shortly after sunrise the fog began to drift and thin, faint windows opened in the sky above, and soft light began to subtly illuminate the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Post-Storm Clouds

Post-Storm Clouds
“Post-Storm Clouds” — A great variety of clouds and fog as a summer storm clears over the Eastern Sierra.

No, I am still not quite finished with this spectacular evening in the Sierra backcountry. In early August our group spent a week base-camped in the wilderness, heading out each day (starting before sunrise and concluding after dark) to photograph our spectacular surroundings. We experienced challenging weather during the first 24 hours, but on the evening of the second day the storm dissipated, and just at sunset things opened up and alpenglow briefly lit up the sky.

There was no guarantee of this happening — which is often the case when chasing such subjects. Not long before this things were pretty gray, and fog drifted just overhead, obscuring trees and peaks, al though we could see that the sky was lightening up a bit. Then a bit of pink showed up on the higher clouds, gradually working its way down though the various layers left by the departing storm. I had been photographing the fog, but I quickly turned my attention to this developing scene! As the sky became more and more colorful, a bank of lighter fog enveloped the top of a ridge on the other side of the valley beyond the lake. A few minutes after this spectacular finale… the show was over.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Lake, Morning Haze

Lake, Morning Haze
Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

Lake, Morning Haze. © Copyright 2022 G Dan Mitchell.

Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

As a photographer whose roots are in black and white photography — that’s how I started decades ago — the thought of “going monochrome” with photographs is always there, even though the great majority of what I do these days ends up in color. But every so often a photograph just seems like it should be black and white. The reasons are not always completely clear, but often they are images with a strong formal structure and photographs in which the contribution of color might not be the most important thing. I went back and forth on this one quite a bit, eventually putting the color and monochrome renditions side by side on the screen… at which point the choice seemed clear.

This lovely Sierra Nevada lake has an ideally situated outlet stream for morning photography. At the outlet the broad basin holding the lake pinches off between angled canyon walls. Beyond the valley drops toward the rising sun, and the mountains beyond are seen though the luminous morning light. Other photographs I made of this subject included only a bit of the lake and used the wide landscape format. But it seemed to me that including this bit of the near shoreline strengthens the sense that the viewer is looking out and across the water into that light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Timberline Meadow

Timberline Meadow
A timberline meadow with small trees is bounded by a granite bench.

Timberline Meadow. © Copyright 2022 G Dan Mitchell.

A timberline meadow with small trees is bounded by a granite bench.

I recall the time, quite a few years ago, when I first understood that the places in the natural world (and the human world, for that matter) that we identify with are not necessarily the most iconic, biggest, most classically impressive places. I was at the end of a moderately short backpacking loop out of Tuolumne meadows, within perhaps little more than an hour of the trailhead. It was a day of potential rain, and that potentiality became reality at this point. I stopped, put on rain gear and covered my pack, stepped off the trail, sat down, and leaned against a rock to watch the rain approach. Decades later I still remember that rock and consider it a thing worth visiting — although I’m sure that no one else would even notice it.

I passed by the spot in this photograph a couple of times during our August backcountry photography visit to the Eastern Sierra. There are, I’m certain, thousands of similar little meadows throughout the Sierra — most from a stream meandering through, green with meadow grasses, bounded by granite and small trees. But somehow this particular spot caught my attention and, I think, may have become one of “those places.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.