Tag Archives: san joaquin

Coots, Pond, Autumn Sky

Coots, Pond, Autumn Sky
A flock of coots and autumn morning sky reflected in a wetland pond.

Coots, Pond, Autumn Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of coots and autumn morning sky reflected in a wetland pond.

Autumn and winter are my favorite seasons, especially but not exclusively for photography. In my part of the world these are the seasons for the most compelling light, the most interesting skies, and transitions of all sorts — the color transition of autumn, the shortening (and subsequent lengthening) of daylight hours, the quicker transitions between rain and sun and fog and wind.  Rather than waiting for those occasional special days, as one often does in the summer, I can just head out and be almost certain of finding something.

This morning was full of surprises. I was up and on the road hours before dawn, expecting to end up in a place full of thick tule fog, where I would photograph a sunrise obscured by this fog and then continue to photograph as it lightened and then cleared. But none of that happened. The weather forecasts were off, and instead it was almost completely clear of fog, opening expansive views to the morning sky. This sky was filled with the early clouds of an incoming Pacific weather front, with only a thin band of clear sky in the distance beyond the edge of the clouds. Shortly after the moment of sunrise, the still-low sun sent its light across the bottom of the cloud deck and the light caught the curving textures of the clouds, here reflected in the water of a pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Killdeer

Killdeer
A killdeer along the edge of a pond

Killdeer. © Copyright 2018 G Dan Mitchell – all rights reserved.

A killdeer along the edge of a pond

I’m increasingly interested in little birds like this killdeer, even though they may not seem so “special” due to their small size and appearance almost anywhere you might go. Heck, you could photograph a lot of birds like this one by going no further than your own backyard or a nearby park.

What they lack in “spectacular-ness,” they (sometimes more than) make up for in personality, not to mention that it is often possible to get quite close to them and observe them for a long time. This killdeer was content to go about its business less than ten feet from me as I quietly photographed from a position that partially hid me. It hopped, it fed, it flew a short distance, it turned around — all in all, it was quite adept at posing. It also is a rather attractive bird once you watch it a bit, especially with those interesting stripes of black and white on the head and neck, plus that subtle margin of striking red around the deep black eyes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Winter Fields

Winter Fields
A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

Winter Fields. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

During winter I travel to California’s Central Valley somewhat frequently, ostensibly to photograph birds but, to be honest, also to photograph the landscape — one that often features fog, fields and trees on the trajectory between winter and spring, unusual effects of light, and those birds. In mid-January I was there one afternoon, on my way to an opening reception at the Carnegie Arts Center in Turlock. The drive would usually take me about two hours, but I left early to create some time to explore areas along the San Joaquin River as it approaches the delta and eventually San Francisco Bay.

It was an interesting weather day. It was range when I left the San Francisco Bay Area, but I got ahead of the front as I crossed into the valley, and it was partly sunny as I headed east on country roads towards this destination. Out here by the river it was hazy and foggy, as it so often is this time of year, and before long the clouds of that front caught up with me and produced an interesting and evocative “atmospheric soup” that was occasionally illuminated subtly when the clouds above the fog to the west thinned. The photograph looks across fallow and muddy fields where sandhill cranes were collecting and towards the scattered trees that grow nearer to the river, above which a flock of cranes flies past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Island With Trees, Thinning Fog

Island With Trees, Thinning Fog
Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

Island With Trees, Thinning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

We all know that (apparently false) story about the number of words that Inuit people have for the myriad types of snow. I suspect that it would be possible to have a similarly diverse vocabulary of descriptions for fog, dependent upon its thickness, temperature, quality and color of light, tendency to move, effect on sound, time of day, season, persistence, and much more. Photographing in California is something of a laboratory in the nature of fog, in that we have so many types. Living in the San Francisco Bay Area I am very familiar with the type of fog created by the marine influence — often cold and gray and damp, and frequently a feature of the late-spring and summer months. Photographing Central Valley birds (and driving across the great valley while traveling to and from the Sierra Nevada) has given me ample opportunities to know the tule fog, mostly a winter phenomenon caused by cool and damp conditions over land.

On winter days when I photograph in the valley I experience transitions though many different types of fog and fog-light. I often start before dawn, when the fog and darkness can close the world down to what I can (barely) see in my headlights, or by the glow of commercial signs and streetlights as I pass through towns. Before sunrise the fog can glow in colors ranging from sky blue to the gaudy reds, oranges, yellows, and purples of first light on clouds above the fog. Eventually that color dissipates and the fog can simply become gray. Then, as it things (often from the top down), and light begins to filter down to the ground level, the colors of grasses and trees and water being to appear faintly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.