Tag Archives: san joaquin

Central Valley Trees and Fog

Central Valley Trees and Fog
Late autumn trees and fog, San Joaquin Valley

Central Valley Trees and Fog. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Late autumn trees and fog, San Joaquin Valley

I have had my eye on these trees for several years now. In fact, I have photographed them a few times, though I wasn’t quite happy with the results. They stand near a spot that I frequently visit during the late fall through winter months, when migratory birds live in the nearby wetlands and fields. In fact, that is why I was there on this December day. After a couple of hours of bird photography I looked over in the direction of the trees and thought that the light might be right for a photograph.

The light in this part of the Central Valley is astonishingly variable, especially in the winter and near-winter months. There can be high thin clouds, a Pacific weather front, general haze, or fog so thick that you can’t see 100 feet… unless you look up to see the stars and the moon! This day was quite variable, and that was part of the fun of photographing it. Fog was forming when we arrived before dawn. It stuck around a while, thinned and morphed into a sort of general atmospheric haziness. Above the fog there were high clouds that also muted the light a bit. Here and there, actual fog banks formed. This photograph has a little of all of these things: the light on the trees is muted, fog banks stand in the distance with high clouds overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese, Sunset Sky

Geese, Sunset Sky Thousands of migratory geese fly into the sunset sky above the San Joaquin Valley

Geese, Sunset Sky. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thousands of migratory geese fly into the sunset sky above the San Joaquin Valley

My pattern when photographing migratory birds is generally to arrive early, photograph until I’m too tired or the light becomes less interesting, take a midday lunch break, and then return to make more photographs. Late in the day, as evening approached, I returned to this area to see what I could find. Geese were around — one large flock near the entrance to this refuge and another visible in the distance on the far side. I made my way slowly around the perimeter, eventually arriving at the spot where that more distant group had settled in.

For a while I photographed them settled in shallow water among plants, thinking that perhaps this was where they would spend the night, in which case I might just continue to photograph here until dusk. But before long I began to sense that familiar restless in the flock, and a few small groups of geese took to the air from moment to moment, leaving the rest of the noisy flock behind. Then, suddenly and for no apparent specific reason, the birds suddenly lifted off, with virtually the entire flock taking to the air at once and heading off to the southwest. I quickly photographed as they passed directly overhead, then continued to follow them as the group stretched out toward the western hills and sunset clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Blue Hour, Wetlands

Blue Hour, Wetlands
Late autumn evening clouds reflected in wetlands of the San Joaquin Valley.

Blue Hour, Wetlands. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Late autumn evening clouds reflected in wetlands of the San Joaquin Valley.

I have become a passionate photographer of winter migratory birds in California’s Great Central Valley, and I spend as much time as possible out there between late fall and the start of spring. For most of my life I was almost completely unaware of the great migration that takes place just a couple of hours east of my home and midway between there and “my” Sierra Nevada. For a few months this valley that seems primarily like farmland (at least to us coastal folks) for the rest of the year becomes a wildlife haven.

But it isn’t just about the birds. The birds may be the main draw, but they are certainly not the whole show, and the landscape itself fascinates me, especially with its surprising and varied effects of atmosphere and light. The ubiquitous fog creates mystery and the clouds of winter weather fronts produce beautiful skies. The dusk ending of a day out here rarely fails to produce some twilight magic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands, Early Light

Wetlands, Early Light
Morning light and fog along a San Joaquin Valley levee.

Wetlands, Early Light. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light and fog along a San Joaquin Valley levee.

I seem to have developed a ritual for photographing this favorite San Joaquin Valley location. Almost invariably I arrive very early in the morning, in the half hour before dawn. Often I meet photographer friends who have arrived from other places. We stop at an area near the entrance and greet one another, engage in a bit of small talk, marvel (again!) at the sound of tens of thousands of migratory birds just beyond out sight. We get in our vehicles and we start a circuit of the wetlands, first looking for a place to photograph the dawn. By now, after photographing there for a few years in variable conditions, we all have our favorite spots — this place if there is heavy fog, that spot if the birds are close by, another if it looks like we may have a clear view of sunrise.

On this morning I moved quickly past the first ponds to round a corner on the perimeter road and then stopped near a junction of several levees, at a spot that has often proved fruitful for my photography. There was a thin fog in the air and high, broken clouds were above the Sierra far to the east. Depending on which direction I chose to point that camera I found a range of subjects. Birds were nearby, the Sierra were in the distance, and in between was that flooded wetlands. As the first thin sunlight from the rising sun came through the fog I swung my camera back in the direction from which I had arrived and photographed along the levee route, past trees and brush to a long grove of old cottonwoods lying along the boundary.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.