Tag Archives: san joaquin

Cranes, Dusk Sky

Cranes, Dusk Sky
Sandhill cranes return in dusk light above the San Joaquin Valley

Cranes, Dusk Sky. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sandhill cranes return in dusk light above the San Joaquin Valley

It sometimes seems odd to me that as the day comes to an end out here where I photograph birds, things seem to both slow down and speed up. The slowing down is the natural consequence of the daylight coming to an end, with my own awareness that a long day of photography that began well before dawn is soon to conclude, and the quieting of some of the natural occupants of this environment. The speeding up comes from certain events that take place suddenly and evolve quickly, along with the potential for several of them to occur simultaneously.

Very late in the afternoon I made a quick circuit of the area where I was photographing, trying to make a few final full daylight photographs and identifying locations where certain dusk events might be more likely — a landing by cranes, a sudden departure of geese. I identified a spot out along the levee loop where a decent sized flock of snow geese (and perhaps some Ross’s geese?) had settled in close to the perimeter road, and less than a half hour before actual sunset I was back there and ready to photograph. For some time things were very quite nearby. The geese mostly sat still in the shallow water near reeds, and I had time to compose photographs that were essentially landscapes with birds. As I was working on one of these I saw, far off in the distance beyond a roadway, that a huge flock of geese had lifted off and was wheeling in circles. Ah, well, I wasn’t going to get to photograph that flock close-up on this evening! Before long I sensed a restlessness in the smaller flock near me and, sure enough, groups soon began to lift off suddenly and head south and west — first smaller groups, and soon almost the entire remaining flock. When this happens I transition immediately from the slow and leisurely “landscape with birds” photography to working quickly and making instant decisions about what to photograph and how to photograph it. As I tracked these birds into the distance I began to notice lines of cranes heading back to one of their favorite spots perhaps a quarter-mile away. Using a long lens I tracked them as they crossed the cloud-textured sunset sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tree, Wetlands, Morning Fog

Tree, Wetlands, Morning Fog
Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

Merry Christmas 2015!

Tree, Wetlands, Morning Fog. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

This landscape is ostensibly about the migratory birds at this time of year, from late fall through the winter months. These ponds, which are just fields during the hot Central Valley summer, typically fill with shallow water and become the winter home for uncounted numbers of geese, sandhill cranes, ibises, and more. It was, in fact, the birds that first brought me out here in the winter, and they still call me back every year.

But there is much more to this landscape than photographs of birds. In fact, my strongest sensory associations with the place are not about the visual appearance of the wildlife for the most part, but are instead about a host of other things. And this simple photograph, for me at least, evokes the sensory recall of those other elements. To a person who may not have been here at this time of year, many things familiar to me cannot be contained in the photograph. The sound of the birds, continuous and often raucous, is central — and it is the thing that most immediately gets my attention when I visit. The fog is a big part of the experience — not just its ability to mute the details of the landscape, but also the sensations of cold and damp and what it does to the quality of light, especially at dawn. In addition, this is one of those California places allow me to extend the color season for three months or more. It begins in September in highest reaches of the Sierra, works its way down (as aspens change) to the high desert (with cottonwoods), then the Sierra foothills, then to the coastal hills, and finally to the lowlands where, as in this photograph, “fall” color remains until nearly the new year.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snow Geese, Sunset Light

Snow Geese, Sunset Light
A group of snow geese fly into sunset light

Snow Geese, Sunset Light. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of snow geese fly into sunset light

I made this photograph on my second visit to the San Joaquin Valley migratory birds this season, on a day that features some very beautiful light near the end of the day. As always, I arrived before dawn, at first photographing in very thin fog. (Overall, this year so far seems have produced a lot less fog than usual and much less than last year.) I photographed all morning, finally took my midday break, then returned in the mid-afternoon.

This group of birds managed to pose quite nicely for me. There are many challenges when it comes to getting a group of birds together in one photograph. There are the usual issues — the birds need to fly past within camera distance, they must be oriented so that they are decently lit, there must be enough light to allow a fast enough shutter speed in order to minimize motion blur. While “decent” light can work, better light is, well, better. In this case the group of birds cooperated and flew toward the low angle light source of the sun, with just enough side light to enhance their features. Another challenge is taking advantage of opportunities when the birds line up in interesting and photogenic ways. Here they are all (well, almost all) headed the same direction. Wings are mostly in interesting and dynamic positions. There is barely any overlap among the birds, and the one small overlap has the head of the closer bird visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Trees

Evening Trees
Evening trees reflected in the surface of San Joaquin Valley wetlands

Evening Trees. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening trees reflected in the surface of San Joaquin Valley wetlands

The primary attraction for me in these San Joaquin Valley wetlands is, or so I tell myself, the hordes of migratory birds that arrive here in the late fall and over-winter — geese, ibises, sandhill cranes, along with egrets and herons and more. They draw me to the Valley, just a couple of miles away from my home over the coast range, throughout the late fall through winter period. But once I get there I think I am as interested in the landscape as in the wildlife.

We had just about finished a full day of photographing (mostly) the migratory birds. Late in the day I always start to think about what my final subject will be, and then I try to extend my shooting time as late into the failing light as possible. I might continue to photograph birds in deep dusk, raising ISO and lowering shutter speed and working with the resulting motion blur. On this late-fall evening I went in a different direction, and I put the camera on the tripod and finished up with some blue-hour landscape photographs of the wetlands, the trees, and the evening clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.