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Red-Winged Blackbirds in Flight

Red-Winged Blackbirds in Flight - A large flock of red-winged blackbirds flushes from the brush and takes flight over the San Joaquin Valley, California
A large flock of red-winged blackbirds flushes from the brush and takes flight over the San Joaquin Valley, California

Red-Winged Blackbirds in Flight. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A large flock of red-winged blackbirds flushes from the brush and takes flight over the San Joaquin Valley, California

I first started traveling to and photographing these areas in the California Central Valley because I was looking for sandhill cranes. I quickly discovered the other large migratory birds, especially the geese. But as I go back more often I see more and more things that are worth photographing. On this visit I had a bit of midday time to kill so I decided to go look at a new (to me) wildlife area.

The area is not far from another wildlife area, where I have most often photographed in this part of the valley. My initial thinking was that it might be an alternative location in which to look for the same flocks of Ross’s geese that I find nearby, but the staff people at the visitor center suggested otherwise. They did mention one area further north in the reserve where people had reported good bird viewing, so I decided to take a look. I didn’t see any geese there during my short visit, but I did see a bunch of other interesting birds, including this large and active flock of red-winged blackbirds, who obligingly lined themselves up to display the bright red areas along the base of their wings.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog and Forested Ridges

Fog and Forested Ridges
Fog and Forested Ridges

Fog and Forested Ridges. Mount Tamalpais, California. February 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter fog envelops forested ridges near Mount Tamalpais on the Pacific coast north of San Francisco

I photographed this scene on an early February day when the atmosphere was especially murky north of San Francisco. I had traveled this way for the day with some very general ideas about photographic subjects, but once I got “there” quite a few of those ideas looked a lot less promising. I had initially thought about photographing inside the coastal redwood forest, but when I arrived at my intended location I found that everything was gray, gray, gray! The atmosphere was hazy and murky and high clouds blocked any interesting light from the sun. So figured I might try for something moody along the coast, but there I found the same very difficult light.

I finally headed back up into the Marin hills, hoping that I might get up above the thickest of the gray and possibly get some light filtered through the high clouds and perhaps some longer views. As I entered the Mount Tamalpais State Park and started to ascend the road toward the peak, I finally came out of the coastal fog – though the overhead clouds remained. As I went up this road I looked for spots with some sort of longer view of the fog bank from which I had just emerged, and I finally found it along a bend where the road passed an area of open meadows and rolling hills. Here there was a line of sight back toward the ocean – completely obscured by fog – and the bits of lower hills that were poking through the tops of the clouds. On a technical note, this is not a monochrome or black and white photograph. It is, however, somewhat desaturated. One of the side effects of this difficult atmosphere was a very blue quality to the light that became much more apparent in the photograph than it appeared to a viewer on the scene. I knew I would have to deal with this in post in order to get an effect that seemed appropriate and believable. My initial thinking was to actually make it a black and white photograph, but as I worked with the image I came to feel that it worked better if some degree of muted color was retained.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese and Evening Sky

Geese and Evening Sky
Geese and Evening Sky

Geese and Evening Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese in Dusk Light

Geese in Dusk Light
Geese in Dusk Light

Geese in Dusk Light. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese take off into the dusk sky above marshes, San Joaquin Valley, California

Yes. More geese. I photographed these on my New Year’s Day visit to the San Joaquin Valley with a group of fellow photographers and other folks with an artistic bent. We were out there to join the migratory birds in greeting the first sunrise of 2013. Joining us were many Ross’s geese, a heron or two, some egrets, thousands of geese, one flock of white pelicans, quite a large contingent of cranes, the odd coyote, and many others. We arrived early, photographed all morning, broke for a movie in a nearby town during the middle of the day, and returned to photograph until dark.

It is an interesting though challenging atmosphere on this day, one of those days that isn’t remarkable for extremes of weather or light – thick fog, brilliant sunrise light, etc. Instead, it was sort of gray in the morning with light fog and mostly very subtle colors at dawn. It never fully cleared, but near sunset the sky turned interesting colors of pink and purple and there was a last-minute bit of colorful light, as seen on the birds in this photograph. They had been settled in on a pond, but as the day ended they took off on the evening “fly out” to some other place. The lifted off in groups ranging from a few birds to a few hundred at a time and then mostly headed north or northwest. In this photo there is a close group that has just taken flight but beyond there are several other groups at varying distance that had left moments earlier. The result, as often seems to be the case with geese, is a sort of organized chaos. There are various ways to try to photograph this, but here I was trying to find instantaneous composition in which the various groups of birds aligned themselves, both within their groups and among the separate groups, in interesting ways.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.