Tag Archives: sand

Elephant Seals – Mother and Pup

Elephant Seals - Mother and Pup
Elephant Seals – Mother and Pup

Elephant Seals – Mother and Pup. Piedras Blancas, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A dark elephant seal pup rests its head on its lighter-colored mother.

I first visited this popular elephant seal calving area a few years back when I took a detour on a trip back from Southern California. I was familiar with the elephant seals of northern California, but I had not realized that they were in the south as well, so I was surprised when I came upon this place which has been set up as an observation station where visitors can watch a beach full of these immense creatures close-up. As I understand the outlines of the story, their numbers had decreased to very low levels until they were protected a few decades ago. Since then the population has rebounded. Each year when I visit this location it seems like I see more of them, and they are now starting to show up on other nearby beaches.

These animals are wild and tough creatures. They spend large parts of their lives in the ocean where they are apparently graceful creatures. On land, where they are found here, they can appear to be lazy and awkward and almost humorous at times. At this location in the winter, they mostly seem to lie on the sand – where they are no doubt safe from large off-shore predators – as they raise their pups. From what I read, the females come ashore and then do not eat during the period when they nurse their pups to weights of a few hundred pounds! The herd produces a wild cacophony of sounds that I do not have the vocabulary to fully describe – cries, screams, roars, and the deep and mechanical sound of the large males. Occasional fights erupt, especially a bit later in the season as the males battle for dominance. But if you look around in this mass of seal flesh, you can spot some vignettes that seem somewhere between funny and cute. This small back pup had lifted its head up so that could rest it on the back of the larger and lighter colored elephant seal, which I presume to be its mother.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dune Detail, Last Light

Dune Detail, Last Light
Dune Detail, Last Light

Dune Detail, Last Light. Death Valley National Park, California. December 11,2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

A last beam of light slants across rippled sand dunes and a few desert plants, Death Valley National Park

After a long day of driving and photographing along a back-country road in Death Valley National Park, I finally made it back to my campground in the mid-afternoon. (You might wonder how I can claim a “long day” when I finished in the mid afternoon – something about starting a couple of hours before dawn in temperatures in the teens!) I took a short break and did a few camp chores, and then it was time to head out once again for an evening shoot. I decided to make it something fairly simple that wouldn’t require a lot of travel, so I ended up at some dunes just before sunset.

While I’m not unwilling to shoot big, long views of dunes – sometimes they are quite impressive! – more often I focus on some smaller aspect of them, and I really like looking very closely when I can. One of the great things about focusing on the small details is that once you start to see them you find them everywhere – even in places that you might not think are all that spectacular. As I walked out into the dunes, with only a general sense of where I wanted to go, it was not long at all before I started noticing all sorts of subjects in the long shadows and warm light of the oncoming evening. Many subjects, such as this one, are illuminated by extremely transient light – slanting at a low angle across the tops of dunes and momentarily catching a plant or a bit of dune texture. I probably had little more than a minute to work with this subject and then the light disappeared – and I quickly found another similar subject and then another and so on until the light finally was gone.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

From 2008: Winter Surfers, Northern California

Since the 2014 Mavericks surf competition is on for today, I’m reposting a favorite surfer photograph of mine from 2008, along with descriptive text. Enjoy!

California Surfers, Winter
California Surfers, Winter

Winter Surfers, Northern California. Between San Francisco and Santa Cruz, California. January 12, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Two surfers near the edge of the winter surf in central California near San Francisco. Black and white.

As I write this description a half dozen years after making the photograph it is the day of another Mavericks surf competition, and I remember distinctly the day I made the photograph and the experience of making it. The location is somewhat typical of the California Coast Highway, along with the road alternates between ascending along the edges of high coastal mountains and dropping down to small beaches where creeks and rivers enter the sea. This beach is one of those latter locations, in this case one I frequently visit when I photograph along the coast south of San Francisco.

My favorite time of year along this coast is the winter, and for a diversity of reasons. Contrary to the expectations of non-Californians, summer is not the most beautiful time on the coast. In summer the coast is frequently socked in by fog, and the clear days are so clear that there may be no clouds – a lovely thought for all but perhaps the photographers, who often wants more “interesting” conditions. In the winter the ocean can become a powerful force, with winds whipping the tops of huge waves as storms near and far stir things up. While the summer coast can seem benign, the winter coast can present us with scenes of tremendous, awe-inspiring power. But it can also be quiet and moody as it was on this day. Yes, the surf was running high (which is why the Mavericks surf competition was going on a few miles north of this spot on the day I made the photograph), but winter clouds muted the colors, the sounds of birds and water were everywhere. These two surfers walked quietly along the beach, seeming a part of this beautiful scene. (Revised description written January 24, 2014)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dune Forms, Evening

Dune Forms, Evening
Dune Forms, Evening

Dune Forms, Evening. Death Valley National Park, California. December 11, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Shadows from evening light slanting across curved dune forms, Death Valley National Park

Having photographed here many times, I know these and other dunes of Death Valley fairly well – well enough at this point to have some ideas about where and when to photograph them and to be less interested in the more familiar views. I had spent the majority of the day, starting well before sunrise, exploring and photographing an entirely different area of the park, but as I did so I had formed a general plan to head to the dunes at the end of the day and photograph them in evening light. I had a bit of time after finishing with the first subject, so I headed back to camp to hang out a bit.

I may have hung out just a bit too long! My plans for the dunes were not exactly fixed, though I knew that I wanted to investigate a less visited area of lower dunes away from the main area and that I wanted to be out there shortly before sunset – to shoot the sunset light and then to continue shooting right on past sunset and into the beautiful and subtle dusk light. By the time I got to the dunes, I figured out that the winter sun sets a bit earlier than I had realized, and I had to hurry out to my shooting area. Although I did not have a specific idea of what I would shoot, I had some general ideas involving slanting light, shadows, curving shapes, texture of sand, and possibly some vegetation. But once on the scene I had to work extremely quickly, as the long shadows of the low angle sun moved quickly across the sand, and a new composite of light and shadow would appear only to move and then disappear in a matter of seconds or perhaps a minute or two. Within moments of making this photograph, the last warm sun on the dunes was gone, and I was left with the cold post-sunset light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.