Tag Archives: sand

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Evening Shadows, Pebbles, and Tracks

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Evening Shadows, Pebbles, and Tracks
Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks. Death Valley National Park, California. April 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The tracks of a passing animal among small pebbles in evening shadows on the dunes, Death Valley National Park

The day before I made this photograph a huge wind/dust storm had swept across Death Valley, raising tall clouds of dust high into the air, blowing away tents and anything else not firmly tied down, and spreading a thin film of dust into cars, tents, sleeping bags, and just about everything else. The idea of a desert dust/sand storm is interesting and exciting, and there are certainly some elements in this weather that are photographically compelling – but the reality is that they can make like quite difficult for a while.

On the other hand, after the dust storm passes, many of the usual traces of human presence are temporarily erased from sand dune areas. So on this evening after the dust storm I wandered out into low dunes away from the more popular areas and saw virtually no human tracks where I ended up. However, I did non-human tracks, perhaps more clearly given that there were fewer of them and they were isolated against the newly clean and smooth wind-blown sand. I just happened to spot these small tracks (a lizard?) as I entered a small “dune” valley. I first noticed the uppermost shape, which reminded me of a small branch or twig or possibly a bit of coral. I soon noticed the more linear track up the middle of the branch-like tracks – a tail? – and thought I might be able to make a photographic composition out of these tracks, a few small rocks embedded in the sand, and some of the early afternoon shadows across the sand.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dried Branch, Sand

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Dried Branch, Sand
Dried Branch, Sand

Dried Branch, Sand. Death Valley National Park, California. April 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The dry remnants of a dead plant in recently wind-blown sand dune, Death Valley National Park

I have been visiting Death Valley regularly for perhaps fifteen years, typically photographing there for nearly a week every year for the past decade, and occasionally more. On my most recent trip, from which I returned only days ago, I was thinking about a number of thing regarding my experience with the place and how it has changed. On my first visits there was, of course, the excitement and wonder of discovering a place that was essentially completely new to me. I recall that on my first trip there I got close to the Race Track without going all the way to this location. We camped not far from that playa and I imagined this place that I had heard so much about and even envisioned it in a particular location – and when I did visit a year or two later I discovered that it was quite a bit different from what I imagined, though magical in different and perhaps more powerful ways. After a few years of visiting and photographing the best known iconic sites I began to find them less interesting, and though I continued to photograph them when the opportunity arose, I focused more on expanding the areas I knew about and on looking more closely at areas I thought I knew.

As I did this, I have to confess that portions of the Death Valley experience baffled me or even put me off a bit. While I found some of the terrain to be tremendously beautiful, there were other aspects that I just couldn’t quite relate to. As a person who has spent a lot of time in forested places with flowing water – mainly the Sierra Nevada – I found some areas of this desert to be, quite honestly, boring. I drove through or past them on my way to what I thought of as the more interesting places where I could find colors outside of the range from tan to gray and where some special object or formation might create an obvious center of interest. However, from time to time I would be surprised to find in some plain, nondescript, and even boring place an experience of stillness, immense space, and deep silence that I had rarely encountered elsewhere. More and more, I began to see this as a primary attraction of this landscape – more so in many cases that the specific features of this pinnacle or that formation or the other valley.

On this recent trip, conditions conspired to make me look more closely at some of these things that I had originally overlooked. The conditions were such that if I had experienced them a few years ago I might have simply left. (In fact, that thought did cross my mind once or twice on this trip.) The spectacular light really never came, skies were cloudy, the air was hazy, it was very hot, the winds blew strongly, and there was a dust storm. During the first couple of day, with the exception of shooting the dust storm, many of the subjects I had in mind simply didn’t work out the way I planned. A bit surprisingly, without the possibility of shooting yet another beautiful golden hour sunset image of a spectacular bit of geography (though I did do some of that still) I slowed down and looked more closely at some of those “boring” places that I had passed through more quickly in the past.

This photograph was made in one of those locations. It was not far from one of those iconic locations, but it wasn’t the iconic spot at all. An hour or so before sunset I simply wandered away from the road, past vegetation and into the sand, and started looking around. In the low spots between dunes, the world beyond was out of sight and the wind was blocked, and as the light faded I encountered again that deep and powerful and timeless silence that is so hard to find almost anywhere else.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Desert Plants, Black Hill

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Desert Plants, Black Hill
Desert Plants, Black Hill

Desert Plants, Black Hill. Death Valley National Park, California. April 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning light on desert arrow weed plants at the base of a black hill, with Death Valley Buttes receding into the hazy distance

This was very nearly the last photograph I made on my recent early April visit to Death Valley National Park. I try to go there to photograph at least once each year, and I’ve probably visited during the first week of April more often than at any other time. This tends to be a transitional season in the park, at least in my experience, and the conditions can range from cool to downright hot. On this visit it was, for the season, “downright hot” – temperatures with in at least the mid to high-nineties every day, and rose to just over 100 degrees on one day. This is not unheard of at this time of year, though it is on the high side of normal for the first week in April. This trip was a challenge for other reasons, too. On the second day I encountered a significant sand storm with accompanying winds, and the light was not exactly cooperative. On two mornings and two evenings clouds shut down the golden hour light, and there was quite a bit of general haze.

On this morning I figured I would do an hour or two of shooting before returning to camp to tear everything down and start my drive back home. I started by going up just past the turn off to Wild Rose Canyon, with the plan being to shoot some long distance photographs of sunrise light on some mountains that I have been thinking about shooting. The sunrise itself was more or less a washout – the atmosphere was so murky that I wasn’t even quite sure when the sun cleared the horizon! Eventually I did get some soft directional light from the sun, but I was finished with this subject somewhat quickly. I decided to go with a backup plan to photograph the Mesquite Dunes with a long lens. As I worked this subject I decided to head a bit further east and see if I could get anything from the backlight coming across the low hills above Salt Creek, and as I traveled that direction I passed this small black hill, where I have photographed before, and saw these backlit arrow weed plants and the more distant hills near Death Valley Buttes in the morning haze.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Mesquite Dunes, Cottonwood Mountains

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Mesquite Dunes, Cottonwood Mountains
Mesquite Dunes, Cottonwood Mountains

Mesquite Dunes, Cottonwood Mountains. Death Valley National Park, California. March 20, 2010. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Mesquite Dunes and the Cottonwood Mountains late on a hazy afternoon, Death Valley National Park, California

The Mesquite Dunes are a well-known icon of Death Valley and are often photographed in the early morning or around sunset. I made this photograph at a somewhat different time – late in the afternoon but well before the golden hour light of evening. The sun was still high enough to illuminate the tops of the dunes and even the sides away from the sun, and the afternoon haze made the atmosphere blue and obscured the rugged features of the Cottonwood Mountains beyond the dunes and across the Valley.

If you look closely enough, you can find a number of features that characterize this area of the valley. The foreground flats are “filled” with plants that grow a good distance apart from one another, apparently due to the limited water. The edge of the dunes spills over slightly into the gravelly flat but then rises quite high. Beyond the dunes, and faintly seen through the haze, a giant alluvial fan slants down from higher mountains to the left. (It sometimes surprises visitors to see how much the terrain in this very dry place has been shaped by water.) Beyond the sloping fan, the rugged Cottonwood Mountains, part of the Panamint Range, begin to rise to quite high peaks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.