Tag Archives: sea

Shoreline Boulders, Big Sur

Shoreline Boulders, Big Sur
Jumbled shoreline boulders at the base of rugged cliffs, Big Sur coast.

Shoreline Boulders, Big Sur. © Copyright 2021 G Dan Mitchell – all rights reserved.

Jumbled shoreline boulders at the base of rugged cliffs, Big Sur coast.

The largest scale of the landscape attracts me when I visit the Big Sur coast of California — the mountains, steep cliffs, and long vistas. These were the first things that attracted me to photographing the place, and they still draw my attention and appear in quite a few of my photographs. However, I have become so familiar with some of those features over time that they start to see… a bit too familiar as photographic subject. I don’t entire eschew them, but I look for other things, too. On my most recent visit I spent much of my time stopping at what might have seemed like the most unlikely pull-outs, gazing over the edge to see what new sights I might find.

I found these boulders at one of those nondescript stops. I had walked to the edge of the cliff where there was a longer view down the coast, but my attention turned to a small bay directly beneath me and these rocks right at the waterline. We tend to regard the landforms of this coast as being mostly static, even though in the back of our minds we are aware that they are transitory and subject to change. There’s a good chance that these rocks are a either a vestige of a former section of the land that perhaps fell into the sea at the water’s edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of the Continent

Edge of the Continent
The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Edge of the Continent. © Copyright 2021 G Dan Mitchell – all rights reserved.

The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Although I was born in the Upper Midwest, I don’t think I could live there anymore — even though many aspects of the place are in my blood and feel comfortable to me. I recall visiting a few decades ago — and, honestly, generally enjoying myself — but watching the sun set and thinking about how many hundreds (more than a thousand, actually) of miles it is to the ocean. I can’t quite put the feeling into words, but it just seemed odd to this guy who has lived perhaps 25 linear miles from the Pacific Ocean for, well, more than a couple of decades.

I was thinking about this feeling as I visited the area in this photograph, the Big Sur Coast of California, the rugged interface between North America and the vast Pacific Ocean. The sense that there is an empty, unknown space that we don’t inhabit has long had a powerful effect on us, and here at the edge of the continent we can come face to face with a wilderness that most of us will never fully explore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sea Stacks and Bluffs, Fog

Sea Stacks and Bluffs, Fog
Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Sea Stacks and Bluffs, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Because I am fortunate to live close to some rather famous places I often find myself at certain photographic icons. Over time I have developed an odd relationship with such places — a sort of love/hate relationship. I recognize why they have become icons, and acknowledge that in many circumstances they are truly amazing places, locations that any visitor to these various parks and other locations will want to see. But over a long period of time two things changed in my thinking about them as a photographer. First, there are so many photographs of such locations that it is probably not a good use of my time to rephotograph them. (To new photographers, it certainly can be a good exercise to photograph them, if for no other reason that to think about how the great photographs of these places were made.) The second change is that, to a certain extent, they start to seem less special.

I have written before about, for example, how I most often drive past the famous tunnel view in Yosemite without even stopping. (I’ve also written about a memorable occasion when witnessing someone else’s reaction to seeing this view for the first time reminded me of what an astonishing thing it is.) Because I have visited the Big Sur coast for decades, I’m less and less inclined to stop for icons… and I’m more likely to stop at random, odd turn-outs just to see what new thing I might find. But this week as I drove past this spot and looked to my right the combination of blue water, drifting fog, and thin light on the foreground rocks persuaded me to quickly pull over and photograph this… icon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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December Surf, Big Sur Coast

December Surf, Big Sur Coast
Huge December surf, fog, on the rugged Big Sur coast.

December Surf, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Huge December surf, fog, on the rugged Big Sur coast.

This photograph is a square format counterpart to one I shared a few days ago from the same location, photographed on the same wild December day. As I stood on a rock cropping along the Big Sur Coast, huge waves rolled in, alternately revealing and burying the offshore rocks and producing prodigious spray that made the atmosphere above the water almost opaque. Beyond, above, and slightly inland the sun was up, and its backlight reflected off the water and made the fog glow. To say that this was an impressive scene would be an understatement!

I’m intrigued by the various ways we see (perceive, understand, interpret) color. In certain kinds of atmosphere and light, the colors can drain from the scene, leaving us with a virtually monochromatic effect. As was the case with the previous photograph from this spot, this is a color photograph, believe it or not. It was almost impossible to tell in the other photograph, but in this one you may be able pick up a difference between the blue tones in areas of the water and the slightly warmer tones in the backlit fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.