A freighter heads out of the Golden Gate and into the Pacific Ocean on a winter morning
I was on my way to a location north of the Golden Gate Bridge, having left home while it was still dark and crossing the bridge as the sky just begin to lighten. As I often do when I pass by here, I left the main highway for a short time and went up a ways into the Marin Headlands to see what sort of early morning light might appear over the San Francisco Bay and the Golden Gate Bridge. The lights of the City were still on at this early hour, so I first photographed in that direction.
There was a variety of types of clouds around the Bay—fog to the south and east, high clouds above, and a bit of general haze everywhere. As the sun came up behind the East Bay clouds and fog there was a bit of color, though the effect was subtle. A bit later this very large freighter approached the bridge as it prepared to leave the bay. It was one of the largest that I have seen pass beneath the Golden Gate Bridge. I went back to shooting other subjects, but my attention periodically went back to this ship as it moved farther off shore. Eventually a bit of muted sunlight hit the boat and some light came to the higher clouds as it headed on toward an off-shore fog bank and then, I imagine, a much longer voyage across the Pacific.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.
A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard
This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.
Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard
I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.
A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard
There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.
Metal wall with white doors, window, and Reserved Parking sign
The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.
White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance
This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Boats at anchor at the docks along the old waterfront in Yaquina Bay, Oregon
During our return from Seattle, Washington in late August (2013) we stopped on Portland and then headed over to the coast and took the long, slow, and scenic route back to California. We spent the first day of this drive along the Oregon coast, more or less driving though but stopping frequently anywhere we saw something interesting. For those who don’t know, the Oregon coast might in some ways remind one of portions of the California coast, especially in northern California, but the ocean seems a bit wilder up here and the towns perhaps even further apart.
The town of Newport is one of the larger ones along this route, and it sits next to the large Yaquina Bay, which is crossed by an impressive and old-school steel bridge consisting of a series of arches. We stopped to photograph the bridge and noticed that the old port was nearby, so we detoured down there to see what we could see. Being familiar with ports more devoted to pleasure and tourist pursuits (Monterey Bay, anyone?), it seemed to me that this little area was still more of a working port. We spent enough time here to walk along the waterfront and make a few photographs, mostly of the densely packed boats tied up at the docks alongside the bay.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Ships at anchor on San Francisco Bay under a hazy morning sky
San Francisco’s Embarcadero can be a busy, hectic, noisy traffic artery filled with cars, buses, trains, trucks and tourists – but very early in the morning it provides a beautiful and sometimes even quiet view of San Francisco Bay that is incomparable, especially on a morning when the water is calm and the haze over the water catches the light and produces a glowing, luminous effect.
I have a habit of traveling to The City on Caltrain to photograph, usually arriving between 6:00 AM and 7:00 AM when things haven’t quite woken up yet. When I go there to photograph I often have no specific plan, but I almost invariably end up along the Embarcadero waterfront, whether I go directly there, wander around urban streets first, or do a lot of photography elsewhere before arriving later in the morning. On this morning I took a short detour through some nearby back streets before catching a view of the light over the bay and heading to the east. With the view framed this way, so that only a bit of water, a few anchored ships, and lots of sky are visible, you can forget that you are along the edge of one very busy city.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
