Tag Archives: silhouette

Meadow, Forest, Evening Light

Meadow, Forest, Evening Light
Soft evening light and haze illuminate a meadow clearing with silhouetted trees

Meadow, Forest, Evening Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Soft evening light and haze illuminate a meadow clearing with silhouetted trees

It was late on a clear winter day, and I found myself in Yosemite Valley, in an area of trees and meadows. My first objective was group of riverside trees that were catching the early evening light coming up the Valley from the west. Soon the cliffs along the north side of the Valley cast shadows across these trees, so I moved on, following the shadow-sun line to the southwest as I crossed meadows.

Ahead a row of trees cut across the meadow along the route of a trail. A management fire was burned a bit to the west — incinerating trees that died in the drought of the past few years — and the smoke drifted, producing a gentle haze in the evening light. I found a break in the trees, with a meadow and back-lit trees on the far side, and above more trees fading into the haze toward faint cliff silhouettes. I made a quick series of exposures, and then then light was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Curving Trees, Falling Snow

Curving Trees, Falling Snow
Snow falls among winter dormant trees in a Yosemite meadow

Curving Trees, Falling Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow falls among winter dormant trees in a Yosemite meadow

I have known for a month or so that I’d be in Yosemite for the last full week of February. That lead-in month was a very strange one for California weather. We had virtually no precipitation, and warm temperatures often made if feel more like summer than winter. These are not happy conditions for wintertime photography in the park, when a lot of the plant life is dormant and when snow and storm clouds usually provide more interesting conditions.

But immediately upon my arrival — literally the first moments I spent in the Valley — the weather changed. Not only did winter weather return, but it did so with a vengeance, and temperatures dropped much lower than would be typical for the date. On most days of my stay there were at least some clouds and on several days there was snowfall. The day I made this photograph brought the most daytime snow. In the afternoon a weak front worked its way into the Valley, and there were periodic snow showers. I headed to a tree-filled meadow when this shower arrived, and there I photographed juxtapositions of the interestedly shaped trees silhouetted against the falling snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Island With Trees, Thinning Fog

Island With Trees, Thinning Fog
Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

Island With Trees, Thinning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

We all know that (apparently false) story about the number of words that Inuit people have for the myriad types of snow. I suspect that it would be possible to have a similarly diverse vocabulary of descriptions for fog, dependent upon its thickness, temperature, quality and color of light, tendency to move, effect on sound, time of day, season, persistence, and much more. Photographing in California is something of a laboratory in the nature of fog, in that we have so many types. Living in the San Francisco Bay Area I am very familiar with the type of fog created by the marine influence — often cold and gray and damp, and frequently a feature of the late-spring and summer months. Photographing Central Valley birds (and driving across the great valley while traveling to and from the Sierra Nevada) has given me ample opportunities to know the tule fog, mostly a winter phenomenon caused by cool and damp conditions over land.

On winter days when I photograph in the valley I experience transitions though many different types of fog and fog-light. I often start before dawn, when the fog and darkness can close the world down to what I can (barely) see in my headlights, or by the glow of commercial signs and streetlights as I pass through towns. Before sunrise the fog can glow in colors ranging from sky blue to the gaudy reds, oranges, yellows, and purples of first light on clouds above the fog. Eventually that color dissipates and the fog can simply become gray. Then, as it things (often from the top down), and light begins to filter down to the ground level, the colors of grasses and trees and water being to appear faintly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Central Park, Winter

Central Park, Winter
Bare trees and an empty plaza on a cold winter day in Central Park

Central Park, Winter. G Dan Mitchell – all rights reserved.

Bare trees and an empty plaza on a cold winter day in Central Park

It was an utterly frigid day in New York City when I made this photograph. This Californian is not really used to such weather, but we gave it a good try, heading out each day on long walks that sometimes lasted many hour despite temperatures around and sometimes lower than 20 degrees. (Some of you are used to that, but a “cold” midday temperature here in near-the-coast Northern California would be in the upper-forties.) Our morning began with an aborted attempt to visit the Guggenheim Museum — we made it there, got in line, stood there gradually getting colder and colder, finally figured out that the line wasn’t actually moving, gave up, and found a warm and cozy place to go eat and drink.

Afterwards we headed out on foot once again, eventually ending up back at Central Park. I’ve been there at different times of the year. In summer there are often many thousands of people in the park — walking, cycling, skating, sitting around, eating, lounging on lawns, and more. There are expansive green lawns and big, leafy trees. In winter those lawns die and the trees lose their leaves. There are people in the park, but only a tiny fraction of the number seen in summer, and most seem to be on their way somewhere else — probably somewhere else warm. But I like the park this time of year. The gray solitude of the place appeals, and the leafless trees permit more of the surrounding urban world to be seen. This little plaza, nearly empty, was along the east side of the park as we gradually worked our way to the lower end of the park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.