Tag Archives: sky

The Watchman and the Virgin River, Morning

The Watchman and the Virgin River, Morning - The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.
The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The Watchman and the Virgin River, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The peak in the upper portion of this photograph, The Watchman, with the curve of the Virgin River in the foreground is, as I understand it, one of the iconic photographic subjects of Zion National Park – perhaps being roughly equivalent to a photograph of Yosemite’s Half Dome from the Sentinel Bridge in The Valley. The funny thing, though, is that while I had seen this view of this subject many times in the photographs of others, I actually had no idea where it was or that I would see it when I visited Zion National Park earlier this month. I had somewhat intentionally avoided doing any real research about the places I would photograph, preferring instead to just confront them for what they are, unaffected as much as possible by previous notions about what I “should” photograph.

So, as we rode the shuttle bus into the park from the town of Springdale in the afternoon and crossed a bridge over the Virgin River before heading up into the canyon, I looked to my right and thought, “Oh, it is that view!” I have heard the stories and have seen the pictures of hordes of photographers lined up on this bridge, specifically to shoot this scene with fall colors and at sunset. (You can see a couple of examples by photographer and friend Gary Crabbe here.) I generally don’t seek out the icons, though I most certainly will photograph them if a) I haven’t photographed them before and/or b) there is something unusual or different about the conditions when I’m there. Although I did not stop and get off the bus to photograph the scene on that first evening, in the back of my mind I considered stopping if it looked interesting the next morning. And, in fact, as we took the shuttle back into the park very early the next morning – starting before sunrise, actually – it seemed like it might be worth hopping off after the bridge and taking a look. I was more encourage when we got there, both by the interesting soft dawn light and the lack of any other photographers on the bridge. So, there you go – I now have a photograph of the Watchman and the Virgin River, too! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turks Head, Green River

Turks Head, Green River
“Turks Head, Green River” — Green River at Turks Head in hazy evening light, Canyonlands National Park.

I made several photographs at Canyonlands National Park’s Green River Overlook on this beautiful early April evening. This elevated area of the park is a high, flat plateau at about 6000′ of elevation. It tends to drop off steeply, especially on the east, south, and west sides which lead to the canyons of the Colorado and Green Rivers just above their confluence. Below this upper plateau there is a second plateau about 1000′ lower at the White Rim, with yet another drop-off into the bottoms of the river canyons and their tributaries.

This photograph looks roughly southwest into the canyon of the Green River. The river is barely visible between the foreground White Rim and the solitary butte of “Turks Head” just beyond. In the early evening the light was slanting nearly horizontally across the scene from the right and hitting west-facing slopes and glancing along the top of the White Rim. Haze filled the air, softening the light, muting the colors of the scene, and accentuating the grand scale of this landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Street Light, Yellow Walls

Street Light, Yellow Walls - A street light attached to the exterior of dilapidated industrial buildings at the historic Mare Island Naval Ship Yard.
A street light attached to the exterior of dilapidated industrial buildings at the historic Mare Island Naval Ship Yard.

Street Light, Yellow Walls. Mare Island Naval Ship Yard, California. March 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A street light attached to the exterior of dilapidated industrial buildings at the historic Mare Island Naval Ship Yard.

Given the number of times I have ended up photographing this building at the historic Mare Island Naval Ship Yard near Vallejo, California, you might think that I’d almost be done with it by now. Apparently not. I was back at Mare Island in early March to do some photography with my friends from The Nocturnes (and to drag along photographer and friend David Hoffman). After shooting a newly-accessible area near the waterfront and not far from the Mare Island Museum, our wanderings took us past this building, also sometimes known as the UFO building. (I’ll leave the source of that name a mystery for now…)

These old buildings were part of a very active ship building facility until the mid-1990s when the area was decommissioned. Today many of the old buildings still stand, some kept maintained in their historical state and others now the homes of various industries. As far as I can tell, this weathered building is not occupied, and its exterior is a marvel of peeling paint, wild textures, boarded up windows, external electrical conduits, and more.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Coal Chute Point and The Pit

Coal Chute Point and The Pit - Coal Chute Point, the Pit, and the rugged shoreline of Point Lobos State Reserve, California.
Coal Chute Point and The Pit - Coal Chute Point, the Pit, and the rugged shoreline of Point Lobos State Reserve, California.

Coal Chute Point and The Pit. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Coal Chute Point, the Pit, and the rugged shoreline of Point Lobos State Reserve, California.

(Shortly after posting this, another photographer wrote to suggest that I might consider renaming the image to “Point and Chute.” ;-)

For all the years – decades, actually, and more than a few – that I’ve been visiting Point Lobos, there are still places that I have not gotten around to visiting within the boundaries of the park. Among them are some headlands not far from Whalers Cove that I’ve looked at for a long time… and then always headed off to some other part of the reserve without visiting them. Earlier this week I visited Point Lobos with no particular goal in mind aside from making some photographs, and I somehow finally ended up in this picturesque area that offers some quite different views from those found in the areas that more directly face out into the Pacific. (While it is, indeed, picturesque… the place names are not. Coal Chute Point? The Pit?)

The light in this photograph is somewhat subdued, at least in comparison to some of the photographs you might see of such a place, typically shot in the evening when the sky is at its most colorful. (Yes, I’ve certainly made my share of those photographs at Point Lobos, too!) But this light had a different sort of appeal, and it continuously changed during my half day there. When I arrived some fog was just clearing near the coast. It was a strange pattern – fog way inlands that looked more like the typical winter valley tule fog than the summer coastal fog. In fact, as is frequently the case in winter, it was clear at the coast. But somewhat surprisingly there was a regular old fog bank lurking a ways off the shoreline – and later in the day it moved in on the coast. Along with this there were high, thin clouds from a weather front that was passing well to the north. These conditions can still provide directional light but light which is softer and can fill in the shadows a bit – making it possible to shoot in places and at times of the day when the light might otherwise be too harsh. For this photograph I decided to “go wide,” and shoot with a 24mm focal length of a full frame DSLR to accentuate the distance between the foreground beach and the distant horizon and to include the full width of the curving wave as it broke on the beach.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.