Tag Archives: sky

December Moon, Bird-Filled Sky

Full Moon, Bird-Filled Sky
The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.

December Moon, Bird-Filled Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.

When photographing wildlife, virtually any time of day can present special, even miraculous events — but if forced to pick my favorite time of the day out in bird photography country, it might well be evening. The choice would be difficult, for sure, but some of the most memorable sights and sounds I’ve experienced while photographing autumn and winter birds have occurred late in the day: the evening fly-out of flocks of geese, the rising moon, the return of cranes, and more.

I made this photograph very late on a December day, at time time we might describe as very late afternoon or perhaps early evening. (Yes, technically the moon was not quite full.) It had been foggy for much of the day, but the sky had cleared and was now uniformly blue. It was the time when things are mostly slowing down and evening’s quiet is coming. And then the sky filled with birds for a few moments…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Wetland Color

Autumn Wetland Color
A quiet morning under fog with autumn colors, Central Valley

Autumn Wetland Color. © Copyright 2021 G Dan Mitchell – all rights reserved.

A quiet morning under fog with autumn colors, Central Valley

Autumn, my favorite season, is a month-and-a-half away by the calendar — and in terms of California weather it is more like three months away. Here the transition is gradual, and the first month of solar autumn still feels more like summer on most days, with warm or even hot temperatures and no sign of changing colors, at least not in the areas closer to the coast. (By early October aspen color does come to the Eastern Sierra Nevada.) We may get teased by a few early weather fronts in October, but the actual rainy season doesn’t start until November — and perhaps later in our changing climate.

This photograph comes from an early December visit to the Great Central Valley, hardly what most people would regard as a great fall color destination. But these wetlands, many of which are preserved in wildlife refuges, attract me in late autumn and winter. Right around the fall/winter boundary there can actually be a fair amount of color out here if you know where to look for it. The main attraction is the migratory birds, but I’ve come to love the quiet landscapes of this region, too. Because I usually arrive very early — typically before sunrise — and on days when most people aren’t out here (I love fog!), I am often nearly the only person sharing these places with a few thousand of my bird friends.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Point Sur, December Sky

Point Sur, December Sky
High clouds, brilliant reflecting light on the water, and fog at Point Sur.

Point Sur, December Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

High clouds, brilliant reflecting light on the water, and fog at Point Sur.

There is a lot of “accepted wisdom” about photography that turns out to be not quite true when you stop and consider your actual picture-making experience..Yesterday I was having a conversation with a photographer friend (Hi, Charlie!) about various things, including the way that some photographs don’t quite make sense to us until we return to them long after making the original exposure. If one ideal is to pre-visualize the photograph perfectly (and I do believe in the value of pre-visualizing), then it would seem that being surprised months or years later to find that a forgotten image works is hard to explain. But it happens — quite a lot, actually. One of my ideas about this is that at first we are too invested in what we believe the photograph to be that we are unable to look beyond that and see what it actually is.

All of this is a long way of getting to a point about this photograph. When I first viewed it right after the day I visited the Big Sur coast, I had a hard time with certain aspects of the light and the color and, to a lesser extent, the way it was framed. Originally I settled on a black and white interpretation. (Yes, a neat way of copping out about the color issues!) Recently I went back and looked at it again, and this is the result. I ended up with a slightly different crop, some work to lighten portions of the scene, and some new thinking about color of clouds and sky and about how to handle the bright yet low contrast reflections on the water out near the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dark Headland, Big Sur Coast

A dark headland cliff rises directly above the Pacific along the Big Sur coast as fog clears from distant mountains.

Dark Headland, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dark headland cliff rises directly above the Pacific along the Big Sur coast as fog clears from distant mountains.

Recently we spent some time photographing along the far Northern California coast. One thing leads to another, and before long I found myself looking back through raw file archives from previous coastal photography, including subjects from up and down the entire coast of the state. One set of older files came from a one-day jaunt about halfway down the Big Sur coast on a day when the weather was shifting from clear and sunny to windier and (potentially) wetter as a large Pacific front was working its way down the coast.

The light was quite amazing on this day. Although clouds were approaching from the north (behind my camera position in this photograph), to the south it was still quite sunny — so bright, in fact, that it was hard to look directly at the surface of the ocean here. At the same time the morning coastal fog was thinning and drifting away from the mountains as they curved to the south and southeast. I made several photographs from this spot, all of them featuring the tall and steep dark headland in the foreground. In this one I opened up the scene a bit wider to include the curving sweep on the coastline as it continued to the south.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.