Tag Archives: sky

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning, Mountains, Desert Canyons

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Morning, Mountains, Desert Canyons
Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park

Morning, Mountains, Desert Canyons. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park

As I post this photograph on the summer solstice, this location is perhaps not a place you would want to be right now. I understand that temperatures in Death Valley National Park have been in the 120 degree range already this summer. But back on this March morning the scene was a lot different — clouds from a passing Pacific weather front obscured the dawn light, and there was a pleasantly cool wind at this location high in the Panamint range as the morning light arrived.

This view looks down through one of the many gigantic canyons of the Panamint Range, a sight that reminds us of just how important the flow of water has been in the creation of this remarkable landscape. In the middle distance the salt flats of Death Valley are visible at the base of the Black Mountains, and above that the demarcations between mountains and clouds and sky and light are hard to see, and the terrain of the rugged Death Valley landscape almost merges with the ephemeral terrain of this sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

SFMOMA, Cloud

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SFMOMA, Cloud
A cloud above the new SFMOMA building

SFMOMA, Cloud. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A cloud above the new SFMOMA building

I think my landscape photographer instincts went to work on this photograph, despite its thoroughly urban subject. But imagine a valley floor, a vertical granite cliff, peaks beyond, and a cloud floating past and I think you might see the analogy. But this is a distinctly San Francisco street/architecture photograph.

I was on foot in The City, spending the better part of a day wandering around in an area bounded by the Embarcadero and the Bay, Market street more or less, and Fourth Street. I was headed south on a less crowded street, traveling more or less toward the newly remodeled SFMOMA (museum of modern art). I had been looking a the tall building on the right and the bit of the new portion of the museum poking out to its left when the solitary cloud appeared from behind the building and began to move from right to left. Having very little time to contemplate, I framed up this vertical composition and made the photograph “street” style, using the prime lens already on the camera and simply shooting handheld

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Barred Window

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Barred Window
Reflections and shaded interior beyond a barred window, San Francisco

Barred Window. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Reflections and shaded interior beyond a barred window, San Francisco

Walking along the waterfront near the South Beach Harbor I noticed a walkway going out to the end of a pier than I had not noticed before. This time a gate was open, so I walked out onto the pier and passed many small temporary (or so they seemed) businesses and shops that were set up behind the sliding metal doors, now open for the day. My goal was the end of the pier, where I figured I might be a good, clear view straight into the morning light coming across the bay or possibly back across the boats tied up in the harbor.

Passing one small metal-sided building, I noticed the odd combination of objects — a bird cage behind a sort of “human cage” of the barred windows. The right window provided a visual and subjective contrast with these objects, since it reflected the open blue sky and the upper portions of the masts of the nearby sailboats.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Clouds

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Desert Mountains, Clouds
Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

Desert Mountains, Clouds. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

If you follow my daily photographic posts, you just might recognize this scene — given that I’ve been posting variations on it for the past couple of weeks! (As you may have gathered, my daily shared photographs are not the same as my “Best of…” work. Instead they are, among other things, a way to stay “on assignment” and work out and try a variety of ideas.) So far, the variations on this general subject have included both monochrome and color versions and vertical and horizontal formats.

There were several challenges with this scene on location, some technical and some esthetic. Technical challenges included the extreme variations in the light, from the brilliantly lit clouds to the left foreground canyon in deep shadow. This was a challenge for which I realized that part of the solution could come in post, as long as I was careful with the highlights in the exposure. Compositional questions included how much of that dark foreground mass to include (with the presumption that some detail could be retained there), where to place various lines relative to the edges of the frame, and how much sky to include. While I first wanted to keep the hazy light on the mountains on the far side of the valley very brightly luminous, it seemed that their detail could be lost against the large dark areas. In any case, this is one of the current “finalists” among the group I’m considering.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.