Tag Archives: skyline

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Autumn Reflections, Central Park

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Autumn Reflections, Central Park
The Manhattan skyline is reflected in the water of The Lake on a hazy autumn day, Central Park.

Autumn Reflections, Central Park. © Copyright 2023 G Dan Mitchell.

The Manhattan skyline is reflected in the water of The Lake on a hazy autumn day, Central Park.

We arrived in New York City late in the day, too late to do much other than meet up with family, get a bite to eat, and head back to the hotel. We stayed on the Upper West Side, more or less to the west of the Natural History Museum, and thus a short walk from Central Park. So the next morning — after coffee, of course! — we headed that way to walk and do a bit of photography. We were happy to see that there were still many trees with autumn foliage.

We casually ambled around this lake, known by the descriptive name of “The Lake.” To get photographs from the park that include the Manhattan skyline, I usually seek out open areas that are less obstructed by trees, such as meadows and lakes. The lakes have the added attraction of providing interesting reflections. So here the scene is the lake (oh, sorry, “The Lake”), the autumn foliage of the surrounding trees, and beyond that the skyline of Manhattan just south of the park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Hernshead, Autumn

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Hernshead, Autumn
A person sits on the Hernshead outcropping among fall colors, Central Park, Manhattan.

Hernshead, Autumn. © Copyright 2023 G Dan Mitchell.

A person sits on the Hernshead outcropping among fall colors, Central Park, Manhattan.

We were in New York City for a few days before Thanksgiving. (We left early to avoid the holiday rush.) Our two sons and daughters-in-law live and work there, and they have told us for years to come during spring and autumn instead of our usual winter and summer visits. They are right. — Manhattan was full of lovely fall colors, not just here in the “wilds” of Central Park,” but even along busy streets and avenues. This photograph juxtaposes one of the park’s rocky outcroppings, “The Lake,” autumn trees, and a bit of the Manhattan skyline.

There is always something new to discover or learn about the place. For example, take the name “Hernshead.” Before sharing this photograph I looked at maps to see if the spot has a name, and I discovered that it does. But it is a strange word. If you asked me what “Hernshead” means I might have said, “Don’t know, but maybe someone’s name?” I would have been wrong. According to the Park Conservancy, it was named when the park was created in the 1800s because the outcropping’s shape suggested the form of a heron’s head… and “hern” is apparently an old, alternate spelling of “heron.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

The Urban Wilderness

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The Urban Wilderness
People climb on a rock outcropping at The Lake, Central Park, New York City.

The Urban Wilderness. © Copyright 2022 G Dan Mitchell.

People climb on a rock outcropping at The Lake, Central Park, New York City.

This photograph comes from a well-known, popular rock outcropping along the shore of The Lake in Manhattan’s Central Park. I made the photograph on an October morning as we killed time before heading to the airport for our flight back to the West Coast. We wandered across the park, down the East Side to the Columbus Day parade, and then back to our hotel. One thing that struck me about this scene was how familiar the appearance of the people climbing the rocks was — I could find a similar scene in the Sierra..

I enjoy the parallels between photography of the urban and natural worlds. There’s no denying that they are rather different, but I think there are similarities,. too, and I’m able to apply my experience photographing the natural world to urban photography. It is possible to see the human presence in the city as almost a kind of wildlife — and photographing people and wild life can be challenging in similar ways. The city also presents a landscape, and the same principles that work in wilderness can work here, too. ( I sometimes think that the particular landscape in this photograph, with those ridiculously tall and slender buildings, may have more I’m common with movie depictions of cities on distant planets!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: France, Photographs: People, Photographs: Travel, Photographs: Urban/Street

Woman and Clock

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Woman and Clock
A woman gazes through the portal of a Musee D’Orsay clock towards Paris

Woman and Clock. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman gazes toward the Paris skyline through the portal of a Musee D’Orsay clock

I can tell something of a story on us regarding the Musee d’Orsay. On a previous visit to Paris we were trying to get to various specific locations including a few museums. However, we can be a bit “seat of the pants” when it comes to wandering around in such cities — rather than making specific plans we tend to decide things on the spot and/or wander around and see what we find. We knew we wanted to visit this museum, but it wasn’t until later on that visit that we made it there. We paid our admission, went inside, and discovered that we had perhaps 90 minutes left before it closed. Needless to say, we moved very quickly through sections of the place and missed a ton of stuff.

This time we wanted to go back and spend a more reasonable amount of time there. And we did. We got there in time to see a good portion of the marvelous exhibits. At one point we were getting hungry, and we ran into a restaurant on one of the upper floors and decided to stop. Overlooking the restaurant was a clock like what you see here. I was very confused. I knew I had seen “the” clock briefly on the previous visit, but I didn’t recall a restaurant… so I chalked up to, “they must have remodeled things and installed this restaurant by the clock. ” We finished eating, went back to visiting the exhibits, and eventually worked our way to the far end of the floor… where we found the other clock, the one that I had seen before. Usually there are a ton of people standing in front of the thing — and who can blame them — but for a moment I was able to frame this photograph with a solitary woman standing and looking through the clock’s windows towards the skyline of Paris.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.