Tag Archives: slant

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rocks, Spray, and Light Beams

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Rocks, Spray, and Light Beams
Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

Rocks, Spray, and Light Beams. © Copyright 2021 G Dan Mitchell – all rights reserved.

Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

California’s Big Sur Coast is easily accessible to me, close enough that I can drive down there early in the morning, photograph for a few hours, and be home for a late lunch. (Yeah, I’m spoiled.) Some of my very earliest photography memories come from this part of the world, when I carried a simple camera on family trips to Point Lobos. At this point, decades later, you’d think that I’d know everything there is to know about the regions. But you’d be wrong. Virtually every time I go there I discover something new — a view I had not seen before, a new kind of atmosphere or light, a different way of looking at a familiar subject.

This photograph fits that last category. The location is a spot that I’ve stopped at for years, mostly to photograph a particular larger scene that includes a natural bridge, some sea stacks, and a bridge. (No, not _that_ bridge — I know which one you are thinking of!) On this early November visit I was a bit surprised by the size of the surf. Big surf is common in autumn through winter here, but I had not seen that it was in the forecast. To make this photograph I decided to leave out the thing that is usually my primary subject here and to include some things that I usually try to leave out! The photograph is, as a result, an example of letting some small, isolated element represent and perhaps evoke the experience of the larger landscape in which it is found.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: San Francisco, Photographs: Urban/Street

Pedestrians, Slanted Street

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Pedestrians, Slanted Street
Pedestrians walk past mailboxes on a slanted San Francisco street

Pedestrians, Slanted Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

Pedestrians walk past mailboxes on a slanted San Francisco street

A scene like this could probably be distressing to OCD photographers who (like me!) often like to have things line up on logical ways. Or it can be pleasure for someone (also like me!) who loves contemplating perspective and other types of visual dissonance. I actually played around with this, seeing what would happen if I used post-processing techniques to align the image with various potential vertical or horizontal references… and there isn’t one that actually works and leaves the other references also all correct!

This sort of scene is pretty typical in San Francisco. I don’t know the people in the scene, but their appearance is congruent with that of the new inhabitants of San Francisco: tech workers, finance workers, and others who support them. (I believe we can even see the ubiquitous paper coffee cup in the hands of one of the figures.) The scene is typical in other ways as well, including the standing street and the buildings aligned to the gravitational horizontal, and ignoring the actual slanting terrain in order to get there.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Brick Wall, Balcony Shadows

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Brick Wall, Balcony Shadows
Shadows from metal balconies slant across brick wall

Brick Wall, Balcony Shadows. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shadows from metal balconies slant across brick wall

I don’t think I can up with a comprehensive list of all of the variations on urban and street subjects, but there are a lot of them. You can, of course, focus on photographing people — whether street portraits, with our without the subject’s cooperation, or anything up to groups and crowds. You can treat the urban environment as its own sort of landscape, looking for form and color and light in the familiar ways. You can think of it as a way of simply making a record of transitory things that will soon be changed or bone. It can focus on architecture. And the list goes on.

I think of this as a sort of street landscape. This New York wall, at this time of day and during this season, transforms into something that I can’t imagine the builders understood when they constructed it. My bet is that they were making a practical brick wall, with practical windows, a simple pair of balconies (probably designed to save money), and fire escapes. But, as was apparent when I walked past in December, becomes a canvas for a wild conjunction of shapes and textures and shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Lake, Trees, and Granite – Afternoon Light

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Lake, Trees, and Granite - Afternoon Light
Lake, Trees, and Granite – Afternoon Light

Lake, Trees, and Granite – Afternoon Light. Kings Canyon National Park, California. September 15, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Afternoon light slants across a Sierra Nevada landscape of water, trees, and ascending granite ridges

This lake, and the rocky meadows and forest and other small lakes and ponds surrounding it quickly became one of our favorite locations to photograph during our mid-September time photographing in the Sierra Nevada range of eastern Kings Canyon National Park. This spot was a very short ten minute hike away from our camp site, and it drew us back many times over the course of our six night stay – morning and evening, fair weather and stormy. The location was so varied and detailed that there was no end of things to see and photograph.

On this day several of us headed over there in the late afternoon, and once we arrived we headed off in various directions to find photographs. By this point we were clued in to the evening pattern of light, one that suddenly and a bit unexpectedly “turned out the lights” a bit earlier than we might have expected, with the shadow of a large ridge to the west quickly sweeping from north to south across the lake. We figured out that we had to start earlier than we might typically start for evening shooting, and that we then had to watch the change carefully so as to be ready for it when it happened. By the time I made this photograph, the wind had come up and what had been smooth waters began to take on a different appearance as the wind created some surface waves. A bit of haze accentuates the difference in distance between the closest trees and the more distant trees leading up the base of the rockier slopes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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