Tag Archives: slope

Shoreline and Slabs

Shoreline and Slabs
Glaciated granite slabs rising from shoreline meadows reflected in the still water of a backcountry Yosemite lake.

Shoreline and Slabs. © Copyright 2021 G Dan Mitchell – all rights reserved.

Glaciated granite slabs rising from shoreline meadows reflected in the still water of a backcountry Yosemite lake.

This photograph comes from the early morning hours, before the sun had risen high enough above the surrounding peaks to directly light the immediate landscape. The light is soft and blue-toned, the water is smooth, and the entire scene at this backcountry lake was serene. My recollection is that I had been up at the first hint of light, and that I spent the next few hours exploring the periphery of this lake. .

The photograph comes from very early autumn back in 2009, when I hiked in solo to join a larger group of my friends who were starting a weeklong photography visit to this area. I had teaching responsibilities back in the “real world,” so I was only able to remain for a few days before heading out to civilization. I later found out that I has missed some, uh, “special” weather… that brought the temperatures at this location down to about 5 degrees Fahrenheit. Ah, autumn in the Sierra! Most of the time it is pleasant and comfortable, but every so often an early bit of winter sneaks in to bite you!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Brush, and Talus

Autumn Aspens, Brush, and Talus
A row of colorful autumn aspen trees standing between alpine willows and talus, Eastern Sierra Nevada.

Autumn Aspens, Brush, and Talus. © Copyright 2020 G Dan Mitchell – all rights reserved.

A row of colorful autumn aspen trees standing between alpine willows and talus, Eastern Sierra Nevada.

These trees grow in an area widely regarded as iconic for fall color photography in the Sierra Nevada, though if they appear in the usual photographs at all they are perhaps seen as a small element off to the side in the distance. However, they have intrigued me on their own for many years. Since the first time I visited this place I made a point of walking past and underneath them, and eventually I began to consider how they could be photographed from a slightly greater distance.

These trees constitute a segment of a thin line of trees that travels for some distance, thick and wide in some places and separated by breaks in others. In the best years — and this was one of those — they include all of the potential color shades from yellow through orange to red. But the other elements in this scene also are important to me — the bluish rocks of the hill in shadow, the subtler colors of the brush in the foreground flats, and the dark green of the widely-spaced conifers trying to gain a foothold in this meadowy area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Pedestrians, Slanted Street

Pedestrians, Slanted Street
Pedestrians walk past mailboxes on a slanted San Francisco street

Pedestrians, Slanted Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

Pedestrians walk past mailboxes on a slanted San Francisco street

A scene like this could probably be distressing to OCD photographers who (like me!) often like to have things line up on logical ways. Or it can be pleasure for someone (also like me!) who loves contemplating perspective and other types of visual dissonance. I actually played around with this, seeing what would happen if I used post-processing techniques to align the image with various potential vertical or horizontal references… and there isn’t one that actually works and leaves the other references also all correct!

This sort of scene is pretty typical in San Francisco. I don’t know the people in the scene, but their appearance is congruent with that of the new inhabitants of San Francisco: tech workers, finance workers, and others who support them. (I believe we can even see the ubiquitous paper coffee cup in the hands of one of the figures.) The scene is typical in other ways as well, including the standing street and the buildings aligned to the gravitational horizontal, and ignoring the actual slanting terrain in order to get there.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lakeside Trees and Rocky Slope

Lakeside Trees and Rocky Slope
Lakeside autumn aspen trees reflected in shoreline water

Lakeside Trees and Rocky Slope. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lakeside autumn aspen trees reflected in shoreline water

This was a long and productive day. We started before dawn, waking up in darkness and heading up into the mountains to arrive at a likely spot to photograph fall color before sunrise. We began by photographing a familiar lake from a somewhat different perspective, working from an elevated position above the lake. A bit later we moved to other locations in the big east side mountain valley, generally working our way around so that we could photograph aspen color before the direct sun arrived. We stopped for breakfast at a mountain lodge before heading back down into Owens Valley and then turning north. We ended up north of Lee Vining in the late afternoon, and eventually we finished photography and began the long drive across the Sierra and back to the San Francisco Bay Area.

This is one of the early morning photographs. I had finished with a somewhat iconic Eastern Sierra subject, though photographing only parts of it that might or might not be recognizable. Soon the direct sunlight began to hit this subject, washing out the colors and ending my photography of that subject. No matter, I just pivoted a bit to my right and found lakeside trees where the direct sun had not yet arrived, and I photographed these trees in the softer shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.