Tag Archives: slope

Abandoned Mill

Abandoned Mill
An abandoned mill on a steep slope high in the Panamint Mountains.

Abandoned Mill. © Copyright 2023 G Dan Mitchell.

An abandoned mill on a steep slope high in the Panamint Mountains.

For someone like me, the first instinct is to think of Death Valley National Park as being mostly wilderness, and then to associate that with the idea that it is a place of little or no human presence. In truth there’s virtually no place in the world where we have not left a mark… and there are many examples in this park. They range from evidence of long-ago native populations and their descendants who still live there to the rather astonishing number of old mining sites. No matter where you go in this park., you are bound to see these things.

In the latter category is the site of Skidoo, where there was once a real town and lots of mining and ore refining… in just about the most unlikely location imaginable. It was near the summit of high desert mountains, far from any paved roads. The ruins of the water-powered mill (an astounding story too long to relate here) sit on a steep hillside, overlooking a remarkable expanse of rugged desert terrain and mountains that extends to the distant peaks of the Sierra Nevada.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Across the Canyon

Across the Canyon
Morning light on a desert canyon and eroded hills, Death Valley National Park.

Across the Canyon. © Copyright 2023 G Dan Mitchell.

Morning light on a desert canyon and eroded hills, Death Valley National Park.

Weeks ago I thought I was “done” with the photographs from my January visit to Death Valley National Park. As usual, I was wrong. I almost always end up returning later to files that I think I’ve picked over, and I inevitably find something that I missed. (I have a theory about this that has to do with how we see photographs right after we make them versus how we view them later on with some aesthetic distance.) I made this photograph on a morning when thick haze to the east softened the light.

The impetus for this return to the file archive was a posted by a friend who was photographing in the park just before the first day of spring. I recognized her camera position as being very close to a place that I had used in January, and when I went back to my files to verify my hunch I ended up plowing through the archive again. The fact that this photograph sees the light of day now is the result of multiple bits of serendipity. I was there to photograph an entirely different subject, and I only spotted this scene by turning away from that subject. I might never have “found” it again if it hadn’t been for the coincidence of seeing my friend’s photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Morning Shadows

Trees, Morning Shadows
A line of trees ascends a rocky slope in monring shadows, Ansel Adams Wilderness.

Trees, Morning Shadows. © Copyright 2022 G Dan Mitchell.

A line of trees ascends a rocky slope in monring shadows, Ansel Adams Wilderness.

While taking a morning walk along the creek below our camp I followed the water as it curved around a large flat area, tracing a route along the base of a rocky hill rising toward a much higher ridge. The ridge kept the area in shadow well into the morning, so I decided to photograph in the soft, shaded light just before the first direct sunlight arrived.

So much of what grows in these places is determined by the shape of the landscape. Here the slope was full of old moraine rocks and with boulders that appear to have fallen down from the higher ridge. But where there was a gap in the rocks the trees managed to establish themselves, creating ribbons of green ascending the hillside.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

High Country Sunset

High Country Sunset
Sunset light on trees along the shoreline of an alpine lake below talus fields.

High Country Sunset. © Copyright 2022 G Dan Mitchell.

Sunset light on trees along the shoreline of an alpine lake below talus fields.

This is the highest of a small series of three Yosemite backcountry lakes — the lowest in forest, the middle right below steeping terrain, and this highest lake surrounded by alpine meadows and rocky slopes and ridges. When I visit I usually camp at the lowest lake and then day-hike to the upper at the times of best light.

This time I went up late in the day, planning to stay through sunset and then hike back down to my camp in the gathering darkness. This lake sits just below a high, shattered ridge covered with slabs, talus, and boulders. It catches the late light and produces a wonderful backdrop to the lake, the green shoreline meadows, and the trees catching the golden hour colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.