Tag Archives: south

Autumn Aspens and Boulder

Autumn Aspens and Boulder
A boulder in the midst of early autumn aspen color in the Eastern Sierra Nevada

Autumn Aspens and Boulder. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A boulder in the midst of early autumn aspen color in the Eastern Sierra Nevada

Besides being an example of relatively bright color, this little aspen scene may reveal a few other things to close viewers. The colors range almost across the entire spectrum of aspen color, from the green or trees that have not yet turned, through the typical brilliant golden-yellow, and in between some orange and even a bit of red. These are rather small trees, growing on very rocky soil, the environment where the trees frequently begin to turn first.

The slope is perhaps not remarkable among many other similar slopes that are also covered with aspens. But for some reason — it may be an accidental turn I took near here years ago — this little section of an east side valley seems special to me, so much so that I have to make a sort of ritual passage past and through it when I’m in the area. This photograph was made close to the middle of September, which seems early for Eastern Sierra aspen color. But after several drought years the trees are not behaving according to the familiar plan. Yet, there is still a lot of green, too, which promises several weeks of developing color to come.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Inside the Grove

Inside the Grove
Among the trees of an Eastern Sierra aspen grove, autumn

Inside the Grove. Eastern Sierra Nevada, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Among the trees of an Eastern Sierra aspen grove, autumn

Late in the afternoon on this day of Eastern Sierra fall aspen color photography I found myself in a familiar place, where a small lateral road, narrow and gravel, roughly parallels are larger paved road. I like to pull off the main road here and slowly drive the short distance up canyon on the gravel road, stopping along the way to view and photograph the variety of aspen trees that grow here. It is especially nice late in the day when the sun drops behind high peaks, leaving soft, shadowed light.

I pulled into a familiar pull-out along this road, at a spot where I have photographed in the past and where there is  a little grove of small trees. None of the trees seems to be as tall as twenty feet, but they grow very closely together — so closely that it is actually difficult to walk among them. The spot is often quiet — personal rather than iconic — especially late on an autumn day, and I sometimes simply pause quietly here for a while. On other occasions, like this one, I make photographs. I decided that I would put on a very wide-angle lens and then walk in among the trees, photographing them very close up and trying to capture some of the feeling of being inside such a dense little grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hillside Aspen Grove

Hillside Aspen Grove
Colorful autumn aspen trees ascend a hillside in Bishop Canyon, California

Hillside Aspen Grove. Sierra Nevada, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees ascend a hillside in Bishop Canyon, California

I love to photograph aspens in soft light, either very early in the morning or in the evening, when the trees are in shadow. This light enhances the colors of the trees and it fills in the shadows, creating an appearance that does not have the stark quality sometimes seen in midday sunlight aspen groves. I waited until the last hour or so of daylight to photograph this area, at which time the sun has already dropped behind the summits of the surrounding peaks.

This photograph takes in a small section of a much larger grove of colorful trees, at every stage from fully green to complete bare. I sometimes like to simply stand for a bit in front of such a grove, staring at the colors and patterns and trying to find small sections that might make a composition. Here I think I was first attracted to the bright leaves on the small trees near the top, but soon I saw the diagonal arrangement of the rows of trees. Each row has its own character. That primary row near the upper part of the frame is at its color peak, but in front of it there is another row of trees that seems to be going more quickly from green to bare. In the background there is a line of much larger trees, with their tall and straight white trunks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Way (To San Jose)

The Way (To San Jose)
San Francisco freeway entrance

The Way (To San Jose). San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

San Francisco freeway entrance

OK. How to explain this photograph, especially to people who think of me as a “landscape” photographer? Let me start with the basic facts. I made the photograph on one of my regular walks in The City, which almost always start at the Caltrain station and the head off in various directions. On this morning I headed straight north towards Market Street. But “straight” doesn’t mean fast, and I mostly walked slowly and looked a lot — at things that I might not otherwise see. The light was beautiful, with the early morning sun beginning to break up the San Francisco fog and cast soft light on the urban landscape. At one point I passed this freeway on-ramp, with its obvious potential for puns based on an old popular song

Yes. I’m putting off trying to explain this photograph. I’ll just drop a few hints. First, think in terms of landscape, but “urban landscape.” There is no clear line between the landscapes of people and the landscapes of what we call the natural world, and this is just a bit closer to one end of the spectrum. Then, there is that beautiful light and the lovely Bay Area summer morning sky — the same sky that might appear in a natural landscape not more than a few miles away. And I think if you look closer you might possibly find a few little surprises in the photograph that demonstrate that perhaps there is more there than you might first think. Isn’t that a beautiful curve from lower right and up toward the sky? And how in the world is it that the street and the freeway are empty of cars on a weekday morning in downtown San Francisco. Beyond that, I’ll leave you to figure the rest of it on your own…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.