Tag Archives: southern

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Morning Haze

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Desert Mountains, Morning Haze
Glowing morning haze delineates a series of ascending ridges in desert mountains, Death Valley National Park.

Desert Mountains, Morning Haze. © Copyright 2022 G Dan Mitchell.

Glowing morning haze delineates a series of ascending ridges in desert mountains, Death Valley National Park.

Desert haze has become my friend. I used to be frustrated by it — the desert light I wanted was the crisp light of perfectly clear skies. I struggled with haze, with its effects on colors, its lower contrast, and its muted details. (To be honest, sometimes it still challenges me!) But, as is often the case, when I live with something for a while I start to figure out how to see it, and I often end up attracted to it. Now I actively search for just the right kind of soft atmospheric haze.

I had plenty of it on this morning. I was out before dawn, of course, and after finishing with my initial early morning subject I traveled to a higher location with immense and panoramic views of the landscape. The bright light beyond these mountains was making the haze luminous and almost eliminating fine details, leaving the outlines of the successive ridges receding toward the morning sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Toward the Playa

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Toward the Playa
A dry wash heading toward the playa in late afternoon light, Death Valley National Park.

Toward the Playa. © Copyright 2022 G Dan Mitchell.

A dry wash heading toward the playa in late afternoon light, Death Valley National Park.

This is one small desert wash, one occasional watercourse among uncounted numbers of them in this landscape. At the risk of repeating myself, this is yet another illustration of the ubiquitous presence of water in this desert. In prehistoric times, this was a very large lake, believe it or not, and the distant playa is essentially the lake’s remnant, a place were water still collects in wet years. When storms pass through and drop sometimes-torrential rain, these washes carry more water out to the low places.

On one hand this photograph could be seen as evidence of the role of water here. But when I look at it I think about the experience of walking across such terrain. (And because I do walk there sometimes, I go during the cooler times of the year!) When you start out, your goal seems not so far away. But distances are deceiving here, and your objective often ends up being much farther away. As I walk, there is a fascinating combination of senses — one is the feeling of being very tiny in an immense landscape, but another is an intense focus on immediate surroundings: the sound of wind, the clatter of stones, the footing changing as I move from rocks to sand, perhaps a breeze, the intensity of the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dormant Desert Holly

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Dormant Desert Holly
A dormant desert holly plant against rocky backdrop in evening light.

Dormant Desert Holly. © Copyright 2022 G Dan Mitchell.

A dormant desert holly plant against rocky backdrop in evening light.

Photographing this dormant desert holly bush was very much a last minute opportunity. Late in the afternoon we headed toward a prospective early evening subject, stopping along the way to photograph various other things as the light cooperated. Ironically, when we arrived at that intended subject several factors made it less appealing than expected, and I barely photographed it at all! We spent a few minutes there, and as the light began to decrease we moved on.

We were along the east side of Death Valley at the time. A big part of photographing in this landscape is learning the daily patterns of the light. Because of the very large mountain range on the west side, the direct light where we were ends well before sunset. This also produces an extended period of soft light in the shadow of that western range, when the landscape is still illuminated by the blue sky and sometimes by colorful clouds. I photographed this plant, set against a nearly barren and rocky hillside, as that soft evening light began to fade.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands Gully

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Badlands Gully
A deeply forrowed and eroded badlands gully, Death Valley National Park.

Badlands Gully. © Copyright 2022 G Dan Mitchell.

A deeply forrowed and eroded badlands gully, Death Valley National Park.

This scene may look familiar — I shared a vertical-orientation photograph of the same subject a few weeks ago. Often a subject strongly suggests either the vertical “portrait” orientation or the horizontal “landscape” arrangement. But sometimes a subject can work either way, albeit with different effects. Here I feel that the vertical interpretation more strongly followed the upward trajectory of the central gully, but that this version embeds it more firmly in the converging diagonal lines on the sides and emphasizes its curve.

This is not a major Death Valley feature. If you went to the location where I made the photograph you might not notice it. The gully is relatively small and high on a hillside, so I used a long focal length to frame it tightly. (I’m a big fan of long focal lengths for landscape photography.) It was early enough that the light was not yet intense and stark, and a bit of high cloudiness softened it a bit more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.