Tag Archives: stark

Desert Church, Cloud-Filled Sky

Desert Church, Cloud-Filled Sky
“Desert Church, Cloud-Filled Sky” — Cloud-filled skies above the St. Madeleine Sophie Barat Roman Catholic Church in Trona, California

This is not the first time I have photographed this striking desert church, and isn’t even the only photograph of the subject from my visit to this area earlier this year. Trona is a small, hard-scrabble town in the desert between Ridgecrest and Death Valley. It is build around extraction industries, primarily based on “mining” the mineral deposits left behind when water evaporates from nearly Searles Lake. It is a tough place, full of abandoned buildings, and terribly hot at times.

The church has caught my attention for years as I’ve passed through on my way to Death Valley. It is one of the most unusual Catholic churches I have seen. Its construction seems entirely utilitarian, and its shape is notable blocky and square. There’s nothing colorful or soaring about its structure. This all seems fitting in this harsh environment. On this visit I paused to photograph it again, this time with an impressive cloud-filled sky from a departing late-winter storm.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Church, Storm Sky

The town of Trona, near Death Valley, can feel like a place that is dying. A large factory operates in the town, extracting minerals from the giant dry lake in Searles Valley. I have passed through for years, and the number of abandoned and boarded-up homes and businesses has increased. This intriguing church sits along the highway, wedged between the town and the dry lake.

The church has fascinated me since I first saw it many years ago. I have never seen people there or even a car parked in the gravel parking lot. It is one of the least aesthetic Catholic Churches I have ever seen, looking entirely functional and standing implacably in this rough landscape. On the day I photographed it the wind was blowing and storm clouds had gathered over the distant Panamint Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Where Once a Forest Stood

Where Once a Forest Stood
The skeletons of ponderosa pines at the edge of high desert.

Where Once a Forest Stood. © Copyright 2023 G Dan Mitchell.

The skeletons of ponderosa pines at the edge of high desert.

Today I interrupt the stream of photos from our European travels (“Finally!,” a few of you say…) to share something from my first return to the Sierra and points east since we got home. The European trip was great — and I look forward to more like it — but I missed my mountains! There’s a lot more to write about that and about getting back “out there,” but I will save most of it for later posts.

On this morning I was camped above 9000′ in the Eastern Sierra, but I decided (for reasons including deteriorating weather) to head out along the eastern slopes of the range to photograph in the early light. After some less-than-satisfying photography of the eastern escarpment (wildfire smoke was an issue) I headed out into the high desert near Mono Lake and then into a remarkable grove of ponderosa pines, one of the largest (perhaps the largest) in existence. I was aware of the results of a wildfire here years ago, and I wanted to photograph the remains of burned forest, so I turned off on an unmarked route and ended up here, where dead trees still stand starkly against the desert landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Toward the Playa

Toward the Playa
A dry wash heading toward the playa in late afternoon light, Death Valley National Park.

Toward the Playa. © Copyright 2022 G Dan Mitchell.

A dry wash heading toward the playa in late afternoon light, Death Valley National Park.

This is one small desert wash, one occasional watercourse among uncounted numbers of them in this landscape. At the risk of repeating myself, this is yet another illustration of the ubiquitous presence of water in this desert. In prehistoric times, this was a very large lake, believe it or not, and the distant playa is essentially the lake’s remnant, a place were water still collects in wet years. When storms pass through and drop sometimes-torrential rain, these washes carry more water out to the low places.

On one hand this photograph could be seen as evidence of the role of water here. But when I look at it I think about the experience of walking across such terrain. (And because I do walk there sometimes, I go during the cooler times of the year!) When you start out, your goal seems not so far away. But distances are deceiving here, and your objective often ends up being much farther away. As I walk, there is a fascinating combination of senses — one is the feeling of being very tiny in an immense landscape, but another is an intense focus on immediate surroundings: the sound of wind, the clatter of stones, the footing changing as I move from rocks to sand, perhaps a breeze, the intensity of the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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