Tag Archives: stark

Toward the Playa

Toward the Playa
A dry wash heading toward the playa in late afternoon light, Death Valley National Park.

Toward the Playa. © Copyright 2022 G Dan Mitchell.

A dry wash heading toward the playa in late afternoon light, Death Valley National Park.

This is one small desert wash, one occasional watercourse among uncounted numbers of them in this landscape. At the risk of repeating myself, this is yet another illustration of the ubiquitous presence of water in this desert. In prehistoric times, this was a very large lake, believe it or not, and the distant playa is essentially the lake’s remnant, a place were water still collects in wet years. When storms pass through and drop sometimes-torrential rain, these washes carry more water out to the low places.

On one hand this photograph could be seen as evidence of the role of water here. But when I look at it I think about the experience of walking across such terrain. (And because I do walk there sometimes, I go during the cooler times of the year!) When you start out, your goal seems not so far away. But distances are deceiving here, and your objective often ends up being much farther away. As I walk, there is a fascinating combination of senses — one is the feeling of being very tiny in an immense landscape, but another is an intense focus on immediate surroundings: the sound of wind, the clatter of stones, the footing changing as I move from rocks to sand, perhaps a breeze, the intensity of the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dormant Desert Holly

Dormant Desert Holly
A dormant desert holly plant against rocky backdrop in evening light.

Dormant Desert Holly. © Copyright 2022 G Dan Mitchell.

A dormant desert holly plant against rocky backdrop in evening light.

Photographing this dormant desert holly bush was very much a last minute opportunity. Late in the afternoon we headed toward a prospective early evening subject, stopping along the way to photograph various other things as the light cooperated. Ironically, when we arrived at that intended subject several factors made it less appealing than expected, and I barely photographed it at all! We spent a few minutes there, and as the light began to decrease we moved on.

We were along the east side of Death Valley at the time. A big part of photographing in this landscape is learning the daily patterns of the light. Because of the very large mountain range on the west side, the direct light where we were ends well before sunset. This also produces an extended period of soft light in the shadow of that western range, when the landscape is still illuminated by the blue sky and sometimes by colorful clouds. I photographed this plant, set against a nearly barren and rocky hillside, as that soft evening light began to fade.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bench and Wall

Bench and Wall
Postcard from Pandemia: bench and wall.

Bench and Wall. © Copyright 2020 G Dan Mitchell – all rights reserved.

Postcard from Pandemia: bench and wall.

From the “Postcards from Pandemia” series, another photograph made on one of my neighborhood walk circuits. This route takes me past a location that I knew very well when I was much younger, and when I visit now it evokes thoughts about time — how some things have changed a lot while others have changed not at all.

In normal times I probably have not been able to approach this bench at this time of day without raising suspicions and concerns, especially when carrying a camera and making photographs. But the entire area was empty since the shelter-in-place orders had closed it down.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dead Trees, Snow

Dead Trees, Snow
Burned forest trees silhouetted against snow storm clouds swirling around a granite face

Dead Trees, Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dead forest trees silhouetted against snow storm clouds swirling around a granite face

I have written before about my long-term process of trying to find ways to photograph the beauty of dead or burned forests, a subject that I was brought up to regard as a tragedy. For decades, Smokey the Bear told me that forest fires were a wholly bad thing, to be avoided at all costs. Eventually we came to understand and (mostly) accept that fire is a normal and even necessary part of the life-cycle of healthy forests, and in places like Yosemite fires are often “managed” rather than suppressed. Currently in the Sierra Nevada the issue is compounded by the sight of millions of trees that fell victim to bark beetles during the recent drought, and whole forests have died in some places. A few dead trees are a normal part of the landscape, but this is unprecedented in the lives of any of us.

This photograph was made on a snowy day in Yosemite Valley, probably the last such day of the current season as winter turns to spring. Beyond the stark trees, a combination of clouds and blowing snow mostly obscured the Valley’s cliff faces. This photograph illustrates something else I figured out about photographing tall trees some years ago. I used to feel that the way to show the vertical scale of tall trees was to move back and show the whole tree, usually in a vertically framed image. I specifically recall the day when I figured out that there is another way. I was photographing in the coast redwood forest north of San Francisco, where I was unable to move back to get the tree-encompassing distance. I realized that I could do the exact opposite of what I had been doing — use a panoramic framing that does not show the whole tree, but instead implies by absence that subject is too tall to fit in the camera’s frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.