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Window, Wall with Shadow and Stain

Window, Wall with Shadow and Stain
Window, Wall with Shadow and Stain

Window, Wall with Shadow and Stain. New York, New York. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

Diffused light from a cloudy sky casts a soft shadow across a wall with a faint stain.

This is perhaps a subtle photograph. Originally it was in color, but the colors were so subdued – almost invisible, actually – that I decided to go with this black and white rendition. This wall is in a New York museum and is located next to a window. It was overcast, so the light coming through the window was particularly soft and diffused. It wasn’t until I looked at this photograph in post that I realized that there is a “flaw” in the scene – the slightly darker stained area on the upper wall.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs from “Così fan tutte: Some Assembly Required”

This is definitely not landscape photography.

One of the things on my agenda when we spent a week in New York City last month was photographing “Così fan tutte: Some Assembly Required,” an unusual event based on Mozart’s opera. Over the course of four evenings at the Gershwin Hotel in Manhattan, a group of singers and instrumentalists and others revealed much that might otherwise not be apparent the opera by “assembling” a portion of the opera each night. The outline of the event was that each evening would begin with an informal rehearsal of a section of the opera, interspersed with commentary from participants, and then conclude with a straight-through reading of the section that had been rehearsed. Beyond that, many of those participating also “took it online” during the event, tweeting and blogging as it took place. (My wife played principal oboe in the orchestra, and I have to tell you it was very strange to get text messages from her during the “show!”)

Photographing the event presented some interesting opportunities along with some challenges. The challenges were mostly what you might expect – concert venues, especially during a “rehearsal” are often not lit with photography in mind, and the space in the Gershwin Hotel where this took place was a virtual nightmare of photographic problems. The walls are bright red! The lighting was very low. There were columns in the middle of the orchestra. All in a day’s work, right? (I mostly shot natural light, and was very glad to have a 135mm f/2 lens and a Canon 5D2 which produces quite decent images at ISO 3200.) The opportunities, however, were worth the challenges. For one, unlike an actual performance at which the noise of a camera is simply unacceptable and, in addition, one needs to be virtually invisible, because this was an informal event I was not only able to shoot as the performance took place, but I was also able to wander around more or less at will. And while performers can often be quite skittish about being photographed during a performance – it creates an unwelcome distraction for them – these performers were very relaxed about it and even seemed to want to be photographed.

I exposed hundreds of frames during the two nights I was there, and I’m only now finding the time to sort through them. I will almost certainly not post all of the photographs here individually, as I would do with a lot of my other work, but (below the “jump”) I will collect many of them in this post. Note that this work is ongoing – I’m starting with an initial set of ten photographs, but others will be added as I update this post later. Continue reading Photographs from “Così fan tutte: Some Assembly Required” →

Sub-Alpine Ponds in Afternoon Light, Artist Point

Sub-Alpine Ponds in Afternoon Light, Artist Point
Sub-Alpine Ponds in Afternoon Light, Artist Point

Sub-Alpine Ponds in Afternoon Light, Artist Point. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

A trail weaves through meadow and among sub-alpine ponds at Artist Point with the ridge of Mt. Shuksan beyond – Mt. Baker-Snoqualmie National Forest, Washington.

This is another photograph from my late-August afternoon exploration of the stunning ridgeline of Artist Point in the Mt. Baker-Snoqualmie National Forest near the Mt. Baker ski area. This ridge runs through an intimate landscape comprised of small rock fields, meadows with running streams, groves and isolated high elevation trees, and small ponds – and provides a truly stunning panorama that takes in Mount Baker on one side and Mount Shuksan on the other, with distant peaks all around. We could hardly have asked for better conditions for late-afternoon photography. Dramatic clouds ringed the peaks, sometimes obscuring them and sometimes clearing for a moment, and bright sun alternated with softer and diffused light as cloud shadows moved across the ridge.

A bit further along the ridge there is a series of small snow-melt lakes – what I usually refer to as “tarns” in the Sierra. Here a trail winds in front of a couple of them that sit in rocky hollows in front a few ridgeline trees, with the cloud-shrouded shoulder of glacier-covered Mount Shuksan beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Artist Point Meadow, Mount Shuksan

Artist Point and Mt. Shuksan
“Artist Point Meadow, Mount Shuksan” — The view of cloud-shrouded Mount Shuksan from a heather-filled sub-alpine meadow at Artist Point, Mt. Baker-Snoqualmie National Forest, Washington.

As my brother and I came around the corner of this trail along the side of the Artist Point ridge, it took our breath away. I arrived a moment after he did, and found him already down among the heather flowers near the small run-off creek setting up his tilt-shift lens to make a close-up photograph of the flowers with the mountains in the distance. Once he finished, I went to work on this wider view of the scene, including the nearby foreground meadow and flowers, the trees along the edge of the drop-off, the pool of light in the valley beyond, and the shoulder of cloud-rimmed Mt. Shuksan with a dramatic sky beyond.

On a technical note, this was a very difficult exposure. When I looked down at the flowers and plants I saw what you see here, and when I looked up I saw the cloud-filled sky roughly as it appears in this photograph – but the dynamic range was so wide (ranging from parts of the foreground trees in deep shadow to distant snow fields in direct sun) that one exposure could not capture all of the scene data… so I used three which were then combined in post using masked layers and blended manually.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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