“Redwood Forest Plants” — Detail of plants growing on the redwood forest floor.
We are perhaps spoiled somewhat here in my part of California. We take redwood forests for granted — both the coastal trees and the sequoias found in a few areas of the Sierra. Because I’ve been around these trees almost all my life, I forget sometimes how remarkable they are. Ironically, it is frequently while traveling to other places where forest trees are not of such gigantic size that I realize how shocking their scale can be.
At the same time, familiarly helps me look past the trees themselves and see smaller things that might be overlooked by a person walking through these forests with neck craned upwards in marvel. There is actually a lot taking place right down on the ground, especially during the wet season. I made this photograph one march in redwoods just north of San Francisco.
Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.
This is an extra fun post for me to share because it ties a whole bunch of strings together — and it somehow manages to memorialize literally the first instant of my friendship with Keith Walklet. Back n 2008 I had heard from Charles Cramer that he and a group of fellow photographers would be spending a week or so in a Yosemite backcountry location that was very familiar to me, as part of a long term project that took them into the backcountry to make photographs every year. I mentioned that I might just backpack in on my own and look them up. I arrived in the neighborhood, but couldn’t find them, so I went ahead and set up my own solo camp and got to work exploring and photographing. A day or two later I was descending cross-country from a high, rocky lake when I spotted a heavily-laden figure coming up the valley, skirting a lake and heading my direction. Judging from the absurdly large load he was carrying I knew it was either an overburdened backpacker… or a photographer. I suspected the latter.
I quickly made a couple of exposures as he approached — mostly thinking that the figure in this landscape might be interesting. I made this photograph less than a minute before our first meeting. I had never met him, but I guessed he might be part of Charlie’s group and he confirmed. We spoke a bit — I don’t recall many details of the conversation aside from finding out where they were camped and that he was probably heading to the lake I had just left — and then I continued down canyon as he continued up. A day later I caught up with the group at their camp as I began my walk back out to the trailhead. This was the end of my trip, but it was the beginning of a longer, fulfilling journey with this band of friends: Keith, Scot, Mike, Karl, Charlie, and occasionally others. The next summer I hiked in to meet them for a couple days at their next location. The summer after that I still went in on my own, but walked with them and camped with the group for several days. And the next summer I began to participate in these wonderful expeditions every summer, spending a week or more in the glorious Sierra backcountry with a wonderful group of photographers and friends. (And, yes, we’ll be doing it again later this summer. I’ll perhaps have more to say about that later this season.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Autumn leaves lie on the sandstone in a high country creek bed, Zion National Park
Every so often I decide to dig back through my older file archives from previous years, and I almost always discover photographs that I had forgotten, that perhaps didn’t resonate at the time, or were part of batches of images that I someone never quite finished reviewing. This is one of those. It comes from a lengthy autumn trip to various places in Zion with a group of friends back in 2012.
I made this photograph in Zion National Park, but it could have been made in uncounted numbers of places in Utah — it has the basic ingredients: patterned and worn sandstone plus leaves. This scene is as I found it, a small vignette of leaves, some in colors matching those of the sandstone and couple yellow enough to stand out from the background.
Cottonwood trees and other fall color along the bottom of a river canyon, Grand Staircase-Escalante National Monument
I made this photograph a few years back on a beautiful autumn day when a small group of friends walked down a river canyon, exploring and photographing the river, the vegetation, and the rocky walls. Direct sunlight does not reach the bottom of these canyons most of the time, especially during the times of the year when the sun’s path is lower in the sky and the daylight hours are shorter. Instead, the light strikes the upper walls, bouncing back and forth, diffusing and picking up the color of rocks and fall leaves as it makes its way downwards. If you look, you can see it in this photograph — in the glow on the canyon wall, the saturated colors of the leaves, and the light making its way into shadows.
Such canyons are wonderful places to go if you want to be cut off from the rest of the world. The landscape above the canyons is often relatively bare, perhaps dry and flat with occasional junipers. But none of that flat land world is visible once you are down in the canyon, where cottonwoods and brush spring up along the creek and every bend promises something new an interesting.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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