Tag Archives: street

Photographs: Europe, Photographs: Spain, Photographs: Travel

Fountain of the Horses, Santiago de Compostela

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Fountain of the Horses, Santiago de Compostela
“Fountain of the Horses, Santiago de Compostela” — Morning tourists near the “Fonte de Cabalos” (Fountain of the Horses) in Santiago de Compostela.

The “Fountain of the Horses” (“Fuente de los Caballos“) is a two-centuries-old monument in the Praza das Pratarías, a small square near various sacred buildings in the city. Its name comes from the four horses at the base of the statue. We passed though the square several times during our May visit.

While the fountain was on my mind when I made the photograph, it wasn’t the main thing that I was thinking about. (I mostly thought of it as a compositional element.) I was intrigued by the arrangement of buildings on the street at and around the square and by the morning light coming straight down a narrow street to the left… and also by the positions and colors of the people in the square.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Narrow Street, Santiago de Compostela

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“Narrow Street, Santiago de Compostela” — A narrow, deserted street winds through Santiago de Compostela, Spain.

Not all of Santiago de Compostela, Spain looks like this scene, but if you visit and wander around the historic old part of town you will find such places. The primary streets, although also narrow, can be quite busy at times. But off to the side are little streets and passageways that are far less crowded, especially at the right times of day.

This is an exceptionally narrow street. You are not going to drive a car here — a scooter perhaps. The buildings are old enough that they have acquired some off-kilter qualities, with walls leaning slightly.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Portugal, Photographs: Travel

La Ribeira at Dusk, Porto

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La Ribeira at Dusk, Porto
“La Ribeira at Dusk, Porto” — The Douro River winds past the La Ribeira district of Porto at dusk, Portugal.

On this evening we had crossed the Douro River via the famous Dom Luis I bridge to join the throngs watching the sunset from its south side. People staked out viewing locations almost everywhere, though the Garden of the Moors area seemed to be the most popular — with musicians and food carts ad more. We took a different approach and climbed up to the Mosteiro da Serra do Pilar.

After sunset we started our walk back to the north side of the bridge and our lodgings along the edge of the Ribeira district. Dusk was arriving as we re-crossed the bridge, so I paused to photograph the scene — the lively waterfront area, the buildings rising up from the river, the water’s winding path toward the sea, and some evening clouds overhead.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Lisbon Rooflines

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Lisbon Rooflines
“Lisbon Rooflines” — A succession of rising rooftops against a cloudy sky, Lisbon.

On one level this photograph is about the forms and colors of the buildings in this Lisbon neighborhood. The color palette is more typical of Southern Europe — from here to Italy and beyond — with the earth tones and the red tile roofs. The angle relationships are compressed, in part because the buildings are so close to one another.

It is also about the “atmosphere” of the place — the light of this region seems to me to have a particular quality. On one hand it can be sharp edged, I suppose due to the southern location and the high position of the sun. But there can also be a softness to the atmosphere that isn’t like the harsh quality often seen in, for example, the American Southwest.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.