Brick walls and windows along a London street, late afternoon
There is probably not a whole lot to write about this photograph. As we walked some London streets that were not quite as filled with tourists, I looked up this side street and saw the beautiful series of brick walls, with all sorts of interesting interruptions of the basic form: windows, an indented darker area housing windows, conduit and a lamp, etc. Between the darker bricks further along the wall and the shadow near the camera position, there was a brighter band of sunlit bricks.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Two pedestrians in blue shirts walk past architecture emphasizing vertical and horizontal lines
A photograph like this is a bit hard to explain, but I’ll try. At least a little bit. As is often the case, for some reason this structure – a parking lot – caught my attention. I like the texture of concrete when doing city photography, and this landscape of lines seemed a bit striking, and in fact it got me thinking again about the very linear nature of much of the urban environment. Aside from a few things – the green tree, the red card, and the people – essentially everything in this scene can be regarded as being a sum of horizontals and verticals, from the obvious vertical covering of the garage to the wires, to the street lanes and lane lines, to the sidewalk, and the rows of squares on the background building.
It occurs to me from time to time that there is something very unnatural about this, and it might even be a cause of the disconnect from the environment that can occur in such places. But as (pretty much) always, the constructed world is not perfectly linear. But still, to me, the two people walking along the sidewalk, whose blue attire also caught my attention, look very small and very passive relative to the constructed world they inhabit.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I was in San Francisco this morning for a demo/announcement of new Google Plus features and after the event I had a bit of extra time on my walk back to the Caltrain station – 20 minutes to be precise. So, just for fun, the results (most of them at least) of 20 minutes of street shooting in The City.
It might seem odd to some that a photographer who does so much landscape work would be interested in photographing the sometimes-gritty urban environment of San Francisco. There is a lot I could write about this, but I’ll limit myself to a few ideas here. First, to some extent I think of photographing the urban environment as an extension of landscape photograph – let’s call it “urban landscape.” Second, shooting handheld while on the move leads to a different way of seeing that is quicker and more “improvisational” (to use a term from my music background), and this is, if nothing else, a great exercise in seeing.
Woman with Phone, Tall Building
Woman with Phone, Tall Building. San Francisco, California. October 29, 2013, 11:01AM.
I had stopped to try to photograph a woman pushing a stroller with this wall as a backdrop. She walked out of the frame too quickly, but I managed to grab this one of the solitary woman against the same backdrop.
MUNI Bus Yard
MUNI Bus Yard. San Francisco, California. October 29, 2013. 11:03AM.
A moment later and on the other side of the street, I walked past this MUNI yard full of buses ready to head out.
Woman and Dog, Brown Building
Woman and Dog, Brown Building. San Francisco, California. October 29, 2013. 11:04AM.
One minute later and back on the other side of the street once again, I saw this interesting structure and a woman with a dog fortuitously walked in front at just that moment. This photograph is about many things, but the colors are quite important.
Pedestrian, Sidewalk
Pedestrian, Sidewalk. San Francisco, California. October 29, 2013. 11:16AM.
Slacking now, it was 12 minutes between the previous photograph and this one… ;-) Here I was trying to figure out my best route and I think I wandered around a bit without shooting, but then I saw this low building which was covered with swatches of paint that had been applied to cover graffiti. Once again, I was lucky and a pedestrian walked into the frame just as I was ready to shoot it.
Autumn Leaf, Sidewalk
Autumn Leaf, Sidewalk. San Francisco, California. October 29, 2013. 11:19AM.
After making a wrong turn I ended up walking around a block and back up towards where I started. While walking I saw this leaf and photographed it quickly without looking through the viewfinder.
Garage and Fence
Garage and Fence. San Francisco, California. October 29, 2013. 11:21AM.
A moment later and on the other side of the street from the leaf, I saw this small lot and the light blue building with the roll-up door, and the bright sky beyond. Initially I wanted to include the more of the building to the left along with a street light near its corner. So I made a few exposures of that, pausing as traffic passed by, and then made this one that eliminated all of the left-side building except for the tall wall facing the lot.
At this point I realized I had a train to catch, and one stop to make on the way there…
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A painted and weathered brick wall beneath a London overpass
I have only a general recollection of where I made this photograph. I think it was on the south side of the Thames, probably somewhere beyond the Millennium Bridge and in an area of older narrow streets where we walked both to kill some time before an appointment and to wander and see what we could see.
There is, obviously, nothing all that exotic about this wall. In fact, I’ve likely photographed similar subjects in the SF Bay Area. I think several things caused me to stop and shoot it. First, to be honest, I was in a shooting mode – in other words I was shooting quickly and shooting a lot of frames. But beyond that, I was intrigued by the lights, muted by the narrow street and the fact – again, if I recall correctly – that this was shot near the edge of an underpass of some sort. Bricks often intrigue me, but here the layers of paint applied to the bricks, which really shouldn’t be painted, probably covers something that we are not supposed to see. The larger underlying area of black paint contrasts with the Halloween orange that must have been added later. But now new stuff has already been added to the wall on top of the old cover-up job.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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