Tag Archives: street

Woman in Dry Cleaner Doorway

Woman in Dry Cleaner Doorway
“Woman in Dry Cleaner Doorway” — A woman stands n the doorway of a dry-cleaners and smokes, Fiesole, Italy.

During this summer’s lengthy European travels, one of our longest stays was in Florence. There’s a lot to see there — much of which we had missed on our previous visit in the pre-pandemic era, when we barely did more than pass through on our way to and from other places. So one reason for the longer stay was that we had some catching up to do. In more practical terms, we feel that after a lot of active travel it is good to stop and stay in one place a bit longer — and Florence was that place. But this photograph is not in Florence…

… which might lead you to wonder why I’m posting it here. Well, it is very close to Florence! Friends had recommended a visit to Fiesole, a smaller town in the hills above Florence. So one morning we caught the bus up there for a partial day of wandering and looking at long views of the Arno Valley and Florence. This was a quick photograph I made while wandering through the town — a woman taking a cigarette break outside her dry cleaning shop.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Ponte De Le Bande, Evening

Ponte De Le Bande, Evening
“Ponte De Le Bande, Evening” — A couple sits at the edge of a Venice canal next to the Ponte de le Bande in the evening.

This photograph comes from an evening walk in Venice back in August. Looking back on it, I’m still surprised that I managed to find a break in the usual stream of humanity across bridges like this one. It was evening, and things do quiet down at night, but it isn’t all that late. It is pretty likely that I made the photograph quickly while passing, and I’d be willing to bet that seconds after I made it other people entered the scene.

Dealing with crowds in Venice and similar places — as a photographer or just plain as a visitor — is a complex subject. (Some might simplify it by simply staying away at the worst times of the year, but we did not have that option.) To some extent, it is possible to embrace the intense energy of the masses of people, but that can be both distracting and overwhelming. But late at night or — even better — very early in the morning the crowds melt away to nearly nothing. One early morning in Venice I walked through one of the most crowded locations, and it was almost empty.



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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Perpendicular

Perpendicular
Blue wooden doors with former windows filled by painted wood panels.

Perpendicular. © Copyright 2023 G Dan Mitchell.

Blue wooden doors with former windows filled by painted wood panels.

Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.

I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Horse Stencil, Walls

Horse Stencil, Walls
“Horse Stencil, Walls” — A stencil of a horse at a place where two walls meet in Siena, Italy.

Some years back, in the pre-pandemic era, we spent a bit more than a week in Tuscany. It was quite a trip — we mostly stayed with and traveled with family. We spent a week in the Chianti hills at a villa where our oldest son and our daughter-in-law exchanged wedding vows. We also managed to very briefly visit Florence (barely more than one day) and Siena (literally a few hours). Needless to say, that was only enough to make us want to return for longer visits — which we did this summer.

This time we had three nights in Siena, where we stayed in a little place just minutes from the Piazza del Campo, the famous central plaza. If you have been following along, by now you know that our mode of travel is a bit different. We do see some of the Big Sights (and Sites), but we also spend a lot of time just walking and wandering and getting the feel for the place. As a result, we sometimes end up with photographs of small things that you might miss on a more hurried visit — like this little stencil of a horse near the meeting of two walls along a Siena walkway.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.