Tag Archives: structure

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects

Rectangular Patterns (Horizontal)

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Rectangular Patterns (Horizontal)
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.

The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Rectangular Patterns (Vertical)

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Rectangular Patterns (Vertical)
“Rectangular Patterns (Vertical)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is the second in a series of three photographs that I made on a walk that took me through an area of urban renewal in my town. A large corporation committed to very extensive building plans, then backed off during the pandemic, and now seems to be trying to, in my view, make it look like something is happening when not much really is. They have painted buildings and put up interesting interpretive signs. To their credit, this is better than just letting the properties decay.

I’m very attracted to strong graphic forms and colors — which I suppose might surprise some who think of me as “just” a landscape photographer. But I don’t see any conflict, and I feel that the interest in such forms underlies quite a few of my landscape images, even though it is possible to look at them primarily as being “pictures of nature.”

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Under the Highway

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Under the Highway
“Under the Highway” — The steel structure supporting NY 9A along the west side of Manhattan.

This photograph comes from one of our frequent August visits to New York City. New Yorkers reading this are perhaps shaking their heads and wondering about my sanity. There is a reason that people who live there take there vacations in August — heat, humidity, thunderstorms, and all the rest. But over the years we have regularly made August visits — in the early days because that is when I wasn’t teaching, but now out of (arguably perverse?) habit.

But this August visit, as I recall, was relatively pleasant. It certainly was on this day as we walked from our hotel down to the Hudson River, passing beneath this remarkable structure as we approached a riverside park. This supports the highway running down the west side of the city and, I think, it is still more attractive than modern concrete construction that is used today for such things.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: England, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

London Eye

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London Eye
“London Eye” — Looking upwards at the London Eye on a cloudy day.

I usually have a good sense of direction, and I can often navigate without maps. But I also have an occasional directional problem. When arriving in a new place I sometimes make an incorrect assumption about the compass directions. Once I do, it is darned near impossible for me to fix it. London is one of the places. For some reason, the first time I visited I reversed north and south, and I’ve struggled since then to get it right. I’ve gotten a lot better — when I look north across the River Thames these days it looks like it is north. But this photograph came about due to the residue of my prior confusion.

When we set out from our lodgings to walk to the nearby Borough Market, I went with my gut instead of logic and headed out confidently in the wrong direction. (To her credit, Patty suspected that I was going the wrong way, but went along.) We walked and walked and instead of finding the Market we were (or I was) surprised to walk up to the London Eye, which is in exactly the opposite direction!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.